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🔍 New patent application alert! #US20260164907A1 by #SamsungElectronics explores a #LightSource & #DisplayApparatus. Features include a vertically stacked semiconductor light-emitting structure with a reflective structure surrounding its sidewalls. A plurality of lenses enhances light emission. Stay updated on innovations in #DisplayTechnology! #Semiconductors $SSNLF
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INTEC Energy Solutions awarded lead EPC contract by Lightsource bp for the Lower Wonga project in Australia.ðŸ‡Ķ🇚 The Lower Wonga project will combine approximately 380 MWp of solar generation capacity with an 843 MWh BESS.☀ïļðŸ”‹ More below! energyglobal.com/energy-storâ€Ķ
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Replying to @iko_nicho
She better be called Arcana Lightsource then.
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Replying to @calebgamman
Thank goodness you were able to recover so much critical visual information. Like Luke's collar and the part of his chin directly away from the lightsource. This serves the narrative.
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Replying to @hearts4ktb
I have SOOO MANY you have no idea. wait till you hear qAsh was created to be a weapon and forced into it, but qEwron chose to turn himself into a weapon for qAsh and how they represent sun/moon and qEwron is scared of the dark and moon is the only lightsource at night and and-
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Replying to @navezack79
Don't rely on the setup screen. Know your TVs actual max brightness and use that instead. I read an article that tested you TVs max brightness to 1721 nits. But that was most likely not in game mode. It could be slightly less bright in game mode. Unfortunately, Rtings have not tested your TV. Its here I usually look for brightness in game mode. 18 is 1500 nits and 19 is 1740 nits. I would find a game with a bright lightsource. And test both 18 and 19.
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Replying to @meowstons
If you have a lightsource, use the airbrush eraser tool for where the subject is closest to the lighting on the lineart and keep the lineart in shadowy areas! Also, just have a general idea of what you're drawing so there's intent to the art, it rlly helped me with this one.
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Good point, except that the EUV lightsource is an American invention.
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Replying to @REGENETARIANISM
Solar Farm Summit always has information about these and other cattle friendly solar. Silicon Ranch has a cattle friendly solar site in Tennessee. Lightsource BP has a cattle friendly solar site in France. White Oaks is putting one in for the plant. Others are working on it.
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and then they turn off the robot to recover it properly @elonmusk and then reset the beaver in a beaver kindergarden classroom with flouresecnt supermarket lighting as their kindergarden lightsource
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Yesterday everyone sold optics because "CPO is delayed to 2027." Today I'm looking at this video of an $NVDA CPO switch running in production at Lambda, wired into GB300 clusters. Both headlines are true. CPO at the SWITCH is shipping now, 144 ports of 800G, liquid cooled, roughly 70% less power per port than pluggable optics. CPO at the GPU, the version that kills the module makers, that's the 2027-28 story, and it always was. Why does the switch get light first? Because the back end fabric is 86% of networking power in these clusters. At GB300 scale the network isn't plumbing anymore, it's part of the compute. Every watt you don't burn moving bits is a watt that generates tokens. Tokens per watt is the metric now. And the detail nobody will talk about again is even inside NVIDIA's most advanced CPO switch, the lasers sit OUTSIDE the package. 18 swappable lightsource modules. Field serviceable, because lasers fail. Pluggable, near package, copackaged, doesn't matter. Every road still runs through the laser makersâ€Ķ
$LITE CEO just said something the market needs to hear Over the last two months, non-NVIDIA customers have shown a marked surge in interest in NPO, not CPO!!! This matter a lot rn because at 1.6T and 200G per lane, copper hits its physical limits even with retimer technology. You simply can’t cover reasonable distances anymore. Optics becomes mandatory, not optional. But the more interesting dynamic is the ASIC vendors. They can’t compete with NVIDIA on CUDA, NVLink, and NCCL. So they’re leapfrogging, adopting more aggressive optical backplane architectures to try to overtake on the curve. The results are obviously gonna be insane for these smaller vendors because they may actually deploy more lasers per rack than NVIDIA customers. Fewer total racks but more optical links per rack. The optical channel volume could be larger than the headline market share suggests. This reframes the entire optical interconnect opportunity. NPO is the architecture that accelerates opticalization across the entire AI server, every rack, every server, eventually every chip. For $LITE, $COHR, $MRVL, and $GLW, the market size ultimately depends on how many optical links get deployed inside each rack. From that angle, NPO’s TAM could actually exceed CPOâ€Ķbut let’s see
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Replying to @Plutaux
Look at both pictures. Of both characters. The lighting is coming from the same direction, and flips with the portrait. Soâ€Ķ no. Besides that, there would still be a shadow- which would only get washed out if a lightsource was close enough: creating deeper shadows nearby.
