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Organic Art retweeted
maybe.. .. @vrvisualization
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Replying to @RjNol
yes i made art of this with @vrvisualization , Some speculation and digital dreams More in my collection: objkt.com/collections/KT1QHt…
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Replying to @UnearthedHQ
Some built under the earth to protect themselves from the invaders and others built in the clouds, same reasons. survival strategy, past times were hard. @vrvisualization
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objkt.com/tokens/KT1QHte36Ny… @vrvisualization @objktcom @Cakes6G Nazca Priestess - "Keep On Fighting" A Nazca Priestess walks barefoot across the ancient geoglyphs at golden hour. Inspired by the real 2,800-year-old mummy with a 2.80-meter-long braid discovered in the Nazca desert, Peru. A meditative journey about memory, resilience, and connection with the ancestral land. Cinematic digital art. 78 seconds. Golden hour. Nazca Lines. Part of the collection "Eternal Andes"
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objkt.com/tokens/KT1QHte36Ny… @vrvisualization Tiwanaku Face Kero – Ancient Andean Ceremonial Vessel . Ancient Andes Reconstructed
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@vrvisualization Look at that stone belongs to Pumapunku by the close one where he was and half worked
Bolivia 🇧🇴. At the Akapana -> artificial platform mound (sometimes referred to as a pyramid) at the archaeological site of Tiwanaku. Stonetype: 'Trachyte': a fine-grained, light-colored, extrusive volcanic rock that forms from rapid cooling of intermediate-silica magma.
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@vrvisualization excellent video the detail is important !, there are very few filmings of this quality and observation of the pre-Inca detail
These blocks are made of Andesite. Andesite is an extremely hard stone (7/10) Copper = 2.5/10 hardness Bronze = 3.5/10 hardness Mainstream history claims these structures at Ollantaytambo, Peru, were built by the Bronze Age Inca. Thoughts? Filmed/Edited/Narrated by me
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That’s what makes sites like Puma Punku so compelling, the more closely you look, the more layers there seem to be
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Replying to @4gottnHistory
All the reason, enigmatic and full of secrets some with the naked eye were not "observed" @vrvisualization
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It could have been finished, but in any case it is damaged, the original motifs of the pre-Inca culture erased @vrvisualization
El templo del Sol es una de las construcciones más asombrosas que podrá observar en Ollantaytambo, consta de 6 monolitos cada uno hecho de piedras de decenas de toneladas, por lo que los constructores no tuvieron ningún problema con el peso, pero entonces, ¿por qué nunca se llegó a terminar?, o al menos eso parece. Vamos Machu Picchu
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Replying to @vrvisualization
Think those are little rubbed off nubs or broken??
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El llamado “Trono del Inca”, también conocido como K'usilluc Jink'ian o “Donde se para el mono” en quechua, es una serie de superficies escalonadas y niveladas, talladas con precisión directamente en un enorme afloramiento de roca diorita extremadamente dura en Sacsayhuamán. La formación no es un conjunto de asientos, sino una estructura rocosa cuidadosamente esculpida cuya función aún se desconoce, posiblemente vinculada a un uso ceremonial, a la observación o a una autoridad simbólica dentro del paisaje sagrado. Sus ángulos agudos, simetría y acabados lisos demuestran una excepcional habilidad en el trabajo de la piedra, lograda sin herramientas metálicas. El área circundante incluye los Rodaderos (Suchunas), toboganes naturales de piedra, y las chincanas, pasadizos subterráneos, lo que resalta la complejidad de las estructuras talladas en la roca del sitio. We Love Ancient Aliens
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How many angles? Vischongo, Vilcashuamán, Peru.
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In Part III of my Mars series we examine the origin of additional mysteries of the Red Planet. No one's work has as much scientific grounding, & no one's work shows a better understanding of the mythology, than Dr Stinky McDougal's. To understand Mar's history is to understand ALL the pyramidal structures and the cylinder anomaly. I know, it stinks to find out there wasn't an advanced civilization on Mars. youtu.be/RPTTEXYjlX0 @anewstart72 @BrianCoryDobbs @occamsrazor22 @vrvisualization @MichaelButtonX @mikedavesmulti @CassieCMartin @SuttonCicatrix @MajesticEagle36 @WhatTheFFacts @Graham__Hancock @JonesDanny @lexfridman @MarsCuriosity @MattBeallPod @TminusLiberty @tridactyls @SunWeatherMan @CassieCMartin @TheApocalypse1_ @TheRabbitHole @WWolfProd @Wwg1W @W @randallwcarlson @DavidUllrich202 @JeanWardMars @UniUnveiledIFNP @TheLandOfChem @Chandrawick @curiousdim9 @GeorgeJHaas @pascalleetweets @RobertSchochPhD @TheProjectUnity @blucat2 @lovinGrapeJuice @skdh @Moon_Gover @EwannnaLoopSha @MirceaBidian @Valuable @Erdayastronaut @AJamesMcCarthy @jtuttlekean @beautheory @NewsNation @walterkirn @JacquelineSmall @grimericaoutlaw

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If you come to Cusco, I highly recommend booking room 103 at the Casa Andina Hotel ✨
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I want to give a shoutout to Brien Foerster. Way back when I first began to connect the dots regarding our hidden history, I stumbled upon one of Brien’s videos where he was exploring somewhere in Peru & explaining how the megaliths were actually pre-Inca, & made by a lost civilization. I was hooked. His YouTube channel became one of my favorites, & soon after, I found myself in Peru on one of his tours where I was actually seeing these megaliths & elongated skulls up close with my own eyes. I came back from that trip with so many photos & videos, & with so much knowledge, that I felt like I had to do my part to tell the world there was much more to history than they were being told. So I decided to started a little thing called Megalithic Marvels… Brien was a pioneer in this ancient history space & paved the way for me & many others who are now here as well. Thank you Brien!
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Me standing under the 100 ton granite trilithon at the Osireion of Abydos. How did they lift it?
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@vrvisualization anciente machine
Cusco: I find myself observing these cuts in the stone, which are truly unique. To date, there are no similar ones in any known archaeological site. This is evidence that is either not discussed or, at best, ignored. It does not appear in any technical or academic report. Furthermore, the type of tool used to make these cuts is unknown. The drill bit in the stone is at least half a meter deep, and everything indicates a rotational movement and pressure exerted from top to bottom, but the speed of the tool had to remain constant, and the material could not have been copper or bronze. Seeing this image, I can affirm that an ANCIENT HIGH TECHNOLOGY did indeed exist.
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