Rilasciato XStreaming v2.6.2: Il client open source introduce FSR 1.0, aspect ratio, co-op locale, fix controlli e microfono sperimentale biteyourconsole.net/2026/04/…

Streaming Industry News/Media/Broadcasting Ratings For Entertainment, Sports, Grappling; Wrestling With Intel Past, Present And Future Developing News Story! Wrestling Podcasters, Scribes Onto Something Big?! Podcasters Battle Royal or Royal Rumble?! Rules Of Engagement?! News Combat Sports Streaming May 2026 TrillerTV “TrillerTV continues to operate its global operations for its millions of registered users, leveraging hundreds of licensed publishing partners across a variety of live and on-demand sporting events” spokesperson for Flipps Media, TrillerTV’s corporate entity. “TrillerTV intends to provide the greatest content for users no differently than it has the past 11 years.” News “Flipps Media cannot comment on its ongoing legal dispute that is currently active in the Delaware Court of Chancery” News May 15 Livestreamer ChudTheBuilder Faces $1.25 Million Bond After Courthouse Shooting Dalton Eatherly, the 28-year-old known online as ChudTheBuilder for livestreaming confrontations with racial slurs, argued with Joshua Fox, a 31-year-old Army veteran, outside the Montgomery County Courts Center in Clarksville. Eatherly shot Fox in the stomach and shoulder during a fight, claiming self-defense after Fox pursued and punched him; over 100 stream viewers backed his account, but prosecutors pointed to the crowded public setting and Eatherly's prior arrests. Judge H. Reid Poland III set a $1.25 million bond, citing the felony charges of attempted homicide, aggravated assault, and more, which carry 15 to 60 years if convicted. Online, reactions divide sharply between self-defense claims and criticism of Eatherly's history, with fundraising topping $130,000 amid plans to block his release. News May 15 Forecast: Amazon, Netflix, Google to control half of CTV ad market by 2030 The global fight to “own the living room” is entering a new phase as Google, Amazon and Netflix are projected to control 50 per cent of the global connected TV advertising market by 2030, according to forecasts presented by Omdia at RetailX in London. The findings highlight how the centre of power in television is rapidly shifting away from traditional broadcasting toward streaming platforms, TV operating systems and advertising ecosystems. According to Omdia forecasts, global connected TV (CTV) advertising revenue will surge from $44 billion (€37.8bn) in 2025 to $81 billion by 2030, with CTV ad revenues expected to surpass traditional linear TV advertising during the 2030s. By the end of the decade: Google is forecast to command 26 per cent of global CTV advertising revenue Amazon will account for 13 per cent Netflix will represent 9 per cent Combined, the three companies will own half of the entire global CTV advertising market. “The battle for the living room is no longer only about streaming content,” commented Maria Rua Aguete, Senior Research Director at Omdia, speaking at RetailX London. “It is increasingly about controlling the platform, the advertising layer, the operating system, the data and ultimately the consumer relationship.” Rua Aguete noted that television is becoming one of the most strategic gateways for digital advertising, retail media and commerce integration, with tech companies increasingly competing to control the TV interface itself. Omdia also revealed that the European TV operating system landscape is shifting rapidly. According to the research firm, VIDAA is set to become Europe’s third-largest TV operating system this behind Android TV and Tizen, overtaking several established competitors as manufacturers seek greater ownership of the smart TV experience. The rise of VIDAA underlines how smart TV operating systems are becoming critical strategic assets in the streaming era, acting as the front door for content discovery, advertising monetisation and viewer engagement. “Who owns the TV operating system increasingly controls advertising, discovery and monetization,” added Rua Aguete. “The operating system is becoming as important as the content itself.” The shift comes as media companies, streamers, retailers and technology giants race to secure premium positioning in connected households. Amazon is leveraging Prime Video and retail media integration to expand its TV advertising footprint, while Netflix continues to scale its advertising business globally through its ad-supported tier. Google remains dominant through YouTube’s massive connected TV reach and broader advertising infrastructure. Omdia expects several trends to accelerate the transformation of television advertising over the next five years: Expansion of ad-supported streaming services Convergence of retail media and television advertising Growth in programmatic and targeted TV advertising Increasing importance of TV operating systems and smart TV ecosystems Greater competition for consumer attention and platform ownership The findings reinforce how television, commerce and digital advertising are converging into a single ecosystem  and why control of the living room is becoming one of the most valuable strategic positions in media. News May 6 Endemol Shine Poland brings Naked Attraction back to territory Media and entertainment powerhouse, Banijay Entertainment, has announced Endemol Shine Poland is producing hit dating format, Naked Attraction (Magia Nagości. Polska) for Zoom TV. Returning after a year off-air, the show is set to premiere its fifth season later this year. Originally created for Channel 4 in 2016 by Studio Lambert, part of All3Media, Naked Attraction has become a global phenomenon, with successful adaptations in Czech Republic, Denmark, Finland, Germany, Norway, Spain, Sweden, and Italy. A true “dating in reverse” format, the show strips away first impressions inviting participants to put aside prejudices and opt for naturalness when it comes to finding love. In Poland, the format has already run for four seasons, consistently sparking conversation and encouraging audiences to reflect on body acceptance and perceptions of attraction. The new season will be hosted by Julia Oleś. Michal Kaszuba, Head of Production at Endemol Shine Poland said: “Naked Attraction has already built a strong following in Poland, and after a year off-air, we’re proud to bring it back. It’s a show that sparks conversation, challenges perceptions, and we’re confident the bold format will once again resonate strongly with Polish audiences.” Ben Packwood, SVP Sales for CEE at All3Media added: “It is great to see Magia Nagości. Polska returning to Polish screens for a fifth season in 2026. Zoom TV has proven that Naked Attraction has a dedicated local audience and can continue to be a ratings winner, year after year.” Endemol Shine Poland has over 20 years’ experience producing hit shows including local adaptations of renowned brands such as Don’t Forget the Lyrics, Must Be The Music, Drag Me Out, Boomerissima, MasterChef, Lego Masters and The Money Drop. More recent launches include BAFTA-nominated factual format Banged Up and Ambulance. In addition, it is behind premium scripted programming including Our Century for TVP 1, Squared Love for Netflix, and the return of Penoza for TVP 2. News May 15 Spider-Noir Nicolas Cage, Lamorne Morris attend 'Spider-Noir' premiere Nicolas Cage, Lamorne Morris and Jack Huston attended the premiere of their new Prime Video series, Spider-Noir, in New York Wednesday night. Co-stars Brendan Gleeson, Li Jun Li, Karen Rodriguez, Lukas Haas and Abraham Popoola also walked the red carpet at the event. The comic-book adaptation is slated to debut on Prime Video on May 27. The series will be available to view in black and white, and color. "Spider-Noir tells the story of Ben Reilly, a seasoned, down-on-his luck private investigator in 1930s New York, who is forced to grapple with his past life, following a deeply personal tragedy, as the city's one and only superhero," a synopsis said. News May 15 Combat Sports: Jake Paul Can't Get Into TKO Events According to Jake, his involvement with MVP has made it so he can't be in his older brother's corner in WWE for the foreseeable future. Despite the trouble, he enjoys what he describes as playful banter between himself and TKO. "I don't take any beefs too serious. I think it's definitely in the name of entertainment; however, there is truth in it," the 12-2 professional boxer said on "Smash Cast." "From my side, I'm just having fun. The fact that one of the biggest organizations in the world, the TKO group, has this major beef with me, they won't even let me go be in my brother's WWE matches because they hate me so much. And so it's pretty wild, how much under their skin we are. ... I enjoy s*** talk. I like when people make fun of me. I'm easy to make fun of. I'm able to make fun of myself." (Jake Paul) News Streaming Rankings May 14, 2026 Top 10 Overall Includes movies and TV series. 