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āļ™āļ­āļāļˆāļēāļāļ™āļĩāđ‰āļĒāļąāļ‡āļĄāļĩāļŠāļēāļĒāļĢāļļāđ‰āļ‡āļ­āļĒāļđāđˆāļšāļ™āļĒāļ­āļ”āļˆāļąāđˆāļ§āđ„āļ­āļ„āļ­āļ™āļŠāļĒāļēāļĄ āļāļąāļš Rainbow Lighting āļ—āļĩāđˆāđ„āļ”āđ‰ LightSource āļĄāļēāļŠāđˆāļ§āļĒāļĢāļąāļ‡āļŠāļĢāļĢāļ„āđŒāļ”āđ‰āļ§āļĒ āđāļĨāļ°āđƒāļ™āļ§āļąāļ™āļŠāļĄāļžāļĨāļļāļŠāļĩāļĢāļļāđ‰āļ‡āļāđ‡āļĒāļąāļ‡āļˆāļ°āđ„āļ”āđ‰āđ€āļˆāļ­āļ—āļąāļžāļĻāļīāļĨāļ›āļīāļ™āļ—āļĩāđˆāļŦāļĨāļēāļĒāļ„āļ™āļāļĢāļĩāđŠāļ” āļ—āļąāđ‰āļ‡ āļ™āđ‰āļģāļ›āļīāļ‡ - āļ™āļ āļąāļŠāļāļĢ, āđ€āļ•āļīāđ‰āļĨ - āđ€āļŸāļīāļĢāđŒāļŠāļ§āļąāļ™ āđāļĨāļ° āļ™āļ­āļĢāđŒāļ— - āļ­āđŠāļ­āļ•āđ‚āļ•āđ‰ āļŠāđˆāļ§āļ™āļ āļēāļĒāđƒāļ™āļĻāļđāļ™āļĒāđŒāļāļēāļĢāļ„āđ‰āļēāļāđ‡āļĄāļĩāļāļīāļˆāļāļĢāļĢāļĄāļ­āļĩāļāļĄāļēāļāļĄāļēāļĒāļ•āļĨāļ­āļ”āđ€āļ”āļ·āļ­āļ™āļ™āļĩāđ‰
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after the piece i did for day 3 where i wasnt rlly satisfied with the rendering, i decided to try and render in one shade to practice shading lightsource and it's one of my fav ways to render now! it's less stressful trying to pick out colors 😭
Day 4: Opening up after nod krai But make it angsty ðŸĨđ #SethoscaraWeek2026 #GenshinImpact
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Cz said Heyi is a “Light Source” (光暐). Most people laughed. Few understood the deeper meaning. Here’s why this may be one of the most important messages for BSC culture and why it matters more than people think. 1: First, understand what a light source actually means. A light source does not push people. It does not force direction. It simply creates visibility, attracts attention, and gives energy to its surroundings. Without light, everything becomes difficult to see. In crypto, visibility is survival. 2: Crypto is not only technology. Many people still think chains win because of “better tech.” Reality? Most ecosystems win because of: Attention,Community,Narrative ,Culture & Liquidity flow. Technology matters. But attention moves markets. 