* When the Cat Comes (Az prijde kocour, 1963) / Vojtěch Jasný

La cineasta argentina Lucrecia Martel conversa con la actriz Cassandra Ciangherotti sobre su primer encuentro con los libros y cómo la literatura influye en su forma de hacer cine. #Léemelo📚 📺Lunes 18 de mayo, 21:00 h ▶️bit.ly/4eRmCjs

Did you know that Saturday, May 16 is National Classic Movie Day? Whether you're an established film aficionado or you're interested in doing a deep dive on the films that shaped modern cinema, there's a book for you in our Film Studies collection: bit.ly/4u6YWfD

UK/US: The nine mistresses of a TV Exec. conspire with his wife to have him killed in Kon Ichikawa’s dark satire TEN WOMEN IN BLACK, written by his own wife Natto Wada. This release boasts a new 4K restoration by Kadokawa and includes a feature-length documentary on Ichikawa.

The Mad Fox (1962) dir. Tomu Uchida

Picnic ピクニック (1996) dir. Shunji Iwai

With the latest Toshiaki Toyoda film Transcending Dimensions out on May 25, let’s look back at one of his greatest films: Blue Spring #青い春 from 2001 Also on bluray from us, along with almost the entire @toyodatoshiaki filmography! thirdwindowfilms.com/directo…

There's a movie out today called SILENT FRIEND that's 2.5 hours long and is primarily about Tony Leung befriending a tree. It's extraordinary. vulture.com/article/in-mesme…

Espero @BanalPodcast haga un Episodio sobre esta "visita" @WilliamBrinkman

’80s REMAKES (AND THEIR ORIGINALS!) 🎞️ 📼 Coming to @criterionchannl on May 1! bit.ly/4vPjhY2 As a new generation of movie-mad directors emerged in the 1980s, they drew direct inspiration from the films they grew up watching and obsessing over. The result was a striking run of idiosyncratic Reagan-era remakes in which filmmakers such as John Carpenter, Paul Schrader, and Jim McBride breathed new life into familiar stories. Viewed side by side, these films reveal a decade in provocative dialogue with the past, infusing timeless originals with the aesthetics, politics, and cultural permissiveness of a new era.

¿Quieres conseguir un ejemplar de la nueva edición de mi libro MONSTRUOS GIGANTES DEL CINE JAPONÉS? 📕🐲 Para participar: 1. ➡ Sígueme a mí y a @Diabolocomics 2.🔁Retwittea este mensaje ¡Tienes hasta el 16/04/2026 a las 22:00 para participar!

POV: Você está vendo um filme durante um dia claro com a janela aberta

Mi única opinión durante esta fiebre mundialista

A new documentary centred around the UK's "rave revolution" of the late '80s is set to premiere this month 📺 mixmag.net/read/documentary-…

The Prodigy’s ‘Firestarter’ turns 30 today 🖤 
Released on XL Recordings in 1996, the track became one of the defining records of the decade. Its iconic video, directed by Walter Stern and filmed in a disused London Underground tunnel, remains one of the most recognisable visuals of the 90s. 
The stark, black-and-white shoot wasn’t the first video made for the track. An earlier, higher-budget version had already been filmed but was ultimately scrapped, leading the band back to a stripped-back concept that placed Keith Flint front and centre and captured the performance that would come to define the record. 
Firestarter went on to top the UK charts for three weeks and became a worldwide hit.

🙃

A 50 años de “Canoa”, converso con el crítico @jjnegretec sobre la película de Felipe Cazals que retrató el miedo colectivo y el poder del rumor. Cine, memoria y una herida que sigue abierta. 🎙️ EP #140 🔗 linktr.ee/enriquefigueroamx #Canoa #CineMexicano #Podcast

¡Atención, jugador! 🦑 La única regla de hoy es no despegarse del 96.1 FM. En #Derretinas nos ponemos la máscara para hablar del gran Lee Byung-hun. Ven a descubrir por qué nos tiene obsesionados. 🎥✨ 🗓️ Hoy, 21 h en @RadioUNAM, con @pazespa y @jjnegretec . 🍿

Satoshi Kon talks about how Requiem for a Dream took from his film Perfect Blue (1997)