A letter from our editors â€ïž weâll be back and better than ever before you know it. See you soon!
ALT Dear Counterclock family,
Itâs been a minute! We hope you all are staying healthy and safe and that, as always, youâre finding time to spend with words and art, both othersâ and your own.
Obviously, we have not been very active since our last issue was released in the spring of 2024. Our long silence is largely due to technical issues with the website. These issues prevent us from editing our website in any meaningful way, and they have proved unsolvable after almost a year of attempted fixes and multiple extended conversations with the SquareSpace support team. These problems are not unique to usâother online literary magazines have had to migrate website hosts for similar reasons. As such, we are facing a fork in the road as far as COUNTERCLOCKâs future. We sat down as an editorial team and considered our options.
ALT COUNTERCLOCK is almost ten years old and has seen multiple editorial boards and conceptual iterations. We decided against shuttering the journal entirely. In a precarious online landscape where the link to a published poem can go dead at any point, our longevity is something to be proud of, which is why want to make our next decision conscientiously and with deliberate gravity and intention as we migrate web hosts and reconsider our vision and goals for the journal and come back better and stronger than ever. This will take some time, but we are excited for our journal to evolve with our contemporary landscape and to continue creating space for art and literature even, and especially, when those creative practices are under increasingly alarming constraints.
Our Pop Punk Poetics folio, co-edited by Maria Gray and Kaylee Young-Eun Jeong, will be published as a collaboration with ONLY POEMS. We are eternally grateful to Karan and their team for helping us see this project through.
ALT The folio will still appear in its original form on our new website, which is slated to go public in early 2026.
COUNTERCLOCK will not release any new journal issues in 2025, and submissions received via email during this time will not be reviewed. Existing contributorsâ publication links should not be affected, but we may organize them differently on the new website. We will update contributors via email if this is the case. Any applications for staff positions at this time will also not be reviewed as we regroup and reconsider the future of COUNTERCLOCK.
Weâre looking forward to COUNTERCLOCKâs next iteration and we hope you all will love it as much as we already do. Thank you for your immense patience and understanding.
With love,
Rachel, Maria, & Eliza
"You held me from my back as we swayed to the rain. There is no way
not to make this sound crazy: the mist hid my tears
as I cried in the crowd."
Robin Arble, "I turned 22 and realized it's okay"
"I am my fatherâs money. Sometimes everything I eat is a ghost.
No, it was not always like this. During college, I found money with my body.
They called me a spouseâs friend, but never a spouse."
Haolun Xu, "Strawberry Confessional"
"Dammit, if you insist
On moving the bodies,
Take all of them, leave
Nothing behind. Not a hair,
A tooth, a nail. Itâs cruel
To break them into pieces,
To scatter them amongst
Empty churches like confetti..."
Read Alan Kissane's "The Bodies of the Saints":
"Between the sky and our four green walls,
light is the only tenant that knows how to leave.
Better for you to live a small life, my mother repeats."
Read Iris Cai's poem "Everything that grows is foreign" here: counterclock.org/iris-cai
Hello everyone! I have a new poem out with @counterclock_, called âStrawberry Confessional.â It is a rather personal poem I hold very dear, about old times. đđ
History says we forgave the executioner.
âSolmaz Sharif
ALT Social Skills Training
by Solmaz Sharif
Â
Studies suggest How may I help you officer? is the single most disarming thing to say and not Whatâs the problem? Studies suggest itâs best the help reply My pleasure and not No problem. Studies suggest itâs best not to mention problem in front of power even to say there is none. Gloria Steinem says women lose power as they age and yet the loudest voice in my head is my mother. Studies show the mother we have in mind isnât the mother that exists. Mine says: What the fuck are you crying for? Studies show the baby monkey will pick the fake monkey with fake fur over the furless wire monkey with milk, without contest. Studies show to negate something is to think it anyway. Iâm not sad. Iâm not sad. Studies recommend regular expressions of gratitude and internal check-ins. Enough, the wire mother says.
[ran out of space. full poem also here: https://www.buzzfeednews.com/article/saeedjones/poem-social-skills-training-by-solmaz-sharif]
honored to have a prose poem about heartbreak, BART, the Oakland coliseum, strawberries, and feral cats in the latest issue of @counterclock_! thank you @djb4sil & co. for including me đâ„ïž
#GRATITUDE to Counterclock Literary Magazine for featuring my work in Issue 17 đ„ đ„ł đ Check out all the exceptional writing and art @counterclock_
Note: We have been experiencing tech issues that require backend resolution from Squarespace. For this reason, some of the navigation arrows in this issue may be nonfunctional. Pending a permanent fix, we recommend clicking individual contributorsâ links to navigate the site.
We were hoping to publish today, but are experiencing major technical issues that require resolution on the backend from Squarespace. I promise Issue 17 will be out as soon as possible! Huge apologies for our delay and thanks for your patience. đâ€ïž
Room is hiring a new publisher!
Seeking a self-starter who's committed to anti-oppressive practices ⯠join us in continuing to carve out a space where 2SLGBTQ , BIPOC, and disabled writers, editors, and artists can thrive. đȘ
roommagazine.com/whats-new/aâŠ
ALT ID: A gradient graphic says "We're hiring," with smaller bubbles that say "APPLY BY JUNE 25" and "publisher."
ALT ID: A gradient graphic says, "be ROOMâs new publisher. Seeking candidates passionate about Roomâs mandate ⯠to serve writers, editors, and artists of marginalized genders, including cis and trans women, trans men, Two-Spirit, and nonbinary people, with a special focus on the voices of 2SLGBTQ , BIPOC, and disabled writers, editors, and artists. A strong commitment to anti-oppressive practices in publishing is a requirement.
Permanent, full-time role starts July 8th, 2024
$22.37/h, 34 hours per week
Primarily work-from-home, but requires regular
trips to Vancouver locations
BIPOC, queer, and marginalized applicants strongly encouraged to apply!"
We are almost done sending out Pop Punk Poetics responses! If you have yet to hear back from us, your work is still under consideration. Thank you for trusting us with it, and thank you to everyone who submitted to this project!
We stand with Palestine and all students standing with them. Our editors are working more slowly than usual due to the student protests. Please be patient with us, the new issue is on its way â€ïž in the meantime go support a student encampment near you!