3: This is where BSC has always been unique. BSC was never built only on fundamentals. It thrived because of: Retail participation Fast cycles Meme culture Community interaction High engagement Building. People came because BSC felt alive. And alive ecosystems attract liquidity. 4:What happens when an ecosystem loses its light? Simple. Volume fades. Communities stop talking. Builders lose momentum. Retail leaves. Eventually, even strong projects struggle because no one is paying attention. Crypto history repeats this pattern constantly. 5: So when CZ called Heyi a “light source” (光暐), maybe the message was deeper than people realized. A light source is not necessarily: The richest person The biggest whale The smartest builder Sometimes, it is simply the person who keeps energy flowing. Someone who keeps people engaged. Someone who prevents the ecosystem from becoming silent. 6: Whether people like it or not: Attention is the most valuable currency in crypto. No attention = no narrative No narrative = lower liquidity Lower liquidity = retail disappears This is true across every chain. 7: Look at the strongest ecosystems in crypto history. They all had figures, narratives, or movements that acted like a magnet. Not because everyone agreed with them. But because they created attention density. And attention brings participation. 8: During bear markets, this matters even more. Anyone can look strong when markets are green. But the real question is: Who keeps people interested when everyone else leaves? Who keeps the ecosystem breathing? That is where “light source” becomes powerful. 9: Maybe CZ wasn’t making a simple compliment. Maybe he was describing a role. A role that helps keep the BSC ecosystem active, visible, and culturally relevant. Because ecosystems without energy slowly disappear. 10: In the end: A light source doesn’t tell people where to go. It simply shines. And people decide whether to follow. Maybe that was the message all along. 光暐. What do you think? #Lightsource #光暐 @cz_binance @heyibinance
ä―•ä˜Ŋ光暐。 Heyi is a light source. binance.com/zh-CN/square/posâ€Ķ
