The Temple Theatre was more than a nightclub. For a particular generation of Dubliners, it was a rite of passage.Its lifespan was barely seven years. But its legacy as a sacred place for music, dancing, drugs and getting your hole makes it one of the most important spawning grounds of Dublin youth.
Long before all that good stuff, St. Georgeās Church was of the Georgian Northside Dublins great early 19th century Protestant houses of worship. Designed by the architect of the GPO Francis Johnston, the church began construction in 1802 and opened in 1814, he gave it a dramatic triple-tiered spire.
But St. Georgeās was nearly fecked from the start. The dodgy roof was made with badly designed timber trusses and began to fail under its own weight. Luckily Robert Mallet, one of Irelandās most innovative engineers, designed a series of cast-iron trusses to stabilise it.
By the late twentieth century, the church was once again encased in scaffolding. The posh spire needed reinforcement during the 1980s. Protestant attendance on the northside had dwindled by then anyway and St. Georgeās was deconsecrated. Its bells, made famous by their tolling in Joyces Ulysses, were removed to Taney Parish Church in Dundrum. The aul pulpit took a stranger journey, ending up in Thomas Readās pub on Parliament Street.
In 1991, the building was sold to actor and entrepreneur Sean Simon. On the 9th of September 1996 St. Georgeās reopened as the Temple Theatre! The neo-classical interior remained with the nave accomodating a congregation with a different vibe. The vaulted basement crypt was refitted with recycled church pews and converted into two bars.
The Temple Theatre quickly became Dublinās premier dance venue, attracting an international roster like Sasha and Digweed, Judge Jules, Mauro Picotto, Scott Bond, Joy Kitikonti, and Lisa Lashes. And then, as with so many great Dublin institutions, it bleedin ended abruptly. The final weekend, over the August bank holiday in 2002, was called "End of an Era". By September 2003, the Temple Theatre had closed its doors.
So what about the urban legends of there being bodies buried under the dancefloor? Well when this Church of Ireland site was deconsecrated records indicate that some remains were removed to the consecrated ground of Mount Jerome Cemetery. But Dublin legends say deeper vaults were quickly sealed behind new partitions to accommodate the bars and sound systems.
There was a more thourough rennovation in 2004, after the club when the building was purchased by Eugene OāConnor and converted into high-end offices. The building is currently used as private office space for Temple Street Children's Hospital. The "Crypt" where people once danced to trance music is now used for storage, plant machinery, and office infrastructure.