Are you a fan of sci-fi horror and rpgs? We've launched a mothership actual play podcast called 1dZero! It's a spin off from @draft_zero and @_shotzero so expect lots of analysis alongside attempts at jokes. And accents. open.substack.com/pub/1dzero…

Shamelessly re-plugging this episode on how ADOLESCENCE maintains tension despite not cutting following its many deserved Emmy wins: draft-zero.com/2025/dz-118/

A live lighting change, camera movement which the score sweeps along with, very precise actor blocking, and a lil cigarette smoke as the cherry on top all come together to make this gorgeous, dreamy shot from Out of the Fog (1941).

I was a guest on the fine screenwriting podcast @draft_zero where we talk about subtext. Both Stu and Chas are smart, observant, and love film. I was honored when they asked me to join them, so I was surprised when it turned out to be an ambush.* podcasts.apple.com/au/podcas…

Gotta say that I really do miss the community feeling of old Screenwriting Twitter. Nowadays often feels like the loudest voices on here are the petty & the embarrassing, rather than the kind & the illuminating.

DZ-119 drops! We examine how the final choice of your protagonist can create a great ending by successfully wrapping up the character arc and theme in one go. We look at DUNGEONS&DRAGONS, FINDING NEMO, MICHAEL CLAYTON, PROMISING YOUNG WOMAN and TALK TO ME! draft-zero.com/2025/dz-119/

A tale of two movies: Similar deal structures. Similar budgets. One made $45M from 3300 screens, post pandemic, and won the weekend. The other made $41M from 3600 screens pre-pandemic, and placed second. And yet this is the coverage.

if you listened to the latest @draft_zero episde, you heard @chasffisher and I talked about how this scene establishes tone if you haven't, get on it! and/or have this (much shorter!) handy dandy visual guide

Want to know what we have planned in 2025? Check it out and feel free to add your own suggestions. patreon.com/posts/kicking-of…

Arrested Development narrator: It did.

I could not possibly convey the extent of my affection for GAME NIGHT. It was the last movie I watched with my mom before she passed away in March. She was ill and didn’t have much time left, so we watched a lot of movies. We wanted a comedy that night, and as soon as she told me she had not seen GAME NIGHT, it was an easy choice. The screenwriting, timing, visuals, and performances are impeccable. She laughed the whole way through. This scene, in particular, had her howling. It is just perfection from everyone. When it was over, she said, “I needed that. Good choice.” She passed the next week. For the rest of my life, this will be that movie for me, and I am so grateful for that experience and that memory. The joy, shared experiences, and memories that stories create are a treasure. Don’t let anyone ever tell you what we do isn’t important. I love this movie.

In Draft Zero Ep111, we deep dive into FIGHT CLUB and unreliable narrators, and breakdown how the VOICEOVER reflects how much control "Jack" (#EdwardNorton) has over the telling of his story. buff.ly/4fz62Tf #screenwriting #filmmaking #fightclub

In which we tackle important questions such as "does God break the fourth wall?" and "what does it mean if you have an 'unbreakable date with Xena?'"

Featuring the incredible @mehlsbells once again!

This episode was brought to you quicker by our amazing patreons and @arcstudioproapp ! Thank you so much for your support!

Coming Soon youtu.be/mSlZKdApob0