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āđ„āļ­āļ„āļ­āļ™āļŠāļĒāļēāļĄ āđāļĨāļ™āļ”āđŒāļĄāļēāļĢāđŒāļāļĢāļ°āļ”āļąāļšāđ‚āļĨāļāļĢāļīāļĄāđāļĄāđˆāļ™āđ‰āļģāđ€āļˆāđ‰āļēāļžāļĢāļ°āļĒāļē āđāļĨāļ° Global Experiential Destination āļœāļ™āļķāļāļāļģāļĨāļąāļ‡ āļ™āļĪāļĄāļīāļ•āđ„āļžāļĢāļ”āđŒ āļœāļđāđ‰āļˆāļąāļ”āļ‡āļēāļ™ Bangkok Pride Festival āđāļĨāļ° āļ„āđˆāļēāļĒ DOMUNDI āđ€āļ›āļīāļ”āļ•āļąāļ§āđāļ„āļĄāđ€āļ›āļ â€œUNITY OF PRIDE: DIVERSE SERIES, ONE COMMUNITY” āđ€āļ™āļĢāļĄāļīāļ•āļšāļĢāļĢāļĒāļēāļāļēāļĻāļŠāļĩāļĢāļļāđ‰āļ‡ āļ”āļķāļ‡āļ—āļąāļžāļ”āļēāļĢāļē-āļ„āļđāđˆāļˆāļīāđ‰āļ™āļ•āļąāļ§āļ—āđ‡āļ­āļ›āļĢāļ§āļĄāļžāļĨāļąāļ‡āļ‚āļąāļšāđ€āļ„āļĨāļ·āđˆāļ­āļ™ Soft Power āļ•āļĨāļ­āļ”āđ€āļ”āļ·āļ­āļ™āļĄāļīāļ–āļļāļ™āļēāļĒāļ™ 69 āđ€āļ•āļĢāļĩāļĒāļĄāļ”āļąāļ™āđ„āļ—āļĒāļŠāļđāđˆāđ€āļˆāđ‰āļēāļ āļēāļž World Pride 2030 . āļŠāļļāļĄāļē āļ§āļ‡āļĐāđŒāļžāļąāļ™āļ˜āļļāđŒ āļĢāļ­āļ‡āļāļĢāļĢāļĄāļāļēāļĢāļœāļđāđ‰āļˆāļąāļ”āļāļēāļĢāđƒāļŦāļāđˆ āļšāļĢāļīāļĐāļąāļ— āđ„āļ­āļ„āļ­āļ™āļŠāļĒāļēāļĄ āļˆāļģāļāļąāļ” āđ€āļœāļĒāļ§āđˆāļē āđāļ„āļĄāđ€āļ›āļ â€œUNITY OF PRIDE: DIVERSE SERIES, ONE COMMUNITY āļŦāļĨāļ­āļĄāļĢāļ§āļĄāļ—āļļāļāļ„āļ§āļēāļĄāļŦāļĨāļēāļāļŦāļĨāļēāļĒ āļŠāļđāđˆāļŦāļ™āļķāđˆāļ‡āļŦāļąāļ§āđƒāļˆāđāļŦāđˆāļ‡āļ„āļ§āļēāļĄāļ āļēāļ„āļ āļđāļĄāļī āđ€āļ›āđ‡āļ™āļŦāļ™āļķāđˆāļ‡āđƒāļ™āļ„āļ§āļēāļĄāļĄāļļāđˆāļ‡āļĄāļąāđˆāļ™āļ‚āļ­āļ‡āļāļĨāļļāđˆāļĄāļŠāļĒāļēāļĄāļžāļīāļ§āļĢāļĢāļ˜āļ™āđŒ āļ—āļĩāđˆāļˆāļ°āļŠāļēāļ™āļ•āđˆāļ­āļĒāļļāļ—āļ˜āļĻāļēāļŠāļ•āļĢāđŒāļ„āļ§āļēāļĄāļŦāļĨāļēāļāļŦāļĨāļēāļĒ āđ€āļ—āđˆāļēāđ€āļ—āļĩāļĒāļĄ āđāļĨāļ°āļāļēāļĢāļĄāļĩāļŠāđˆāļ§āļ™āļĢāđˆāļ§āļĄ (D.E.I.) āđ€āļžāļ·āđˆāļ­āļĢāđˆāļ§āļĄāđ€āļ›āđ‡āļ™āļžāļĨāļąāļ‡āļŠāļģāļ„āļąāļāđƒāļ™āļāļēāļĢāļœāļĨāļąāļāļ”āļąāļ™āļ›āļĢāļ°āđ€āļ—āļĻāđ„āļ—āļĒāļŠāļđāđˆāļāļēāļĢāđ€āļ›āđ‡āļ™āđ€āļˆāđ‰āļēāļ āļēāļž World Pride 2030 . āđāļ„āļĄāđ€āļ›āļāļ™āļĩāđ‰āļĒāļąāļ‡āđ€āļ›āđ‡āļ™āļ›āļĢāļ°āļāļēāļĻāļ„āļ§āļēāļĄāļžāļĢāđ‰āļ­āļĄāđƒāļ™āļāļēāļ™āļ°āļ•āļąāļ§āđāļ—āļ™āļ›āļĢāļ°āđ€āļ—āļĻāđ„āļ—āļĒāļŠāļđāđˆāļāļēāļĢāđ€āļ›āđ‡āļ™āļˆāļļāļ”āļŦāļĄāļēāļĒāļ›āļĨāļēāļĒāļ—āļēāļ‡āđāļŦāđˆāļ‡āļ„āļ§āļēāļĄāļ āļēāļ„āļ āļđāļĄāļīāđƒāļˆāļĢāļ°āļ”āļąāļšāļŠāļēāļāļĨāđ€āļžāļ·āđˆāļ­āļ•āļ­āļāļĒāđ‰āļģāļāļēāļĢāđ€āļ›āđ‡āļ™ â€˜The Global Stage’ āļŦāļĢāļ·āļ­ āđ€āļ§āļ—āļĩāļĢāļ°āļ”āļąāļšāđ‚āļĨāļāļ—āļĩāđˆāđ€āļ›āļīāļ”āļāļ§āđ‰āļēāļ‡āļŠāļģāļŦāļĢāļąāļšāļ—āļļāļāļ„āļ™āļ­āļĒāđˆāļēāļ‡āđ„āļĢāđ‰āļ‚āļĩāļ”āļˆāļģāļāļąāļ” āļ āļēāļĒāđƒāļ•āđ‰āļĄāļēāļ•āļĢāļāļēāļ™āļ­āļēāļĢāļĒāļŠāļ–āļēāļ›āļąāļ•āļĒāđŒ (Universal Design) āļ—āļĩāđˆāļŠāļĄāļšāļđāļĢāļ“āđŒāđāļšāļšāļ—āļĩāđˆāļŠāļļāļ” . āļžāļĢāđ‰āļ­āļĄāļ›āļąāļāļŦāļĄāļļāļ”āđ„āļ­āļ„āļ­āļ™āļŠāļĒāļēāļĄāđƒāļŦāđ‰āđ€āļ›āđ‡āļ™ Pride Friendly Destination āļˆāļļāļ”āļŦāļĄāļēāļĒāļ›āļĨāļēāļĒāļ—āļēāļ‡āļ—āļĩāđˆāļĢāļ­āļ•āđ‰āļ­āļ™āļĢāļąāļšāļ„āļ§āļēāļĄāļŦāļĨāļēāļāļŦāļĨāļēāļĒāļˆāļēāļāļ—āļąāđˆāļ§āđ‚āļĨāļāļžāļĢāđ‰āļ­āļĄāļŠāđˆāļ‡āļĄāļ­āļšāļ›āļĢāļ°āļŠāļšāļāļēāļĢāļ“āđŒāļ—āļĩāđˆāļĒāļ­āļ”āđ€āļĒāļĩāđˆāļĒāļĄāđāļĨāļ°āļĒāļąāđˆāļ‡āļĒāļ·āļ™ āđ€āļžāļ·āđˆāļ­āļœāļĨāļąāļāļ”āļąāļ™āļĻāļąāļāļĒāļ āļēāļžāļ‚āļ­āļ‡āļ„āļ™āđ„āļ—āļĒāđƒāļŦāđ‰āļ›āļĢāļēāļāļāļ•āđˆāļ­āļŠāļēāļĒāļ•āļēāļŠāļēāļ§āđ‚āļĨāļāļ­āļĒāđˆāļēāļ‡āļŠāļ‡āđˆāļēāļ‡āļēāļĄāđāļĨāļ°āļ āļēāļ„āļ āļđāļĄāļī . āļŠāļģāļŦāļĢāļąāļšāļ›āļĩ 2569 āļ™āļĩāđ‰ āđ„āļ­āļ„āļ­āļ™āļŠāļĒāļēāļĄāđ€āļ™āļĢāļĄāļīāļ•āļāļīāļˆāļāļĢāļĢāļĄāđ„āļŪāđ„āļĨāļ•āđŒāļ—āļĩāđˆāļ•āļ­āļšāđ‚āļˆāļ—āļĒāđŒāđ„āļĨāļŸāđŒāļŠāđ„āļ•āļĨāđŒāļ‚āļ­āļ‡āļ„āļ™āļ—āļļāļāđ€āļˆāđ€āļ™āļ­āđ€āļĢāļŠāļąāļ™ āļœāđˆāļēāļ™ 3 āļ›āļĢāļēāļāļāļāļēāļĢāļ“āđŒāđāļŦāđˆāļ‡āļ„āļ§āļēāļĄāļŠāļļāļ‚āļ—āļĩāđˆāļˆāļ°āđ€āļ•āļīāļĄāđ€āļ•āđ‡āļĄāđ€āļ”āļ·āļ­āļ™āļĄāļīāļ–āļļāļ™āļēāļĒāļ™āļ™āļĩāđ‰āļ”āđ‰āļ§āļĒāļŠāļĩāļŠāļąāļ™āđāļĨāļ°āļžāļĨāļąāļ‡āļšāļ§āļāļ­āļĒāđˆāļēāļ‡āļ™āđˆāļēāļ›āļĢāļ°āļ—āļąāļšāđƒāļˆ . 1. ICONIC Rainbow āđ„āļ­āļ„āļ­āļ™āļŠāļĒāļēāļĄ āļˆāļąāļšāļĄāļ·āļ­āļāļąāļš LightSource āļœāļđāđ‰āļ™āļģ Lighting Design āļŠāļąāđ‰āļ™āļ™āļģāļ‚āļ­āļ‡āđ„āļ—āļĒ āļˆāļąāļ”āļāļēāļĢāđāļŠāļ”āļ‡ Rainbow Lighting āļšāļ™āļĒāļ­āļ”āļˆāļąāđˆāļ§āđ„āļ­āļ„āļ­āļ™āļŠāļĒāļēāļĄ āļ•āļĨāļ­āļ”āđ€āļ”āļ·āļ­āļ™āļĄāļīāļ–āļļāļ™āļēāļĒāļ™āļ™āļĩāđ‰ ðŸ”īRainbow Fireworks (14 āļĄāļī.āļĒ. 2569) āļ•āļĢāļ°āļāļēāļĢāļ•āļēāļāļąāļšāļāļēāļĢāđāļŠāļ”āļ‡ āļžāļĨāļļāļŠāļĩāļĢāļļāđ‰āļ‡āļ„āļĢāļąāđ‰āļ‡āđāļĢāļāđƒāļ™āļ›āļĢāļ°āđ€āļ—āļĻāđ„āļ—āļĒ āļ„āļ§āļēāļĄāļĒāļēāļ§ 5 āļ™āļēāļ—āļĩ āđ€āļŦāļ™āļ·āļ­āđ‚āļ„āđ‰āļ‡āļ™āđ‰āļģāđ€āļˆāđ‰āļēāļžāļĢāļ°āļĒāļē āļŠāļ°āļ—āđ‰āļ­āļ™āļ āļēāļžāļĨāļąāļāļĐāļ“āđŒ Pride Friendly Destination āļŠāļđāđˆāļŠāļēāļĒāļ•āļēāļŠāļēāļ§āđ‚āļĨāļ ðŸ”īPride & Greet (14 āļĄāļī.