1. The Pitt HB0 - Max 2. The Boys - Prime Video 3. Buey - Disney 4. The Big Bang Theory HBO Max 5. Bob's Burgers - Hulu 6. SpongeBob quarePants - Paramount 7. Family Guy - Hulu 8. Grey's Anatomy - Hulu / Netflix 9. Thrash (2026) - Netflix 10. Survivor - Hulo / Paramount / Pluto TV News Nielson (Australia) Nielsen data shows Australian outdoor and sport retailers are changing how they advertise to win over outdoor enthusiasts Advertising strategies shift as competition grows for a large, active and quality-focused audience Sydney, April 22, 2026 – New Nielsen Ad Intel data shows Australian outdoor and sports retailers are changing how they invest in advertising, as competition intensifies for the attention of outdoor enthusiasts. Advertising spend across a selected group of major Australian outdoor and sports retailers rose 4.0% year-on-year in 2025, reaching $91.9 million, up from $88.4 million in 2024. While overall growth was moderate, the way brands allocated that spend points to increasingly different strategies as retailers looked for new ways to stay visible in a competitive market. Anaconda was the biggest advertiser in the group in 2025, investing $17.6 million, followed by BCF (Boating Camping Fishing) at $13.0 million, then Rebel Sport at $6.6 million. Across the retailers analysed, social media was the largest channel by spend in 2025, attracting $39.9 million, followed by metro TV at A$20.0 million, general display at $11.4 million, regional television at $10.8 million, and out-of-home at $4.3 million. The figures show brands are taking very different paths to reach consumers interested in outdoor lifestyles. Anaconda and BCF both backed broad, high-reach strategies, spanning television, social and digital display. Rebel Sport also maintained a diversified mix, with strong investment across social, television and general display. By contrast, 4WD & Outdoor Supacentre leaned heavily into social and radio, while Kathmandu was overwhelmingly social-led. Macpac, meanwhile, remained much more television-focused than many of its competitors. The timing of spend also points to a highly seasonal battle for attention. Investment built sharply in the second half of the year, peaking in November and December, when retailers were most aggressive in competing for consumers during key promotional and holiday periods. The ad battle is playing out against the backdrop of a large and commercially attractive audience. New Nielsen Consumer & Media View (CMV) data shows around 15.4 million Australians identify as outdoor enthusiasts via their interest in fishing, camping or bush walking, making them a substantial audience for brands looking to connect through lifestyle, wellbeing, performance and quality. This broad audience is 53.8% male and 46.2% female, with almost two-thirds aged under 55. The strongest concentration sits among 18-39 year olds, followed by 40-54 year olds, showing outdoor enthusiasm is especially strong among active, working-age Australians. They are also motivated shoppers. Nielsen CMV shows 73.3% say they would spend more for quality goods, while 66.9% say they tend to hold off buying until products go on sale, suggesting this audience values quality but remains highly responsive to promotions and timing. The data also points to a strong lifestyle connection. More than 66% say they prefer holidays where they can see nature or be in a natural setting, and Australians in this audience are 25% more likely than average to be seeking an adventure or outdoor experience on a domestic holiday in the next 12 months. *Full article and coverage via Nielsen. News Wrestling Media And Ratings Flashback October 6, 2025 Media Man Monday Wrestling Feature Video Nielsen's new ratings system is bad news for pro wrestling | Wrestling Observer Radio youtube.com/watch?v=T7cAAIeH… Dave Meltzer goes into detail regarding Nielsen's new ratings system, which has had a very bad effect on pro wrestling so far. (F4 Online) Something To Wrestle With Bruce Prichard WWE is playing chess when most are playing checkers youtube.com/watch?v=cRHawQfl… JBL shares his views on WrestleMania 43 heading to Saudi Arabia. Watch full show: #wrestlemania #wwe #wrestling #aew Something to Wrestle with Bruce Prichard is an audio podcast that discusses topics, events, wrestlers and memorable moments through the lens of former WWE executive Bruce Prichard co-hosted by Conrad Thompson. STW was launched in August 2016 on MLW Radio. The episodes typically range from 2 hours to 4 hours in length, and include discussions about previous WWE pay-per-views and former WWE wrestlers. (STWW) "We are in the TKO ERA of pro-wrestling" - Eric Bischoff | 83 Weeks youtube.com/watch?v=qnVy3f3c… Eric Bischoff discusses TKO's increasing dominance over the landscape of professional wrestling and combat sports. (83 Weeks) #ericbischoff #wweufc #tkowwe Teddy Long on ESPN rating Wrestlepalooza 'C youtube.com/watch?v=3X1pSjdv… Konnan on: if Paramount buys WBD, will they drop AEW from their network? youtube.com/watch?v=BsfTd9zu… Jim Cornette on AEW Dynamite's Record Low Ratings youtube.com/watch?v=hivB1aNg… Jim Cornette on What If Hulk Hogan Demanded An Ownership Stake In WWE From Vince McMahon youtube.com/watch?v=6QXabryi… Why WWE & AEW Should Be Worried About Nielsen’s Ratings Shake-Up youtube.com/watch?v=9E_TPYBy… News Nielsen Wrestling News (via X) October 5, 2025 The Media Rating Council accredited the system, and Nielsen plans to phase out the old method entirely by late 2025. However, early results show inconsistent effects—some sports events have seen gains, but wrestling has been hit hard, with drops of 20-60% in key demographics. As of October 6, 2025, "Nielsen Wrestling News" primarily refers to the ongoing industry-wide discussion about Nielsen's overhaul of its TV ratings methodology, which has drastically lowered reported viewership numbers for major wrestling programs like WWE and AEW. This change, rolled out in early Q4 2025, has sparked concern among promoters, analysts, and fans about its potential impact on media deals and the perceived value of wrestling content. Below, I'll break down the key details, impacts, and reactions based on the latest reports. What Changed in Nielsen's System? Nielsen transitioned from its traditional "panel-only" method (tracking ~42,000 households) to a new "Big Data Panel" approach. This integrates: Data from 45 million households and 75 million devices (e.g., set-top boxes, smart TVs). The goal: More accurate, comprehensive audience measurement in a streaming-heavy era. Impact on Wrestling Shows The shift explains recent "plummeting" ratings, complicating year-over-year comparisons. Here's a snapshot of affected shows (new Big Data Panel numbers vs. old panel-only equivalents where available): (Media Man: See Grok live results) Broader Context and Outlook Wrestling remains a top performer relative to other non-sports TV (e.g., WWE Raw still ranks high in key demos), but the optics are rough amid WWE's Netflix transition and AEW's expansion pushes. Analysts like those at Wrestlenomics suggest tracking both methodologies for now to avoid panic. No major cancellations or deal breaks reported yet, but expect more scrutiny in Q4 earnings calls Sources: Wrestlenomics, F4WOnline, Programming Insider. These aren't actual declines in audience—it's a measurement shift—but they could influence negotiations. Industry Reactions Dave Meltzer (Wrestling Observer Newsletter): Called it a "disaster for pro wrestling," noting wrestling's value to TV "looks to be taking a very significant hit." He highlighted disproportionate drops for WWE/AEW