I like to keep a lot of this stuff around me.
I change the wall constantly — bit by bit, image by image, every three or four days. It’s never static. It evolves as the work evolves.
One image might be a bird hanging by the ankles. There’s something oddly compelling about it. Again — sex, death — these themes run through all of it. They’re timeless. They sit at the core of so much visual culture.
They’re not there for shock. They’re there because they’re fundamental.
Sometimes a single image like that gives me the context to search for the next one. It opens a thread. It suggests a direction. It becomes the starting point for something larger.
Inspiration isn’t random. It’s built. Layer by layer.
If you want to hear more about how environment and imagery shape the work, watch the full interview here:
lnkd.in/g9H_wacE
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