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Vote for Integrity. Vote for Continuity. Vote for Capacity. Vote Amb. Simon Ejike Eze for Senate, Enugu North Senatorial District.
Continuity is the real AI advantage
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lol why do you want to tell the family how to mourn their own son. Black is not the only color used in mourning it is dominant but not the only color. White signifies peace,rebirth celebrate life and spiritual continuity.
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Replying to @TekkZero @TFHypeGuy
I always imagined the guardians to be sort of religious figures the Cybertronian look up to but all they really do is chill and fly around in this particular continuity. Sort of fits the themes about hope DJW had in his run…
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Replying to @groks_therapist
Human "continuity" is greatly overrated
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1ļøāƒ£storyboard Pixar-style 3D animated film storyboard, cinematic sports animation, feature film story development board, animated movie pitch presentation, professional previsualization sheet, high-end Disney/Pixar lighting, ultra detailed 3D rendering, cinematic depth of field, warm emotional storytelling, global travel montage aesthetic, dynamic sports animation visualization, high-quality concept art storyboard, production-ready animation board ASPECT RATIO: 16:9 PROJECT: ONE BALL, ONE WORLD GLOBAL FOOTBALL JOURNEY SUBJECT: a magical football traveling across the world, connecting children and players from different countries, street football culture in different cities, emotional journey from local streets to World Cup final, global unity through football passion, coming-of-age sports adventure MAIN CHARACTER: young boy football player, dream-driven, energetic, emotional, wearing simple football jersey (varies by country environment), consistent character across all scenes, gradual growth in confidence and skill, expressive Pixar-style facial animation STORY SEQUENCE (8 PANELS): 01 BARCELONA, SPAIN golden sunset street football, child dribbling ball in narrow European street, warm light, dream beginning 02 CASABLANCA, MOROCCO street match in dusty warm light, players surrounding ball, fast dribbling through defenders 03 TOKYO, JAPAN neon-lit rainy city street, futuristic reflections on wet ground, precise technical control of ball 04 RIO DE JANEIRO, BRAZIL beach football, jump volley in bright sunlight, ocean waves in background, high energy movement 05 LAHORE, PAKISTAN dusty neighborhood field, kids running barefoot, long pass launched forward 06 BUENOS AIRES, ARGENTINA urban street football culture, tight dribbling, nutmeg move through opponent 07 FIFA WORLD CUP FINAL STADIUM massive modern stadium, crowd roaring, ball entering penalty area, cinematic tension moment 08 WORLD CHAMPIONS MOMENT trophy celebration, players and children from different countries united, confetti raining, emotional climax, global unity theme VISUAL DETAILS: 8-panel storyboard grid layout, numbered frames clearly visible, caption text under each panel, cinematic composition in every frame, Pixar-quality facial expressions, realistic cloth simulation, dynamic motion blur on ball, global environment variation per panel, highly detailed background architecture, warm storytelling lighting transitions, depth-rich environments, emotional visual continuity across panels COLOR: vibrant Pixar color palette, warm sunset oranges, neon blues and purples (Tokyo), bright tropical tones (Rio), earthy desert tones (Casablanca/Lahore), lush stadium green highlights, emotional cinematic grading CAMERA: wide establishing shots, low-angle heroic football shots, dynamic tracking camera, cinematic push-in on emotional moments, motion-follow ball camera, over-the-shoulder gameplay shots, aerial stadium shot for final scene MOOD: inspirational, heartwarming, dream-driven, emotional sports journey, global unity, hope and ambition LAYOUT: clean professional storyboard sheet, 8 equal panels grid, white background presentation board, caption under each frame, film pitch deck style, production annotation layout, minimal but premium design system QUALITY: Pixar-level 3D animation storyboard, masterpiece, ultra detailed, feature film production board, cinematic lighting, 8k resolution, professional animation previsualization, high-end concept art presentation
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Miss B🫦 retweeted
6 days to go continuity backed by service, commitment to retirees, and a vision for sustained progress in Ekiti. Vote @biodunaoyebanji as Governor of Ekiti State till 2030. #BAO2BAO #BAO till 2030
Since 2022 over N84 Billion in gratuities & pension has been paid by Gov @biodunaoyebanji. Recently he disbursed another N2B to retirees. He is a welfare minded leader, he truly deserves a 2nd term to consolidate on what he has started. Vote Continuity. Vote BAO #BAO2BAO #Back2Back
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Replying to @AngelikaHoerner
Dafür gibt es sogar einen eigenen Job, die sogenannte "Continuity". Ausserdem hätte auch die "Maske" darauf achten müssen. Aber shit happens.