compared to other genres. WWE: Expressed internal concerns that the lower numbers could undermine TNA Wrestling's ongoing TV deal talks (aiming for ~$10M annually). However, TNA President Carlos Silva stated it hasn't factored into negotiations yet. USA Network (WWE SmackDown broadcaster) is monitoring but using supplementary data like VideoAmp. AEW/WBD (TBS/TNT): Tony Khan and Warner Bros. Discovery view it as a short-term optics issue, relying on internal metrics showing stable engagement. One source: "Not seeing a strong pattern yet—some events go up, others down." Broader Concerns: Fears of cascading effects on ad revenue, rights fees, and even talent contracts. Reddit's r/SquaredCircle community debated it as "doom and gloom" for public perception, though networks have access to fuller data sets. Media Man: Change is a regular occurrence in both the media, new media and pro wrestling industry. Best to adopt the Charles Darwin ideology .. adapt to change and evolve to the changing landscape. Manage risks and focus on strengths. To help get to the bottom of things as per the old saying in and around Vegas, "Follow The Money". TKO may have an ace or two up it's sleeve here, but AEW is not short a dollar either. There's many moving parts to this situation. The combat sports sector will be watching Nielsen with an eagle eye, or evil eye?! Many are watching the waters. Road To Crown Jewel and Road/Flightpath to WrestleMania Saudi! He who owns the gold makes the rules?! More podcast and pro wrestling news fodder right?! Got to fill up those reports with something in between the pro wrestling match results. Plenty of news outside the ring, as well as in and around in. This storyline is writing itself. VKM and maybe Shane watching with interest. UFC can't be to bothered by this, fresh off a Paramount Skydance Deal. Anyone game to bring back Lucha Underground? That's what we thought. How about more web only broadcasts? Still, With WWE Speed now off X and onto NXT something knows something! The grapple for the audience and paying customers and b2b continues. "There's a customer born every minute" P. T. Barnum News (In Case You Missed It) News Flashback Streaming Reaches Historic TV Milestone, Eclipses Combined Broadcast and Cable Viewing For First Time June 2025 Streaming Notches a Record 44.8% of Total TV Usage in May Streaming Usage Up 71% Since 2021, with YouTube, Netflix and Other Platforms Showing Dramatic Growth Over Four Years FAST Services Continue to Grow as PlutoTV, Roku Channel and Tubi Combine for 5.7% of TV Viewing in May NEW YORK – June 17, 2025 – Streaming reached a historic milestone in May as its share of total television usage outpaced the combined share of broadcast and cable for the first time ever, according to Nielsen’s monthly report of The Gauge™. Streaming represented 44.8% of TV viewership in May 2025, its largest share of viewing to date, while broadcast (20.1%) and cable (24.1%) combined to represent 44.2% of TV. This month also marks four years since the launch of The Gauge, which debuted with the May 2021 report. As audience viewing habits—and the media landscape at large—have rapidly evolved over that time, The Gauge has continued to serve as the industry benchmark for tracking how people spend time watching television. When comparing TV usage in May 2021 and May 2025, it’s clear that streaming has been the dominant viewing format with a usage increase of 71%. And while broadcast and cable viewing have declined (down 21% and 39%, respectively, compared with May 2021), traditional TV has shown surprising resilience. “It’s fitting that this inflection point coincides with the four year anniversary of Nielsen’s The Gauge, which has become the gold standard for streaming TV measurement,” said Karthik Rao, Nielsen CEO. “It’s also a credit to media companies, who have deftly adapted their programming strategies to meet their viewers where they are watching TV – whether it’s on streaming or linear platforms.” Along with the 71% increase in streaming usage, six additional streaming services are now reported in the list of platforms that exceed a full share point of TV usage. The original list included Netflix, YouTube, Hulu, Prime Video and Disney , and has expanded to 11 platforms in May 2025. Among subscription services, Netflix has gone wire-to-wire as the leading SVOD provider in total TV usage for four straight years. Netflix’s viewership has climbed 27% since May 2021, and the streamer owned the biggest day in streaming history, thanks to two exclusive NFL games it live streamed on Christmas Day 2024. Many programs—and by extension, other distributors—have also benefited from the SVOD giant through The Netflix Effect, where licensed content becomes an even bigger hit when distributed on the platform. Exemplified by memorable streaming hits like Suits (Netflix / Peacock) and Young Sheldon (Netflix / Max), this month’s top streaming title, You, (4 billion minutes) was one of the first examples of the Netflix Effect in 2018. Free services have been a major driver of streaming’s overall success. Most notably, YouTube Main (excluding YouTube TV) has exhibited steady, significant growth and is up over 120% since 2021. YouTube represented 12.5% of all television viewing in May, its fourth consecutive monthly share increase and the highest share of TV for any streamer to date. Additionally, FAST services have become increasingly popular, and three have reached the reportable threshold in The Gauge. PlutoTV, Roku Channel and Tubi combined for 5.7% of total TV viewing in May, which is larger than any individual broadcast network this interval. The continued transformation of traditional media companies into streaming-first entities has also been a strong contributor to the growth of streaming. Platforms like Hulu, Paramount and Peacock have expanded their accessibility to create crucial points of connection with streaming-native audiences, complementing rather than competing with their linear counterparts. This trend extends beyond original and catalog content, too, demonstrated by successful simulcasts of sporting events like Super Bowl LIX on FOX and Tubi, and the 2024 Olympics on NBC and Peacock. Virtually all subscription-based platforms now have ad-supported components as well, which are creating a critical new element to the television landscape from an agency and advertiser perspective as they seek to reach streaming-centric consumers. While the milestone of streaming exceeding traditional TV viewership is almost certainly not permanent, it presumably will be in the near future. This trend could continue into the summer months, but the balance will likely shift back—at least temporarily—as football kicks off and a new broadcast season returns. The May 2025 interval included dates 04/28/2025 through 05/25/2025. Nielsen reporting follows the broadcast calendar with measurement weeks that run Monday through Sunday. About The Gauge™ The Gauge™ is Nielsen’s monthly snapshot of total broadcast, cable and streaming consumption that occurs through a television screen, providing the industry with a holistic look at what audiences are watching. The Gauge was expanded in April 2024 to include The Media Distributor Gauge, which reflects total viewing by media distributor across these categories. Read more about The Gauge methodology and FAQs. About Nielsen Nielsen is a global leader in audience measurement, data and analytics. Through our understanding of people and their behaviors across all channels and platforms, we empower our clients with independent and actionable intelligence so they can connect and engage with their global audiences—now and into the future. Learn more at nielsen.com Source: Nielsen nielsen.com/news-center/2025… nielsen.com/news-center/ Media Man Nielsen wins Media Man 'Data Provider Of The Month' award Media Man Int Streaming News mediamanint.com/streaming_ne… Streaming TV mediamanint.com/streaming_tv… Media News mediamanint.com/news2.html #Streaming #StreamingNews #Nielsen #Netflix #ProWrestling #Wrestling #Podcasts #Tubi #YouTube #Prime #Disney #MAX #Peacock #Roku #NBC #Paramount #ParamountPlus #NFL #Broadcast #Broadcasting #Fast #Data #SVOD #Audience #Audiences #Platform #PlatformNews #Platforms #TV #Media #MediaNews #MediaMan #XStreaming #XEntertainment

