𝙜𝙢… 𝙩𝙝𝙞𝙨 𝙞𝙨 𝘽𝙞𝙜! I’ve been asked by the artistic Director of Rialto Theater to be the Associate Artist in Residence for 2026! The resulting work will be presented in the theatre’s Autumn 2026 season. More soon…!

Super cool!! 😎 ❤️❤️❤️❤️❤️

▼ ◦•●

War, My Love: i2 Participating artists: 0xEdwoods @0xEdwoods Ali Nazim @alinazim_b Arielll Presti @ArPresti Astrologer @astrologerufuk Avideh @Aabii1986 Ayaz Yildiz @AyazYildiz Ber Sektor @BerSektor Bita @bitaemm Dancevatar @dancevatar Entter @vjentter

War, My Love: i2, takes the psychoanalatical route through art to understand human hatred and its obsession with destruction and blood. Link: objkt.com/curations/objkt/wa… #warmylove #tezos @objktcom

Will say it again - brillaint series, Suzana! ❤️‍🔥👏❤️‍🔥

¹🪡 As a performance maker, I’m used to directing living bodies that breathe and adapt -but working with the latent space feels entirely different.. it’s heavy. I began working on 𝘓𝘢𝘵𝘦𝘯𝘵 𝘍𝘢𝘵𝘪𝘨𝘶𝘦 thinking that I wanted to understand what computational exhaustion could actually feel like in the muscles. This isn't just a rendered image; it is a strict choreographic score. I don't just output the visual. I force my own body to physically perform the dead weight and the digital stutter of a failing system. ⇝ @_second_guess

before everything changes

ᴼᴴ ᴹʸ ᴳᴼᴰ ᴵᵀ'ˢ ᵂᴼᴿˢᴱ ᵀᴴᴬᴺ ᵂᴱ ᵀᴴᴼᵁᴳᴴᵀ 😱🟥🔴❗️📉

The most influential exhibition space of the last decade may not have been a museum. It may have been the For You Page. #FYP at @NFCSummit 2026 Powered by @artontezos_ The collection drops on @objktone 2PM CET / 8AM EST. ↓

"The Stacks" June 5th, 2pm CET / 8am EST 1/1, 1000xtz I’ve only made a handful of artworks where I can directly identify what inspired them. But this is one of them. This piece is inspired by @internetarchive 

For most of history, we sought out information ourselves, and we actively pulled it. We pulled a card from a card catalog. We pulled up a search result. We pulled a book off a library shelf. But as systems became more aggressive and controlling, we turned into passive receivers. We no longer pull information. It’s pushed at us. We’re pushed a notification. We’re served content. We’re fed by algorithms. Information is now something that’s DONE to us. And at this point, most of us are onto it. Which is why the information-pushers increasingly try to convince us that our passive consumption is active discovery. They’ve changed their language to reposition the user as the subject: “For you” “Discover” “Explore” The vast majority of information, painstakingly compiled by humanity, is not going to push its way toward us. We need to seek it out and pull it ourselves 🖤 Thank you @objktone @objktcom and most of all, @kikanicolela for including me in #FYP at @NFCsummit 🖤

Edition has live now we don't care fcking art 11/11 ed .00 transient.xyz/mint/xman

2ndary market spree by @skomra !!!!!!!!! qwq Buaaaaaa ya gonna kill me of nostalgia Skomra ;w; TYSMMMMMMMMMM going thru sum of ma earliest artworks at tezos!!!!! <3 ■ Tiger Year Maneki Neko ■ Yūrei's spiral candle ■ █Data Corrosion Protocol█ ■ Sailsailsailsail

Clip from new work Quieting, made by mixing my own watercolour painting, rl photographs I took of the process of watercolour paint flowing across paper ai. Full work on my website 🔗 in bio 🎧

blinded

the Interbody [03] Ty @moodSlime_ for connecting with my art ▼ ◦•●

Lorna’s works always make my day! 💙💥

𝗨𝗣𝗖𝗢𝗠𝗜𝗡𝗚 𝗥𝗘𝗟𝗘𝗔𝗦𝗘 ◉ 𝗗𝗥𝗘𝗦𝗦𝗘𝗗 𝗧𝗢 𝗞𝗜𝗟𝗟 by 𝗕𝗲𝗻𝗴𝘁 𝗧𝗶𝗯𝗲𝗿𝘁 | @BengtTibert LIVE June 10, 2026 6:00 PM CEST / 5:00 PM BST Released on 𝗙𝗮𝗸𝗲𝘄𝗵𝗮𝗹𝗲 𝗔𝗟𝗣𝗛𝗔 Release format ⌵ • 16 unique 1/1 video works • English auction, no reserve Sixteen video works built around a precise collision: bodies prepared for extremity inside spaces calibrated for routine. In DRESSED TO KILL, the ordinary interior becomes a governance structure, and behavioral excess becomes a way to expose it. Project details ↓