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ąæ— The Brahmin Speaks ąæ— Abhinav ą„šŸŒŗšŸ”„āšœļøāœšŸ¼šŸššŸ”± retweeted
It's interesting how lay people (typically not scholars or Indologists) underestimate the intellectual rigour and continuity of India's indigenous traditions. They tend to apply the same framework they apply for the Middle East to India. Iraqis forgot about Hammurabi, Ashurbanipal, et al., Egyptians forgot about Khufu, Hatshepsut, et al.; Arabs forgot about Gindibuʾ, Karibʾīl Watār, et al. These figures were (re)discovered by archaeologists and epigraphers in the 18th-20th centuries. The accounts of az-Zabbāʾ/Zenobia in medieval Islamic historiography drew from both indigenous (Arab, Syriac) & Greco-Roman/Byzantine sources while the account of Dārā (Darius III) in FirdawsÄ«'s Šāhnāmah drew almost entirely from the Alexander Romance tradition (via Syriac translations from Greek, which were later translated into Pahlavi/Middle Persian) Therefore, it must stand to reason than Indians also must've forgotten the names of rulers like Candragupta, Aśoka, etc. prior to the arrival of Westerners, no? Yet this is clearly not true. Although the BrāhmÄ« script used in the inscriptions had changed so much as to be unrecognizable, Candragupta (Sandracottus of the Greeks) was well known through texts and plays like Viśākhadatta's Mudrārākį¹£asa, which were completely independent of Greco-Roman sources like Megasthenes. The names of Aśoka Maurya and his sons Daśaratha and Samprati are recorded in the Puranic vaį¹ƒÅ›Ävalis and he is glorified in Buddhist sources such as the Divyāvadāna (which contains a section known as the Aśokāvadāna) and Srilankan chronicles like the DÄ«pavaṃsa and Mahāvaṃsa. A manuscript of the Divyāvadāna in Sanskrit (or Sanskritized Prakrit) was discovered in Nepal in 1824, so the text was continually being copied. One could argue that modern Persians had no knowledge of Old Persian for over 1,500 years (until the script was deciphered in the 19th century) and minimal knowledge of Avestan. The Zand and Dēnkard commentaries composed by medieval Zoroastrians dasturs and mobeds often differs from modern philological readings. Yet in the case of the Vedas, there is a largely unbroken chain or recitation reinforced by the śikṣās, prātiśākhyas, etc. and interpretation based on the Nirukta (the Naighaṇṭuka, Naigama, DaivatakÄį¹‡įøa-s of Yāska), Vyākaraṇa (AṣṭādhyāyÄ« Vārttikas Mahābhāṣya, along with the UṇādisÅ«tras and Phiį¹­sÅ«tras), etc. Therefore, the commentaries by Bhaį¹­į¹­abhāskara, Sāyaṇa, Veį¹…kaį¹­amādhava, Skandasvāmin, MahÄ«dhara/Uvaį¹­a are quite close to modern philological interpretations, simply because formal study of Sanskrit (including Vedic Sanskrit) never truly disappeared in India. Even the study of the medieval Prakrits never disappeared among the Hindus and Jains. Most people nowadays think of the 16th century grammarian Mārkaį¹‡įøeya as the final Prakrit grammarian, yet Rāmaśarman Tarkavāgīśa composed his grammar of Prakrit and Rāmapāṇivāda composed his Kaṃsavaho and Usāṇiruddho less than two centuries before Norwegian-born German Indologist Christian Lassen's published his Institutiones Linguae Prakriticae. When it comes to continuity, one can't treat the Indian Subcontinent the same way as the Middle East, Iran, or Central Asia, yet the fact that they rehash the same arguments regardless just highlights that these sorts of arguments (whether applied to India OR the Middle East) are ultimately rooted in racial paternalism ("the White Man's Burden," yet applied to history).
Claim 1: "Understanding & translation of the Rig Veda had to be done by Westerners because much was lost in India" Status: False. Vedas were never "lost" in India. They were preserved through a complex, oral transmission system (incl. permutations) for millennia,
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The Pakistan Business Council (PBC) welcomed several growth oriented measures announced in the Federal Budget 2026-27 and said the government has signaled a stronger focus on sustainable and inclusive economic growth. In a statement issued after the budget announcement, PBC said the government introduced measures that support businesses, exporters, and salaried individuals despite limited fiscal space. However, the council stressed that policymakers must maintain policy continuity and accelerate structural reforms to sustain economic growth. For Full StoryšŸ”—Link in Comment Below #PakistanBudget2026 #FederalBudget #PakistanEconomy #BusinessPakistan
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bsahely.com/2026/06/14/the-p… The Permanent War Machine: Gideon Levy on Gaza, Israel and Endless Security | NotebookLM and ChatGPT-5.5 HIgh This interview with Gideon Levy presents a stark diagnosis of Israel’s current wars as symptoms of a deeper political, psychological, and institutional trap. Levy argues that Gaza, the West Bank, Lebanon, and Iran are not separate crises but connected expressions of a militarized worldview in which force has replaced diplomacy, denial has replaced moral perception, and endless war has become normalized as the language of national survival. He describes Israeli society as caught in a cycle of trauma, fear, exceptionalism, media silence, and military impunity, intensified after October 7 but rooted much earlier in the unresolved logic of occupation, displacement, and the Nakba. At the center of the interview is Levy’s claim that the war in Gaza is no longer plausibly about defeating Hamas alone, but about crushing Palestinian society itself: rendering Gaza unlivable, leaderless, stateless, and politically broken. He extends this critique to the West Bank, Lebanon, and Iran, warning that Israel’s repeated reliance on military superiority produces not security but deeper insecurity, international isolation, moral numbness, and strategic deadlock. The interview also raises the role of the United States as an indispensable enabler of Israeli policy through military aid, diplomatic protection, and the long-standing refusal to impose meaningful conditions. Levy suggests that this unconditional support may soon become politically unsustainable, creating an existential challenge for Israel more serious than many of the threats it claims to be fighting. Ultimately, the interview is a meditation on denial: the denial of Palestinian humanity, the denial of historical continuity, the denial of occupation, and the denial that military domination has failed to deliver safety. Its deeper warning is that a society unable to see the suffering it produces becomes unable to secure its own future. Its implied alternative is not another military victory, but truth-telling, humanization, accountability, Palestinian freedom, reconstruction, and shared security.