Versión 2.8.0 de XStreaming, cliente de transmisión de Xbox de código abierto para Android que permite transmitir Xbox y jugar a xCloud en cualquier momento: dekazeta.net/foro/files/file… #XStreaming #Xbox #XCloud #Gaming #Videojuegos #Videogames

I feel like X is trynna become everything else that it’s not 1) XChat - Facebook Messenger 2) XShorts/videos - Tiktok 3) XStreaming- Kick They might wanna stick to being X

Press Release BH Telecom launches Hustler TV & more adult channels in Bosnia and Herzegovina April 2, 2026 Sapphire Media International, Europe’s largest distributor of adult entertainment content, has signed a distribution agreement with BH telecom in Bosnia and Herzegovina, marking a significant step in their international growth strategy. “This expansion allows us to bring our premium, adult-oriented entertainment to a new and valued audience in the region. This launch reflects our commitment to delivering high-quality, engaging content tailored to adult audiences, while adhering to local regulations and cultural sensibilities,” commented Stephanie Meyer, EVP of Broadcasting Worldwide. Media Man Int Entertainment News mediamanint.com/news4.html Media News mediamanint.com/news2.html Content News mediamanint.com/content_news… #BHTelecom #HustlerTV #Hustler #Entertainment #SapphireMedia #Broadcasting #BroadcastingWorldwide #Broadcast #Content #ContentNews #Adult #PressRelease #MediaRelease #VIP #VIPNews #Culture #Europe #Buzz #Media #MediaMan #XEntertainment #XStreaming #XTV #XMovies

Rilasciato XStreaming v2.5.2: Il client open source migliora lo streaming Xbox con fix ai controller e connessioni più stabili biteyourconsole.net/?p=14880…

