Hi Archie. Good morning mate. Great cover. Happy #SiouxsieSiouxSunday to everybody. Come on 😎👍✌! 📷 By #AdrianBoot 1980 Siouxsie Sioux & Steven Severin

Hi Archie. Good morning mate. Very good choice for a new day. Love it. Happy #BuzzcocksThursday to everyone. Come on 😎👍✌! 📷 By #AdrianBoot Buzzcocks, Manchester, 1979

Hi Archie. Good morning mate. Another great choice for start the day 👍😎✌. Happy #BuzzcocksThursday to everyone. Come on! 📷 By #AdrianBoot Buzzcocks, Manchester circa 1979.

Great pic. Happy #StrummerNight 📷 By #AdrianBoot At home with Joe Strummer (1979)

Rare photograph of THE CLASH, '77 © Adrian Boot #TheClash #TheOnlyBandThatMatters #Rare #AdrianBoot #Year1977

Hoy celebramos el cumpleaños de Bob Marley, su música es el alma de Jamaica 🇯🇲 -- #VisitJamaica 📷: AdrianBoot, Bristol UK 1976 Rastaman Vibration Tour

本日の注目アイテムはこちら💁 BUZZCOCKSが1980年にリリースしたシングル「Strange Thing」のジャケがデザインのオフィシャルマーチャンダイズ！ アートワークはフォトグラファーのエイドリアン・ブート撮影による写真を用いたもの。 geekhead.jp/items/item/BCT-1… #AdrianBoot

“Hypocrites and parasites, will come up and take a bite. And if your night should turn to day, a lot of people would run away.” #WhoTheCapFit 📷 by #AdrianBoot © Fifty-Six Hope Road Music Lyd 👑🎤🎸🪘💚💛❤🌿🔥

“Make way for the positive day!” #positivevibration #bobmarley #happynewyear 📷 by #AdrianBoot ©️ Fifty-Six Hope Road Music Ltd.

“No bullet can stop us now, we neither beg nor we won’t bow.” #Jamming 📷 #AdrianBoot ©️ Fifty-Six Hope Road Music Ltd.

“I and I, a hang on in there. I and I, I nah let go.” #SoJAHSeh #BobMarley 📷 by #AdrianBoot ©️ Fifty-Six Hope Road Music Ltd.

“Me can’t be prejudice. Me can’t - me no think of life that way. Because, me figure if you prejudice, that mean you have a hate. If you have a hate inside of you, you can’t be righteous.” - #bobmarley 📷 by #AdrianBoot

“Said I remember when we used to sit, in the government yard, in Trench Town. Oba-oba-serving the hypocrites, as they mingle with the good we meet.” #NoWomanNoCry #BobMarley 📷 by #AdrianBoot ©️ Fifty-Six Hope Road Music Ltd.

“How can you be sitting there, telling me that you care—that you care—when every time I look around, the people suffer in the suffering, in every way, in everywhere.” #Survival #BobMarley 📷 by #AdrianBoot ©️ Fifty-Six Hope Road Music Ltd.

“My music will go on forever.” #BobMarley ℹ️ Bob is presented with some awards at Island Records in London, including a platinum plaque for KAYA from Australia, October 1978. 📷 by #AdrianBoot ©️ Fifty-Six Hope Road Music Ltd.

“The thing about smoking herb is dat plenty people can think same way. Dat is why Babylon don’t want people to smoke. The more people smoke herb, the more Babylon fall.” #bobmarley 📷 by #AdrianBoot ©️ Fifty-Sic Hope Road Music Ltd.

On this day, July 18, during the 1975 Natty Dread Tour, Bob Marley and the Wailers finished off a 2-night, sold-out run at the Lyceum Theatre in London! These historic shows, immortalized in the iconic ‘Live!’ album released later that year, catapulted Bob to international acclaim. “No Woman No Cry” from these recordings would go on to become Bob’s first UK hit, reaching #22 in the charts when it was released as a single that December. #todayinbobslife Journalist Carl Gayle would write of the experience, “Bob Marley and The Wailers’ music is about to explode! Bob stands on stage ominously like he’s standing among the stars with the world at his feet and TNT in his hands. The power and the glory in his hands. A position where he alone calls the tune. All eyes are fixed on him, all minds are attuned to him, all ears ready for him. All hearts beat as one. All roads lead to Zion.” 📷s by #AdrianBoot and #DennisMorris ©️ Fifty-Six Hope Road Music Ltd. #bobmarley #nattydread #tourhistory #todayinhistory #todayinmusichistory #reggae #reggaemusic #london #lyceum #lyceumtheatre #england

On this day (July 12) in 1980, Bob Marley & The Wailers played their 2nd and final show in #Wales 🏴󠁧󠁢󠁷󠁬󠁳󠁿 at the Deeside Leisure Centre on one of the last dates of the UPRISING tour! #todayinbobslife Show review highlights from the Chester Chronicle, July 1980: “The set opened with Natural Mystic, instantly recognisable, before Marley went on to play some of his lesser-known stuff. For the first hour or so, things went well enough, but then came the opening chords of Jammin’, and the whole place nearly took off. The concert simply lifted to a different plane.” “The music was tight without being strictly bound to the album originals, proving if nothing else that Marley is a professional and that his musicians are men of imagination and flexibility, unlike some bands who use tours simple to put across, note for note, the stuff they put on the albums they want to promote.“ “[As the set came to a close] the band and Marley simply got up and walked off-stage. No one had the slightest intention of letting them go, and 4,500 voices shouting for more put the message across.” “Rating? Outstanding.” On the venue: “Thinking back now the sound must have been awful, just a big echo chamber, a massive shed with an ice floor with a carpet on it. And the capacity generated a lot of heat, so the ice started to melt and by the end of the concert your feet were standing in freezing water. But to be honest you didn’t really care, you were seeing people that you’d only ever seen on the telly and I’ve heard people say they couldn’t have cared less if the water came up to their knees, they would have still gone.” 📷 by #AdrianBoot ©️ Fifty-Six Hope Road Music Ltd.

“It is better to die fighting for your freedom than to be a prisoner all the days of your life.” #BobMarley 📷 by #AdrianBoot ©️ Fifty-Six Hope Road Music Ltd.

“So we gonna walk, alright, through the roads of creation. We the generation – tell my why! – trod through great tribulation. EXODUS! Movement of JAH people.” #Exodus #BobMarley 📷 Photo by #AdrianBoot ©️ Fifty-Six Hope Road Music Ltd.