āļĒ. 2569) āļāļīāļˆāļāļĢāļĢāļĄāļžāļīāđ€āļĻāļĐāļāļąāļšāļĻāļīāļĨāļ›āļīāļ™āļ”āļąāļ‡āļ•āļąāļ§āđāļ—āļ™āļ„āļ™āļĢāļļāđˆāļ™āđƒāļŦāļĄāđˆāļˆāļēāļāļ„āđˆāļēāļĒ DOMUNDI āļ™āļģāđ‚āļ”āļĒ āļ™āđ‰āļģāļ›āļīāļ‡-āļ™āļ āļąāļŠāļāļĢ, āđ€āļ•āļīāđ‰āļĨ-āđ€āļŸāļīāļĢāđŒāļŠāļ§āļąāļ™ āđāļĨāļ° āļ™āļ­āļĢāđŒāļ—-āļ­āđŠāļ­āļ•āđ‚āļ•āđ‰ āļ“ āļšāļĢāļīāđ€āļ§āļ“ ICONSIAM Park āļŠāļąāđ‰āļ™ 2 āđ„āļ­āļ„āļ­āļ™āļŠāļĒāļēāļĄ āļžāļĢāđ‰āļ­āļĄāļĨāļļāđ‰āļ™āļŠāļīāļ—āļ˜āļīāđŒāļ–āđˆāļēāļĒāļ āļēāļžāļ­āļĒāđˆāļēāļ‡āđƒāļāļĨāđ‰āļŠāļīāļ”āļāļąāļš BL (Boy Love) āļ„āļđāđˆāļ”āļąāļ‡ āđ€āļ•āļīāđ‰āļĨ-āđ€āļŸāļīāļĢāđŒāļŠāļ§āļąāļ™ āđāļĨāļ° āļ™āļ­āļĢāđŒāļ—-āļ­āđŠāļ­āļ•āđ‚āļ•āđ‰ āđƒāļ™āļāļīāļˆāļāļĢāļĢāļĄ Pride & Greet: Selfie Photocards Unity of Pride Collection . 2.TOGETHER WE PRIDE: āļāļēāļĢāļ‚āļąāļšāđ€āļ„āļĨāļ·āđˆāļ­āļ™āļĢāļ°āļšāļšāļ™āļīāđ€āļ§āļĻāļ˜āļļāļĢāļāļīāļˆ Y-Economy āļžāļšāļāļąāļš Exclusive Content “Together We Pride” āļ–āļ­āļ”āļĢāļŦāļąāļŠāļ„āļ§āļēāļĄāļŠāļģāđ€āļĢāđ‡āļˆ Y-Content āļœāđˆāļēāļ™āļšāļ—āļŠāļąāļĄāļ āļēāļĐāļ“āđŒāļžāļīāđ€āļĻāļĐāđƒāļ™ THE STANDARD POP āđ€āļˆāļēāļ°āļĨāļķāļāļšāļ—āļšāļēāļ— āļ­āđŠāļ­āļŸāļŠāļąāđˆāļ™ - āļāļīāļ•āļ•āļīāļžāļąāļ’āļ™āđŒ āļˆāļģāļ›āļē āđāļĨāļ° āļ™āđ‰āļģāļ›āļīāļ‡ â€“ āļ™āļ āļąāļŠāļāļĢ āļ›āļīāļ‡āđ€āļĄāļ·āļ­āļ‡ āļœāļđāđ‰āļšāļĢāļīāļŦāļēāļĢāđāļĨāļ°āļ™āļąāļāđāļŠāļ”āļ‡āļˆāļēāļāļ„āđˆāļēāļĒ DOMUNDI āđƒāļ™āļāļēāļ™āļ°āļœāļđāđ‰āļ‚āļąāļšāđ€āļ„āļĨāļ·āđˆāļ­āļ™ Ecosystem āļ‚āļ­āļ‡āļ­āļļāļ•āļŠāļēāļŦāļāļĢāļĢāļĄāļ„āļ­āļ™āđ€āļ—āļ™āļ•āđŒāļ§āļēāļĒāđƒāļŦāđ‰āđ€āļ›āđ‡āļ™ Soft Power āļ—āļĩāđˆāđāļ‚āđ‡āļ‡āđāļāļĢāđˆāļ‡āđāļĨāļ°āļŠāđˆāļ‡āļ­āļ­āļāļŠāļđāđˆāļ•āļĨāļēāļ”āļŠāļēāļāļĨ . 3. POSITIVE PRIDE: āļŠāđˆāļ‡āļĄāļ­āļšāļžāļĨāļąāļ‡āļšāļ§āļāļ‚āļ­āļ‡ Rainbow Culture āđƒāļŦāđ‰āļ—āļļāļāļ„āļ™āđ„āļ”āđ‰āļĄāļĩāļŠāđˆāļ§āļ™āļĢāđˆāļ§āļĄāļœāđˆāļēāļ™āļāļīāļˆāļāļĢāļĢāļĄāļĄāļēāļāļĄāļēāļĒ ðŸ”īA FAIR x UNITY OF PRIDE AT ICONSIAM (3-14 āļĄāļī.