Part 5 of Resident Evil 6 FULL MOVIE marathon—survived! 🔥 3-hour zombie slaughter... first time streaming on X! Get ready... RE7 & RE8 are up next. Who's riding this nightmare with me? 🧟‍♂️💀 #RE6 #XStreaming #HorrorGaming x.com/i/broadcasts/1RKZzjBao…

@elonmusk Can you also make XStreaming And then be like: XSVideo; XSMusic; XSAudio and XSCourt lol bad remix cuz court sucks but “streaming” replacements for all video/audio apps- XSRockets to the moon XSMoney… because we need that stream most ~~ woohoo 🎉 will be very big indeed

If anyone is willing to help us you can donate to my Ko-Fi or the Gofundme linked here: gofund.me/085b55770 ko-fi.com/doomed316 Anything helps. I apologize for not explaining anything and I'm sorry for that. #GoFundMe #XLive #XStreaming #LiveOnX x.com/i/broadcasts/1nJOLELeg…

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Rilasciato XStreaming v2.5.0: Il client open source migliora lo streaming Xbox con fix ai controller e connessioni più stabili biteyourconsole.net/2026/02/…

Pop Culture/Music/Streaming Flashback 'Beatles '64' Beatles-Mania Lives Again! Director David Tedeschi and producer Margaret Bodde advise their documentary, Beatles '64, on Disney attempts to educate the viewer the impact the band had on fans in the '60s. The filmmakers began with previously rare footage Albert and David Maysels filmed of The Beatles on their 1964 trip to New York to perform on famed The Ed Sullivan Show. Tedeschi and Bodde also interviewed people in the industry, such as music producer Jack Douglas and critic Joe Queenan. They even catch up with fans! Fellow musicians like Sananda Maitreya, Ron Isely and Smokey Robinson also reflect on The Beatles in the film. Bodde said many of their participants had a history of sharing insight into the British super group. "We did a lot of research on who had said really interesting things about the profound impact that the band had on their lives and that they still carry with them," Bodde said. One of the questions probed in the 1964 footage and addressed in contemporary interviews is: Why did the fans scream for The Beatles? Author and filmmaker Jamie Bernstein, daughter of the famed composer, Leonard Bernstein, is one expert who offers an answer. "It was such a visceral experience, these young girls didn't have a language to express it in any other way except scream," Tedeschi said of Bernstein's explanation. Bodde credited co-producers Apple Corp, The Beatles' company, with connecting the filmmakers with fans and collectors. Joe Sherov filmed The Beatles arriving by limo with an 8mm camera, and that 8mm footage is in Beatles '64. "There's a young man who is running alongside the limo shooting [video] into the car where the Beatles are," Bodde said of Sherov. "That took a while, though, to get to that point where you were actually going to be able to utilize some of that footage." The filmmakers interviewed Paul McCartney and Ringo Starr in the present. Tedeschi said the singer and drummer were refreshingly forthcoming. "In the British Embassy, Paul says they're being badly treated, they're treated like they're low class by these posh embassy employees," Tedeschi said. "Paul says, 'You know what? We didn't give a flying *uck.'" The filmmakers also visited McCartney at his Eye of the Storm photo exhibit at the Brooklyn Museum. Starr was also taking photos during their 1964 trip to the United States. "We're lucky that they were such a phenomenon that there are so many photographs," Bodde said. "All of that visual documentation allows them to live those moments, I think, a little bit more clearly." The surviving Beatles learned something new about their history during those interviews. Starr was presented with a small piece of plywood that supported him on the stage at tours, which he never noticed while playing. "It's emblematic for me that Ringo's response when he sees that little strip of wood that is the only thing keeping him from falling off the rostrum is, 'I only fell off once. It only happened one time,'" Tedeschi said. Beatles '64 also shows that the band was not universally beloved in the '60s. Some parents forbade their children to listen to or watch The Beatles. "There was an establishment that just didn't like The Beatles," Tedeschi said. "You have the great war correspondent, Eric Sevareid, doing a piece for CBS where he compares the reaction to the Beatles to the German measles." Bodde pointed to an insight the late John Lennon shared in a television interview included in the film. Lennon says people have resisted rock 'n' roll since the beginning of the genre. "There's just something about rock 'n' roll that was very threatening to the establishment," Bodde said. "It's just a little too wild, a little too sexual, something that couldn't be controlled apparently." News via Grok "Beatles '64" is a documentary film directed by David Tedeschi and produced by Martin Scorsese, focusing on The Beatles' first visit to the United States in February 1964. Here's a detailed overview: Release Date: The documentary was released on Disney on November 29, 2024. Content: The film captures the cultural impact of The Beatles on the United States during their historic three-week visit, which included their debut performances on "The Ed Sullivan Show." It combines never-before-seen footage, including intimate behind-the-scenes moments, with newly filmed interviews of surviving Beatles members, Paul McCartney and Ringo Starr, and fans from that era. Footage: Much of the documentary uses footage originally shot by Albert and David Maysles for their 1964 documentary "What's Happening! The Beatles in the U.S.A." This footage has been digitally restored in 4K by Park Road Post, providing a fresh look at the events. Live performances from The Beatles' first American concert at the Washington Coliseum and their appearances on "The Ed Sullivan Show" have been remixed using advanced audio separation technology. Significance: The documentary highlights the unprecedented excitement and hysteria, known as Beatlemania, that swept across the country upon their arrival, illustrating the band's rapid ascent to global superstardom. It also examines the personal dynamics of John, Paul, George, and Ringo during this pivotal moment. Production: Besides Tedeschi directing and Scorsese producing, the film includes contributions from Olivia Harrison, Sean Ono Lennon, and others close to The Beatles' legacy. The soundtrack album from the documentary was released a week before the film, on November 22, 2024, featuring studio recordings relevant to their 1964 performances. Reception: The documentary has received positive reviews for humanizing a mythologized moment in pop music history, with critics appreciating both the archival footage and the contemporary reflections on the Beatles' impact. It holds a 92% approval rating on Rotten Tomatoes based on 12 critics' reviews, with an average rating of 7.1/10. Cultural Context: Posts on X around the time of the documentary's release and other related announcements also celebrate this period of The Beatles' history, highlighting their influence on music and culture in America and the significance of their 1964 visit in the context of the British Invasion. This documentary serves as both a nostalgic trip for fans and an educational piece for those interested in the history of music, particularly the phenomenon of Beatlemania. (Grok) Video Beatles ‘64 | Official Trailer youtube.com/watch?v=XLzMtQJn… Media Man Int Entertainment News mediamanint.com/news4.html Pop Culture mediamanint.com/pop_culture.… Streaming News mediamanint.com/streaming_ne… Hottest On TV mediamanint.com/hottest_on.h… #Streaming #StreamingNow #Disney #TheBeatles #Beatles64 #Music #MusicNews #biopic #bioseries #entertainment #EntertainmentNews #Doco #PopCulture #streaming #StreamingNews #ComingSoon #TV #trend #trends #buzz #media #mediaman #XStreaming #XEntertainment

