Loving the slow reveal of this poem by @verafibisan in the new issue of @plmwdmountain edited by Charmaine Papertalk Green & John Kinsella with a focus on the intersections between environmentalism, human rights & Indigenous rights issues #bluehumanties#ecopoetry#blueextinction
ALT Poem by Vera Fibisan
Below Ground
by Vera Fibisan
after Kathleen Jamie’s Surfacing
gills of ground come away
reveal the skin of another beast
the trowel’s edge catches a chink of ivory or stone
detached from permafrost
a carving sees light
as light hangs on to the horizon’s mound of sifted
earth upheaving evading eroding
a vertical edge colonised and deconstructed
who carves this weathered landscape
when the bears sleep and the wind forgets to scare
the ground squirrels into hiding?
beating the rusted scrap metal like an icy drum
the object clasped in hand
a ceremonial handle in ritual dance of becoming
the task taken from the creature and transformed
to open a fissure in space-time
for the more-than-human
to sneak in and settle
on the village in the people
in shared salmon berries
shared with us too
the flow of tendrilled water through country
outwards towards aurora
where a woman counts down to tide time
to erasure time tapping the trowel
to the drum
ALT Cover image for the new issue of Plumwood Mountain Journal featuring a straight road running into a Misty green forest. The text reads: VOL.09 N.01 SEPTEMBER 2022
A POETICS OF RIGHTS
Edited by Charmaine Papertalk Green and John Kinsella, this issue opens up new perspectives on how ecologically-concerned poetry can be sensitive to First Nations cultures, country and knowledges, while also taking into account global environmental and human rights focuses.
ALT From Plumwood Mountain Journal’s website. An image of the sea with the words ‘Where Poetry Meets Purpose’ then a quote by Forrest Gander: “ecopoetry investigates - both thematically and formally - the relationship between nature and culture, language and perception.”
Our new issue, A Poetics of Rights is live!
📖 bit.ly/3DnnPvW
Guest edited by Charmaine Papertalk Green and John Kinsella, this issue features new work by 32 Australian and international poets
The best part of this symposium was the genuinely interdisciplinary conversations and the care and generosity participants showed for each other 🥰🥰
Dealing with difficult subject matter - I’ve still come away feeling hopeful
#blueextinction
Had the absolute BEST time at @blue_extinction over the last few days. What an incredible bunch of people gathered online and in person to chat all things #blueextinction. Thanks to organisers @murrayrachel89 @verafibisan, support of @ShefAnimals! academia at its best 🌊
The old mantras of raising awareness and leaning on tech to 'science us out of it' aren't tenable. So please. If you have any #ConservationOptimism to spare, ideally at the societal level, the bigger the better, please do. #BlueExtinction
Gave a talk @blue_extinction this afternoon about marine extinctions and biodiversity data and there is no happy ending, I couldn't dredge up a note of hope because there's too much to do and no infrastructure to do it. #BlueExtinction
I then critically consider sturgeon farming/farmed caviar production as a ‘conservation tool’ and suggest it continues to operate within and cement capitalist modes of nonhuman commodification, and may actually put wild sturgeon populations at greater insecurity #blueextinction
My paper considers the relationship between capitalism and extinction and argues that capital seeks to maintain ‘sweet-spots’ of vulnerability in sturgeon populations to elevate their value as lively commodities
#BlueExtinction