āļĒ. 2569) āļ•āļĨāļēāļ”āđāļŦāđˆāļ‡āļ„āļ§āļēāļĄāļŠāļ™āļļāļāļ—āļĩāđˆāļĢāļ§āļĄāļĢāđ‰āļēāļ™āļ„āđ‰āļēāļŠāļļāļ”āđ€āļ”āđ‡āļ”āļ‚āļ­āļ‡āđ€āļŦāļĨāđˆāļēāļ„āļ™āļ”āļąāļ‡āļĄāļēāđƒāļŦāđ‰āļ„āļļāļ“āđ„āļ”āđ‰āđ€āļ—āļĩāđˆāļĒāļ§ āļāļīāļ™ āļŸāļīāļ™ āļŠāđ‡āļ­āļ› āļāļąāļ™āđāļšāļšāļˆāļąāļ”āđ€āļ•āđ‡āļĄāļ•āđ‰āļ­āļ™āļĢāļąāļšāđ€āļ”āļ·āļ­āļ™āđāļŦāđˆāļ‡āļ„āļ§āļēāļĄāļ āļēāļ„āļ āļđāļĄāļīāđƒāļˆ āļžāļīāđ€āļĻāļĐāļŠāļļāļ”! āļĄāļēāļĢāđˆāļ§āļĄāļĢāļ°āđ€āļšāļīāļ”āļ„āļ§āļēāļĄāļŠāļ™āļļāļāđāļĨāļ°āļāļĢāļ°āļ—āļšāđ„āļŦāļĨāđˆāļ‹āļļāļ›āļ•āļēāļĢāđŒāđƒāļ™āļ§āļąāļ™āđ€āļ›āļīāļ”āļ‡āļēāļ™ āļ§āļąāļ™āļžāļļāļ˜āļ—āļĩāđˆ 3 āļĄāļīāļ–āļļāļ™āļēāļĒāļ™ 2569 āđ€āļ§āļĨāļē 17.00 āļ™. āļ“ āļĢāļīāđ€āļ§āļ­āļĢāđŒ āļžāļēāļĢāđŒāļ„ āļžāļšāļāļąāļš āļžāļĩāđˆāđ€āļ­-āļĻāļļāļ āļŠāļąāļĒ āļĻāļĢāļĩāļ§āļīāļˆāļīāļ•āļĢ, āļ™āļēāļ‡āđ€āļ­āļāļ‹āļļāļ›āļ•āļēāļĢāđŒ āļ­āļąāđ‰āļĄ-āļžāļąāļŠāļĢāļēāļ āļē āđ„āļŠāļĒāđ€āļŠāļ·āđ‰āļ­ āđāļĨāļ°āđāļāđŠāļ‡āļŦāļīāđ‰āļ§āļŦāļ§āļĩ āļžāļĢāđ‰āļ­āļĄāļˆāļąāļ”āđ€āļ•āđ‡āļĄāļ„āļ§āļēāļĄāļŠāļļāļ‚āļ•āđˆāļ­āđ€āļ™āļ·āđˆāļ­āļ‡āļ•āļĨāļ­āļ” 12 āļ§āļąāļ™āļ‚āļ­āļ‡āļāļēāļĢāļˆāļąāļ”āļ‡āļēāļ™ āđ‚āļ”āļĒāļˆāļ°āļĄāļĩāđ€āļŦāļĨāđˆāļēāļ„āļ™āļ”āļąāļ‡āļ­āļĩāļāļĄāļēāļāļĄāļēāļĒāļŠāļĨāļąāļšāļŠāļąāļšāđ€āļ›āļĨāļĩāđˆāļĒāļ™āļŦāļĄāļļāļ™āđ€āļ§āļĩāļĒāļ™āļāļąāļ™āļĄāļēāļ—āļģāļāļīāļˆāļāļĢāļĢāļĄāđāļĨāļ°āļŠāļĢāđ‰āļēāļ‡āļĢāļ­āļĒāļĒāļīāđ‰āļĄāđƒāļŦāđ‰āļ—āļļāļāļ„āļ™āļ­āļĒāđˆāļēāļ‡āļˆāļļāđƒāļˆ ðŸ”īColors of Pride : Unity in Diversity āļŠāļĩāļŠāļąāļ™āđāļŦāđˆāļ‡āļ„āļ§āļēāļĄāļ āļēāļ„āļ āļđāļĄāļīāđƒāļˆ (3-21 āļĄāļī.āļĒ. 2569) āļ™āļīāļ—āļĢāļĢāļĻāļāļēāļĢāļĻāļīāļĨāļ›āļ°āļĢāđˆāļ§āļĄāļŠāļĄāļąāļĒāļ—āļĩāđˆāļĢāļ§āļšāļĢāļ§āļĄāļœāļĨāļ‡āļēāļ™āļˆāļēāļāļĻāļīāļĨāļ›āļīāļ™āļŦāļĨāļēāļāļŦāļĨāļēāļĒāđ€āļžāļĻ āļĄāļļāļĄāļĄāļ­āļ‡ āđāļĨāļ°āļ›āļĢāļ°āļŠāļšāļāļēāļĢāļ“āđŒāļŠāļĩāļ§āļīāļ• āļ āļēāļĒāđƒāļ•āđ‰āđāļ™āļ§āļ„āļīāļ” "āļ„āļ§āļēāļĄāđāļ•āļāļ•āđˆāļēāļ‡āļ—āļĩāđˆāļ­āļĒāļđāđˆāļĢāđˆāļ§āļĄāļāļąāļ™āđ„āļ”āđ‰āļ­āļĒāđˆāļēāļ‡āļ‡āļ”āļ‡āļēāļĄ" āļ–āđˆāļēāļĒāļ—āļ­āļ”āļœāđˆāļēāļ™āļ‡āļēāļ™āļˆāļīāļ•āļĢāļāļĢāļĢāļĄ āļ›āļĢāļ°āļ•āļīāļĄāļēāļāļĢāļĢāļĄ āļŠāļ·āđˆāļ­āļœāļŠāļĄ āđāļĨāļ°āļĻāļīāļĨāļ›āļ°āļĢāđˆāļ§āļĄāļŠāļĄāļąāļĒāđƒāļ™āļŦāļĨāļēāļāļŦāļĨāļēāļĒāļĢāļđāļ›āđāļšāļš āļˆāļēāļāļāļĨāļļāđˆāļĄ Queer Art Thailand āļ™āļģāđ‚āļ”āļĒ āļ”āļĢ.āļ§āļīāļŠāļąāļĒ āļ­āļīāļĄāļŠāļļāļ‚āļŠāļĄ, āļ­.āļ˜āļĩāļĢāđŒāļžāļēāļ—āļīāļĻ āļšāļļāļāļ§āļīāļˆāļīāļ•āļĢāļ™āļīāļ˜āļīāļ˜āļĢ, āļ›āļīāļĒāļ°āļ”āļē āļ“ āļžāļąāļ—āļĨāļļāļ‡ āļžāļĢāđ‰āļ­āļĄāļ”āđ‰āļ§āļĒāļĻāļīāļĨāļ›āļīāļ™āļĢāļąāļšāđ€āļŠāļīāļ āļĢāļĻ.