Streaming (In Case You Missed It) The Electric State | Official Trailer | Netflix youtube.com/watch?v=KpN98z8K… Netflix @netflix In the aftermath of the robot war, the only path forward is into THE ELECTRIC STATE. Starring Millie Bobby Brown, Chris Pratt, Stanley Tucci and directed by the Russo Brothers, only on Netflix MARCH 14. Set in a retro-futuristic past, this blockbuster adventure from filmmakers Anthony and Joe Russo follows Michelle (Millie Bobby Brown), an orphaned teenager who traverses the American West in search of her younger brother. Joining her on the journey is a sweet but mysterious robot and an eccentric drifter (Chris Pratt). The film also stars Ke Huy Quan, Jason Alexander, Woody Norman, Giancarlo Esposito and Stanley Tucci. Woody Harrelson, Anthony Mackie, Brian Cox, Jenny Slate, Hank Azaria, Colman Domingo and Alan Tudyk join the cast in voice roles. THE ELECTRIC STATE premieres globally on Netflix MARCH 14. (Credit: Netflix) News Meet The Electric State Cast: A Guide to the Robots and Humans Millie Bobby Brown and Chris Pratt are joined by an all-star ensemble. By Stephan Lee March 11, 2025 netflix.com/tudum/articles/t… There are a lot of recognizable faces among the star-studded cast of The Electric State — Millie Bobby Brown! Chris Pratt! Stanley Tucci! — but there are perhaps even more familiar voices behind the robots that populate this spectacular adventure. Set in an alternate, retro-futuristic version of the 1990s, The Electric State follows Michelle (Brown), an orphaned teenager navigating life in a society where sentient robots resembling cartoons and mascots –– who once served peacefully among humans –– now live in exile following a failed uprising. After a sudden visit from a sweet, mysterious robot named Cosmo (voiced by Alan Tudyk), Michelle must journey across the country in an effort to find her genius younger brother, who she’s long believed to be dead. Along the way, she reluctantly finds herself teaming up with Keats (Pratt), a low-rent smuggler, and his wisecracking robot sidekick Herman (voiced by Anthony Mackie). As they venture into the Exclusion Zone, a walled-off corner in the desert where robots now exist on their own, Keats and Michelle find a strange, colorful group of new animatronic allies — and begin to learn that there may be something even more sinister afoot. To bring the complex robotic world based on Simon Stålenhag’s graphic novel to life, directors Anthony and Joe Russo assembled a group of voice and motion capture actors, who share the screen with their human counterparts. In fact, there are more motion capture performances in the film than real humans. “It’s never been done before, this fusion between live action and animation,” producer Angela Russo-Otstot told Netflix. “There’s more CGI animation happening than Anthony and Joe did on their biggest films at Marvel. It was a really beautiful opportunity for all of these artists to come together — the visual artists who helped create the robots and the technical artists who helped get them to their final rendering. The voice artists brought these characters to life in postproduction, but the motion capture actors are the ones who gave the robots their soul.” Read on to meet the cast who will guide you through the world of The Electric State, which streams on Netflix March 14. (Credit: Netflix) Full article and coverage via Netflix/TUDUM Media Man: Buzzing and charged up to experience this Netflix exclusive sensation! News Watch the Final Trailer for The Electric State It’s humans and bots against the world. Millie Bobby Brown (Stranger Things) and Chris Pratt (Guardians of the Galaxy) star in The Electric State, an epic new sci-fi adventure  from the Russo brothers. Watch the final trailer for the film above. The Electric State is coming to Netflix on March 14. (Netflix/TUDUM) netflix.com/tudum/videos/the… Media Man Int Streaming News mediamanint.com/streaming_ne… Movies mediamanint.com/movies.html #TheElectricState #Netflix #NetflixNews #Streaming #StreamingTV #ComingSoon #Movie #MovieNews #Showbiz #PopCulture #PopCultureNews #trend #trends #buzz #mediaman #XMovies #XEntertainment #XStreaming (Image: Netflix) with Media Man A.I

