"One film closes a circle. The others open a distance. One man walks a red carpet as slowly as physics will allow, in a jacket that says FAST FOREVER, honoring 25 years of speed by temporarily refusing it. Another man walks on a similar rhythm to a seat in a small upstairs room and speaks, quietly, about the cinema of the gap, the cinema of what happens between images when you give them space to breathe. A moment to meditate on how much time is needed in let films grow in time instead of working with the immediate reactions..."
@PedroEmilioSB beholds the amusing contrasts and parallels of the Cannes Classics section, intriguingly headlined by Rob Cohen’s THE FAST AND THE FURIOUS:
mubi.com/notebook/posts/the-…