āļžāļīāđ€āļĻāļĐ āļĢāļ°āļžāļĩ āļĨāļĩāļĨāļ°āļŠāļīāļĢāļī, āļŠāļāļēāļ™āļīāļĐāļāđŒ āļĄāđˆāļ§āļ‡āđ„āļ—āļĒ, āđ€āļŠāļāļŠāļĢāļĢāļ„ āļ—āļļāļĄāļĄāļąāļĒ āđāļĨāļ°āļĻāļīāļĢāļīāđ‚āļĢāļˆāļ™āđŒ āļĄāļēāļ™āļ°āļ­āļ™āļļāļāļđāļĨ āļˆāļąāļ”āđāļŠāļ”āļ‡āđƒāļŦāđ‰āļŠāļĄāļŸāļĢāļĩ āļšāļĢāļīāđ€āļ§āļ“ Arts Way āļŠāļąāđ‰āļ™ M āđ„āļ­āļ„āļ­āļ™āļŠāļĒāļēāļĄ . āļ™āļ­āļāļˆāļēāļāļ™āļĩāđ‰ āđ„āļ­āļ„āļ­āļ™āļŠāļĒāļēāļĄ āļˆāļąāļšāļĄāļ·āļ­āļāļąāļš āļĢāļ–āđ„āļŸāļŸāđ‰āļēāļšāļĩāļ—āļĩāđ€āļ­āļŠ āđ€āļ™āļĢāļĄāļīāļ•āļŠāļ–āļēāļ™āļĩāļĢāļ–āđ„āļŸāļŸāđ‰āļēāļŠāļēāļĒāļŠāļĩāļ—āļ­āļ‡ āļŠāļ–āļēāļ™āļĩāđ€āļˆāļĢāļīāļāļ™āļ„āļĢ āđƒāļŦāđ‰āđ€āļ•āđ‡āļĄāđ„āļ›āļ”āđ‰āļ§āļĒāļŠāļĩāļŠāļąāļ™āđāļŦāđˆāļ‡āļŠāļēāļĒāļĢāļļāđ‰āļ‡āļ•āđ‰āļ­āļ™āļĢāļąāļšāļœāļđāđ‰āļĄāļēāđ€āļĒāļ·āļ­āļ™āļ•āļąāđ‰āļ‡āđāļ•āđˆāļāđ‰āļēāļ§āđāļĢāļ . āļžāļĢāđ‰āļ­āļĄāļŠāļąāļĄāļœāļąāļŠāļ„āļ§āļēāļĄāļ‡āļ”āļ‡āļēāļĄāļ‚āļ­āļ‡ â€œPride Rainbow Waterfall” āļ™āđ‰āļģāļ•āļāļŠāļĩāļĢāļļāđ‰āļ‡āđƒāļ™āđ‚āļ‹āļ™āļ­āļĨāļąāļ‡āļāļēāļĢ āļŠāļąāđ‰āļ™ 6 āđāļĨāļ°āļŠāļĄ â€œICONIC Multimedia Water Features” āļāļēāļĢāđāļŠāļ”āļ‡āļĢāļ°āļšāļģāļŠāļēāļĒāļ™āđ‰āļģāļœāļŠāļĄāļœāļŠāļēāļ™āđāļŠāļ‡ āļŠāļĩ āđ€āļŠāļĩāļĒāļ‡ āđāļĨāļ°āļĄāļąāļĨāļ•āļīāļĄāļĩāđ€āļ”āļĩāļĒāđƒāļ™āļ˜āļĩāļĄāļŠāļĩāļĢāļļāđ‰āļ‡āļ—āļĩāđˆāļĒāļēāļ§āļ—āļĩāđˆāļŠāļļāļ”āđƒāļ™āđ€āļ­āđ€āļŠāļĩāļĒāļ•āļ°āļ§āļąāļ™āļ­āļ­āļāđ€āļ‰āļĩāļĒāļ‡āđƒāļ•āđ‰ āļ“ āļĢāļīāđ€āļ§āļ­āļĢāđŒ āļžāļēāļĢāđŒāļ„ āđ‚āļ”āļĒāđ€āļ›āļīāļ”āđƒāļŦāđ‰āļŠāļĄāļŸāļĢāļĩāļ—āļļāļāļ§āļąāļ™ āļ§āļąāļ™āļĨāļ° 3 āļĢāļ­āļš āđ€āļ§āļĨāļē 19.00 āļ™., 20.00 āļ™. āđāļĨāļ° 21.00 āļ™. āļ•āļĨāļ­āļ”āđ€āļ”āļ·āļ­āļ™āļĄāļīāļ–āļļāļ™āļēāļĒāļ™āļ™āļĩāđ‰ . āļĄāļēāļĢāđˆāļ§āļĄāđ€āļ›āđ‡āļ™āļŠāđˆāļ§āļ™āļŦāļ™āļķāđˆāļ‡āļ‚āļ­āļ‡āļ›āļĢāļ°āļ§āļąāļ•āļīāļĻāļēāļŠāļ•āļĢāđŒāđāļŦāđˆāļ‡āļ„āļ§āļēāļĄāļ āļēāļ„āļ āļđāļĄāļīāđƒāļˆāļ‚āļ­āļ‡āļŠāļēāļ§āđ„āļ—āļĒāđāļĨāļ°āļĢāļ§āļĄāļ‰āļĨāļ­āļ‡āđ€āļ—āļĻāļāļēāļĨāļĢāļ°āļ”āļąāļšāđ‚āļĨāļāđāļĨāļ°āļŠāļąāļĄāļœāļąāļŠāļ›āļĢāļ°āļŠāļšāļāļēāļĢāļ“āđŒāđ€āļŦāļ™āļ·āļ­āļĢāļ°āļ”āļąāļšāđƒāļ™āđāļ„āļĄāđ€āļ›āļ â€œUNITY OF PRIDE” āļ•āļĨāļ­āļ”āđ€āļ”āļ·āļ­āļ™āļĄāļīāļ–āļļāļ™āļēāļĒāļ™ 2569 āļ—āļĩāđˆ āđ„āļ­āļ„āļ­āļ™āļŠāļĒāļēāļĄ āļ–āļ™āļ™āđ€āļˆāļĢāļīāļāļ™āļ„āļĢ . [PR NEWS]
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