Streaming Top 10 Current January 15, 2026 1.. Stranger Things (Netflix) 2. Landman (2024). (Paramount ) 3. Wake Up Dead Man: A Knives Out Mystery (Netflix) 4. NCIS (Hulu / Netflix / Paramount / Pluto TV) 5. Emily in Paris (Netflix) 6. Homeland (Hulu / Netflix) 7. Fallout (2024) (Prime Video) 8. Bluey (Disney ) 9. IT: Welcome to Derry (2025) (HBO Max) 10. Grey's Anatomy (Hulu / Netflix) *Correct at time of publication to best of knowledge News Streaming Top 10 Jan 15 Movies 1. Wake Up Dead Man: A Knives Out Mystery. Netflix 2. Home Alone. Disney 3. How the Grinch Stole Christmas (2000) Peacock 4. Home Alone 2: Lost in New York. Disney 5 Elf. Max 6. Paw Patrol: The Mighty Movie. Netflix / Paramount 7. Red One (2024). Prime Video 8. Dr.Seuss' The Grinch (2018) Peacock 9. The Great Flood (2025). Netflix 10. National Lampoon's Christmas Vacation. HBO Max News The Lead Up January 12, 2026 1. Wake Up Dead Man: A Knives Out Mystery (Netflix) 2. How the Grinch Stole Christmas (2000) (Peacock) 3. Home Alone (Disney) 4. Jay Kelly (2025) (Netflix) 5. My Secret Santa (2025) (Netflix) 6 Oh. What. Fun. (2025) (Prime Video) 7. KPop Demon Hunters (2025) (Netflix) 8. Home Alone 2: Lost in New York (Disney ) 9. Dr.Seuss' The Grinch (2018) (Peacock) 10. The Santa Clause (Disney ) *correct at time of publication to best of knowledge News Flashback October 24, 2025 Pop Culture/Entertainment Streaming TV: Movies Top 10 Flashback 1. KPop Demon Hunters (2025) Netflix 2. Superman (2025) HBO Max 3. Elio (2025) Disney 4. 28 Years Later (2025) Netflix 5. Ruth & Boaz (2025) Netflix 6. San Andreas. Netflix 7. Ice Road: Vengeance. Netflix 8. The Wrong Paris (2025) Netflix 9 Lilo & Stitch (2025) Disney 10. Shrek 2. Netflix / Peacock *correct at time of publication to best of knowledge Media Man Int Streaming News mediamanint.com/streaming_ne… Movies mediamanint.com/movies.html Entertainment News mediamanint.com/news4.html Top 10 mediamanint.com/top_10.html #Streaming #StreamingNews #Top10 #StrangerThings #Landman #WakeUpDeadMan #HowTheGrinchStoleChristmas #HomeAlone #HomeAlone2 #JayKelly #OhWhatFun #MySecretSanta #TheGrinch #SUPERMAN #Elio #28YearsLater #RuthAndBoaz #SanAndreas #IceRoad #TheWrongParis #LiloAndStitch #Shrek2 #Netflix #HBOMax #HBO #DisneyPlus #Peacock #PrimeVideo #PopCulture #BoxOffice #Entertainment #trend #buzz #media #mediaman #XStreaming #XMovies #XEntertainment #XTV

Pop Culture/Entertainment Streaming TV: Movies Top 10 Current January 12, 2026 1. Wake Up Dead Man: A Knives Out Mystery (Netflix) 2. How the Grinch Stole Christmas (2000) (Peacock) 3. Home Alone (Disney) 4. Jay Kelly (2025) (Netflix) 5. My Secret Santa (2025) (Netflix) 6 Oh. What. Fun. (2025) (Prime Video) 7. KPop Demon Hunters (2025) (Netflix) 8. Home Alone 2: Lost in New York (Disney ) 9. Dr.Seuss' The Grinch (2018) (Peacock) 10. The Santa Clause (Disney ) *correct at time of publication to best of knowledge News Flashback October 24, 2025 Pop Culture/Entertainment Streaming TV: Movies Top 10 Flashback 1. KPop Demon Hunters (2025) Netflix 2. Superman (2025) HBO Max 3. Elio (2025) Disney 4. 28 Years Later (2025) Netflix 5. Ruth & Boaz (2025) Netflix 6. San Andreas. Netflix 7. Ice Road: Vengeance. Netflix 8. The Wrong Paris (2025) Netflix 9 Lilo & Stitch (2025) Disney 10. Shrek 2. Netflix / Peacock *correct at time of publication to best of knowledge Media Man Int Streaming News mediamanint.com/streaming_ne… Movies mediamanint.com/movies.html Entertainment News mediamanint.com/news4.html #Streaming #StreamingNews #Top10 #WakeUpDeadMan #HowTheGrinchStoleChristmas #HomeAlone #HomeAlone2 #JayKelly #OhWhatFun #MySecretSanta #TheGrinch #SUPERMAN #Elio #28YearsLater #RuthAndBoaz #SanAndreas #IceRoad #TheWrongParis #LiloAndStitch #Shrek2 #Netflix #HBOMax #HBO #DisneyPlus #Peacock #PrimeVideo #PopCulture #BoxOffice #Entertainment #trend #buzz #media #mediaman #XStreaming #XMovies #XEntertainment

‘Madden’ Teaser Reveals Nicolas Cage as NFL Legend John Madden The cast for David O. Russell's film also includes Christian Bale, Kathryn Hahn, Sienna Miller, John Mulaney and Shane Gillis. By Abid Rahman December 26, 2025 The first teaser trailer for David O. Russell‘s John Madden biopic has been released, and hoo boy is it sure to get NFL fans and gamers excited. Amazon MGM Studios released the official teaser for Madden on Christmas Day, and in the clip we get our first proper look at an appropriately large and boxy looking Nicolas Cage playing the great man himself, an NFL legend who served as head coach of the Oakland Raiders and also had a long and successful stint as a commentator and later a pop culture icon through the Madden NFL video game series. The film tracks Madden’s journey from humble beginnings to coaching the Raiders to the Super Bowl in 1976 and later finding further success on television, video games and becoming a reliable pitchman for a wealth of advertisers. The Hollywood Reporter previously reported that the film will serve as more of an origin story of Madden NFL, one of the biggest video game franchises of all time. Joining Cage in the film is fellow Oscar-winner Christian Bale, with the Brit actor seemingly immersing himself once more to play Al Davis, the owner of the Raiders during Madden’s time with the team. (The Hollywood Reporter) @THR Full article and coverage via The Hollywood Reporter hollywoodreporter.com/movies… Video Madden - Official Teaser | Prime Video youtube.com/watch?v=KjOL6n0F… youtube.com/@PrimeVideo #MaddenMovie #Madden #OfficialTeaser There is only one John Madden. Thanksgiving 2026. #MaddenMovie Inspired by a true story, MADDEN follows the football legend from Super Bowl glory with the Raiders to revolutionizing the game with Madden NFL. Media Man: Win-Win-Win! Touchdown. He scores again! News Media Man The Hollywood Reporter wins Media Man 'Entertainment News Outlet Of The Year' award and 'Showbiz Publication Of The Year' award; Runner-up: TMZ Media Man Int Entertainment News mediamanint.com/news4.html Streaming News mediamanint.com/streaming_ne… #MaddenMovie #Madden #OfficialTeaser #NFL #Amazon #AmazonMGM #MGM #Teaser #Streaming #StreamingNow #AmericanFootball #NicolasCage #ChristianBale #Biopic #SuperBowl #Raiders #EA #EASports #Videogame #SportsBiz #PopCulture #Entertainment #buzz #media #mediaman #XEntertainment #XStreaming

