What happens when an artist turns the algorithm against itself?
TSRB &
@DmGatech researcher Hyunha Lim's practice does exactly that. Since 2021, she has been collecting daily screenshots of personalized Instagram ads and reconstructing them into handmade collages, printing algorithmic fragments onto fabric, then braiding, stitching, and assembling them by hand.
Her latest project, Re-Materializing Stone Mountain: Stitching the Automated Surface, extends this into new territory. Supported by the AIAI Network's seed grant program, the work examines how generative AI represents place — and what gets lost in the process.
When AI models generate images of Stone Mountain, they produce outputs that look coherent but strip away history, politics, and material context. Lim responds through intervention: printing AI-generated fragments onto silk satin and reconstructing them through cutting, stitching, and quilting.
Each stitch is a decision. Each seam is a record of human agency reasserting itself.
In a moment when generative tools are becoming deeply embedded in everyday life, her work raises an important question: how much do we give up when we outsource perception to automated systems?
🔗
techsquareatl.com/tech-squar…