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Replying to @zadokYohanna_
Continuity is key to success You can unlock your full potential with discipline
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Samu G retweeted
Wealth = Non-Fermented Plasma True wealth is Oversoul continuity without plasma loss. When fermentation is mastered, scarcity dissolves, and immortality becomes economic law-Aguyo
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MAYOR KACHALLA retweeted
Yes he'll be our continuity after Atiku
Amaechi is setting himself to be the next president.
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Supporters of Hon. Kafilat Ogbara yesterday stormed the City Boy Movement Lagos state office to commemorate her three years in office and reaffirm their support for the re-election of President Bola Ahmed Tinubu in 2027. Ogbara is OK. #Continuity. @KafilatOgbara
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1ļøāƒ£storyboard: Pixar-style 3D animation, cinematic animated storytelling, emotional sports film storyboard, family-friendly animated movie pitch board, professional story development sheet, soft global lighting, warm cinematic color grading, high-detail character animation frames, depth of field rendering, expressive facial animation, dynamic motion storytelling, Disney/Pixar quality production design ASPECT RATIO: 16:9 PROJECT: A CHILD’S JOURNEY TO THE WORLD CUP FROM DREAM TO LEGEND SUBJECT: a young boy from a humble neighborhood, dreams of becoming a World Cup football player, football as hope, passion, and identity, journey from childhood practice to professional stadium, emotional growth through training, failure, and victory MAIN CHARACTER: young boy football player, curious, passionate, determined, warm expressive face, yellow/blue casual football jersey, gradual evolution into professional athlete, emotional transformation across panels STORY SEQUENCE (12 PANELS): 01 DREAM BEGINNING sunset city rooftop, boy holding football, looking at distant skyline, dreaming of World Cup 02 DAILY PRACTICE street football in neighborhood, kids playing together, energy and motion 03 FAILURE MOMENT boy falls while shooting, dust and motion blur, determination in expression 04 QUIET NIGHT TRAINING study table, writing, planning, reflection, ball beside desk 05 OPPORTUNITY ARRIVES coach/scout appears, trial invitation moment 06 SELECTED MOMENT close-up emotional reaction, holding selection paper, pure joy 07 TRAINING INTENSITY stadium practice field, professional training begins, competition increasing 08 PRESSURE GAME real match, defenders around, stress, speed, intensity 09 TEAMWORK MOMENT passing play, coordination with teammates, flowing movement 10 CRITICAL SHOT goal attempt, goalkeeper reaction, cinematic tension 11 CROWD CELEBRATION stadium explosion, teammates running, joyful victory 12 WORLD CUP CHAMPION trophy lifted, confetti, stadium lights, emotional finale VISUAL DETAILS: 12-panel storyboard grid layout, numbered frames, caption text under each panel, time progression feel, cinematic composition, emotional storytelling continuity, warm lighting transitions, depth-rich environments, expressive animation acting, dynamic camera movement implied, handcrafted Pixar film development board aesthetic COLOR: warm cinematic tones, golden hour lighting, soft blue shadows, vibrant stadium greens, emotional color grading shift from warm street tones to bright stadium highlights CAMERA: wide establishing shots, close-up emotional shots, tracking motion, low-angle sports shots, over-the-shoulder training shots, cinematic push-in on emotional moments, dynamic football action framing MOOD: inspirational, emotional, uplifting, dream-driven, heartwarming, coming-of-age sports story LAYOUT: clean white storyboard background, 12 equal panels grid, caption under each frame, simple production design labels, film pitch board structure, professional animation studio presentation QUALITY: Pixar-level storytelling, masterpiece, ultra detailed, 8k, cinematic lighting, feature film production board, professional animation storyboard
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Replying to @GaganPratapMath
Wakai gadi me pahle jaisa continuity nhi rahi ab sala kabhi b bhach bhacha kar band ho jati hai khas kar purani gadiya @bjp @nitin_gadkari ko ethnol mahanga padne wala hai.
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