‘Madden’ Teaser Reveals Nicolas Cage as NFL Legend John Madden The cast for David O. Russell's film also includes Christian Bale, Kathryn Hahn, Sienna Miller, John Mulaney and Shane Gillis. By Abid Rahman December 26, 2025 The first teaser trailer for David O. Russell‘s John Madden biopic has been released, and hoo boy is it sure to get NFL fans and gamers excited. Amazon MGM Studios released the official teaser for Madden on Christmas Day, and in the clip we get our first proper look at an appropriately large and boxy looking Nicolas Cage playing the great man himself, an NFL legend who served as head coach of the Oakland Raiders and also had a long and successful stint as a commentator and later a pop culture icon through the Madden NFL video game series. The film tracks Madden’s journey from humble beginnings to coaching the Raiders to the Super Bowl in 1976 and later finding further success on television, video games and becoming a reliable pitchman for a wealth of advertisers. The Hollywood Reporter previously reported that the film will serve as more of an origin story of Madden NFL, one of the biggest video game franchises of all time. Joining Cage in the film is fellow Oscar-winner Christian Bale, with the Brit actor seemingly immersing himself once more to play Al Davis, the owner of the Raiders during Madden’s time with the team. (The Hollywood Reporter) @THR Full article and coverage via The Hollywood Reporter hollywoodreporter.com/movies… Video Madden - Official Teaser | Prime Video youtube.com/watch?v=KjOL6n0F… youtube.com/@PrimeVideo #MaddenMovie #Madden #OfficialTeaser There is only one John Madden. Thanksgiving 2026. #MaddenMovie Inspired by a true story, MADDEN follows the football legend from Super Bowl glory with the Raiders to revolutionizing the game with Madden NFL. Media Man: Win-Win-Win! Touchdown. He scores again! News Media Man The Hollywood Reporter wins Media Man 'Entertainment News Outlet Of The Year' award and 'Showbiz Publication Of The Year' award; Runner-up: TMZ Media Man Int Entertainment News mediamanint.com/news4.html Streaming News mediamanint.com/streaming_ne… #MaddenMovie #Madden #OfficialTeaser #NFL #Amazon #AmazonMGM #MGM #Teaser #Streaming #StreamingNow #AmericanFootball #NicolasCage #ChristianBale #Biopic #SuperBowl #Raiders #EA #EASports #Videogame #SportsBiz #PopCulture #Entertainment #buzz #media #mediaman #XEntertainment #XStreaming

Rilasciato XStreaming v2.4.5: Il client open source migliora lo streaming Xbox con fix ai controller e connessioni più stabili biteyourconsole.net/2025/12/…

Streaming News December 11, 2025 YouTube Notes NEM Zagreb Conference US Pay-TV market snapshot (Omdia data for end 2025): Charter: 11.4 million subscribers Comcast: 10.6 million subscribers YouTube TV: 9.3 million subscribers US Pay-TV market forecast (Omdia data for end-2027): YouTube TV: 10.4 million subscribers Charter: 10 million subscribers Comcast: 9.2 million subscribers “This is an historic moment in US TV history, with the largest pay-TV operator about to be a virtual provider,” said Rúa Aguete. “YouTube TV has evolved into a comprehensive pay-TV bundle, offering linear channels, premium networks, and major sports properties — including exclusive NFL Sunday Ticket rights. This is not just a streaming service; it is the new face of US pay-TV.” YouTube’s dual power: A global video giant and a US Pay-TV leader Rúa Aguete emphasised that YouTube’s influence extends far beyond YouTube TV’s subscriber base. The broader YouTube platform, with almost 3 billion global users, is the world’s largest video ecosystem by a significant margin. “Netflix may reach 300 million subscribers globally, but compared with YouTube’s 3 billion users, it is not a dominant global player,” Rúa Aguete noted. “YouTube operates at a scale no subscription service can match.” This dual positioning — as the world’s largest video platform and the soon-to-be [potentially] #1 US pay-TV operator — gives YouTube a unique advantage in the rapidly evolving media landscape. The streaming market: Fragmented, competitive, and rapidly evolving The latest Omdia data also shows the highly fragmented US streaming market. Despite its size, Netflix will account for just 15.7 per cent of total US SVoD subscriptions by the end of 2025, underscoring the competitive nature of the industry. “The idea of Netflix as a dominant streaming service is a myth,” Rúa Aguete said. “Consumers are distributing their attention — and their spending — across a wide range of platforms.” US Streaming Leaders in 2025 (Omdia): Netflix: 88.7 million subscribers Prime Video: 64.7 million subscribers Disney : 55.8 million subscribers Paramount : 49.4 million subscribers HBO Max: 29.7 million subscribers Media Man Int Streaming News mediamanint.com/streaming_ne… Hottest On TV mediamanint.com/hottest_on.h… TV News mediamanint.com/tv_news.html Media News mediamanint.com/news2.html #Streaming #StreamingTV #YouTube #StreamingWars #SocialMedia #Broadcast #Broadcasting #Audience #Audience #Entertainment #PopCulture #Biz #trend #buzz #media #mediaman #XEntertainment #XTV #XStreaming #XBiz

1207 12:00 Still Love you XSTREAMING EVENT #THEBOYZ #더보이즈 #StillLoveYou #StillLoveTBZ