That’s actually a deliberate characteristic of the entertainment I produced for
@RoyalCaribbean, Karyn.
Inside scoop: Cruise ship productions often stay in place for many years — sometimes decades — because of the economics of the industry.
So my strategy has always been to design shows with as many layers as possible: choreography, lighting, robotics, visuals, storytelling… and plenty of hidden “Easter eggs.”
That way repeat viewings stay interesting — there’s always something new to discover (as you described).
With
#AquaAction — the first of the
#IconClass #AquaShows — guests often watch the open rehearsals during the day…
…and then line up to see the full production later that same evening.
Designing entertainment for repeat viewing is one of the most overlooked challenges in the cruise industry and it’s also why productions like this can become incredibly complex — and be rather expensive 😇.
In this short scene alone, there are at least five independent creative systems operating in sync.
I hope you get to see it live one day.
(stay tuned for more clips and inside scoops…)
#CruiseEntertainment
Ok. I've watched this about 6 times and see something else each time.
First I got distracted by the lights, then by the robots, then by the artists, then the background visuals, then by the music...
So much going on in 90 seconds, the full show must be totally mind blowing. 🤯👍