What happens when an AI model starts understanding not only images, but the subtext of a dialogue, the meaning of a silence, or the small hesitation before saying something painful? For the global launch of Kling 3.0 @kling_ai, the Labyrinth Studio team and I wanted to build a small film. That’s how Looking for Bianca was born. A short film set in Hong Kong that follows a young woman searching for Bianca, her missing husky. Behind these five minutes there was a great deal of writing, staging, and experimentation with the new model. Even when a film is fully AI, the process remains surprisingly close to traditional filmmaking. And that is exactly where this language will need to grow, in the writing of characters and stories. It took two weeks and a team of four people to make Looking for Bianca. Once again, Giacomo Cannelli @norealframe, @ARisuleo , Aurora Cecchini and I adapted our workflow. With Kling 3, spatial control inside a scene has become much more precise, and we often chose to start from a wide shot and generate the coverage from there, as we did in the three-character dialogue scene between Sophie and the truck drivers. A thank you to the entire @Kling_ai team, and especially to @tonypu_klingai , who has a rare sensitivity when it comes to supporting projects like this. Watch Looking for Bianca here: