The old ARTXCODE logo was a straight copy paste of El Lisssitzky’s “Two Squares” for no other reason than I just was obsessed w constructivism at the time lol

Fun lil memory just popped up on instagram 🥲 7 years ago, ARTXCODE was an anon community page I ran for discovery & education around ‘creative coding’ and it feels like a freaking lifetime ago. I mean, just peep the old logo 🟥 ( I should bring back the readxcode list tbh)

ARTXCODE has joined the @heft_gallery circle. Full disclosure, @NedRyersonBing is on our team as an advisor. That being said, regardless of this we would have joined. First, Ned has consistently shown up over the years to support our artists and supports many others via Heft and his and @MaryPatBing's personal collection. Outside of their collection I have personally witnessed them extend their friendship to countless artists, gallerists, curators, dealers, collectors, devs, team members, all the people that make up the moving parts of our ecosystem. Second, Heft has grown to be an important cultural meeting spot in NYC. The city needs more galleries that give "our space" a physical foothold. @adamberninger has put a lot into making this thing of ours work and it should not go under appreciated. I know how much we all love our social outings, those moments we all get to join up together, well that is because of the art that we circle around. So if we want "to have nice things" we need to do what we can, when we can to support them. The NFT market is in shambles and the morale of artists and people working in the space is quite bruised. It would be a shame if we lost Heft during this time when we actually need more "places" for our people to gather round. Sorry for the corny tangent and I should have written this earlier in the week but life and time got away from me. I hope we can continue to enjoy some great art and meet together at Heft, at @bitforms, at @nguyenwahed and all the galleries native to "our space" for many years to come. You can mint yours here: heftgallery.com/circle

Huge Congrats Tony & ARTXCODE 🔥👊

ArtXcode shows at zero 10, benny manages zero 10, Mika is an ArtXcode artist ‘Community’ is used to represent these tying relationships

Thank you for your interest! Please reach out to the amazing @Toni_Marinara from ARTXCODE 🙏

The 2021 PFP casino…yield-farming meta? Yeah, it's dead and deserved the grave, hype tourists gone, low-effort drops buried, public fatigue real. No argument there Eli. But calling the whole category dead while you're curating Zero 10 at Art Basel Miami with quick sell-outs on Beeple robotics and phygitals, Hong Kong edition last month pulling strong sales from galleries like Plan X, Asprey, Art Blocks, and Fellowship x ARTXCODE (moving pieces in ETH and fiat to fresh collectors), and the Basel leg loading up for June… feels like the fundamental technology is very much alive and earning prime real estate in the biggest traditional art machine on earth!!! As a collector who loves physical art, has been buying beautiful, exceptional, and truly unique on-chain art for going on three years straight… never stopped through the crash, the silence, or the noise aaaaand who's been doing deep study on the overall art scene the entire time, I'm also warming up to artists who mint digitally while also offering physical pieces. The signal is growing for sure. Exceptional work that innovates with immutable provenance, programmable ownership and borderless global reach is quietly capturing new audiences and serious buyers in ways traditionl galleries and licensing deals never could. The degenerate noise died so the real primitive could mature :) You're literally proving the second half of your own post right in real time with Zero 10 🙂☮️

2/ About: RECURSIONS 遞迴 — Sougwen Chung × Fellowship × ARTXCODE Art Basel Hong Kong 2026 (Zero Ten) The Series: - Human machine co-authorship, not metaphor: literally two hands on the same canvas by Sougwen's and D.O.U.G.'s robotic arm - Two chemically incompatible inks: water-based calligraphic carbon black custom metallic ink with 99.99% pure silver microparticles — they literally repel each other on linen, creating tension in the material itself - EEG brainwave sensor modulates which part of the AI's learned gesture space activates in real time — the work carries a biological signature that cannot be faked or reproduced - RECURSION 0 (the 10m. seed scroll) → painted live at the fair → six distillations emerge: RECURSION 1–6 The images is RECURSION 4 painting and the exhibition.

Post-Fair Digest — Art Basel Hong Kong 2026 It's always hard to gather one's thoughts after so much happens in such a compressed timeframe, days that feel like weeks, conversations that blur into one long, charged exchange. Art Basel Hong Kong was Fellowship's first presentation at the fair (in Hong Kong), and we chose to go deep rather than broad: Sougwen Chung's solo exhibition RECURSIONS 遞迴 at booth Z1 in the Zero 10 sector, presented in collaboration with ARTXCODE. A live robotic painting practice, four large-scale canvases, and an LED installation presenting the aggregation of the entire project, the booth was a space where people stopped, watched, and stayed. What struck us most was the quality of engagement. Collectors were asking precise questions about process, about the relationship between human gesture and machine response. Curators from major institutions spent real time with us and the artist. The conversations we had in Hong Kong will shape Fellowship's views for months to come. A lot of energy at this fair comes from deeply enthusiastic, determined individuals: artists, gallerists, advisors, all working to surface what they see as meaningful. That conviction is contagious, and it reminds us why we do this work at the intersection of art and technology. None of this happens without people, many of whom the audience never sees. Our deepest thanks to Sougwen and the studio team, whose commitment to the work carried every detail of the booth. To Art Basel and the broader organisation behind the fair, for the platform and the standard they maintain. To OpenSea, for their continued partnership and support. And to the gallerists, operators, collectors and fellow artists on site, the ones who lend a hand, share a tip on local logistics, or simply show up at the booth to say the work matters. The visible and invisible crews that make a fair run are the reason any of us can do what we do. Hong Kong itself deserves a note. Even in the briefest encounter, the professionalism, courtesy, and warmth of the culture left a mark. There's a generosity in the way people engage here, direct, respectful, welcoming, that made the experience richer far beyond the convention centre walls. We returned with a full notebook and a clear sense of direction. More to share soon. @ArtBasel @eli_schein @redbeardnft @sougwen @artxcode_io @fellowshiptrust @opensea

Thank you for the exhibition, Fred. It is one of the most memorable experiences in my art experiences ever. Thank you so much for helping out for everything since before day 1. Fellowship, ArtXCode, Sougwen, and everyone are top-tier. Thank you for bringing this to Asia.

Fellowship and ARTXCODE present RECURSIONS 遞迴, a solo exhibition of new works by Sougwen Chung at Art Basel Hong Kong 2026 – the artist’s first solo booth at the fair. Marking a pivotal expansion from live performance into painting, RECURSIONS brings together drawing, painting, robotics, and light-based installation to ask where gesture begins when it is no longer authored by a single hand, but emerges through feedback between human and machine. At the centre of the presentation is RECURSION 0 (2026), a monumental scroll. A kinetic robotic system, trained on decades of Chung’s gestural data and responsive biosensor input, extends and echoes the artist’s movements across linen , a surface of accumulation, recording the recursive exchange between embodied intention and machinic response in real time. Six related paintings, RECURSION 1–6 (2026), distill this durational process into discrete iterations. Where the scroll enacts duration, the paintings hold it: mark-making accumulates without hierarchy, and what remains is not a distinction between origin and echo but a single, layered surface in which both are present. RECURSION Dataset 1314 (For a Lifetime) (2026) transposes the investigation into light. The title invokes the Chinese homophone 一三一四 ("one three one four"), which sounds like 一生一世 ("one lifetime"). Brainwave and drawing data cycle across a suspended LED mesh, shifting in real time as accumulated attention is compressed into luminous, slowly evolving forms , proposing attention as duration: compressed, sustained, and made visible. Together, the works extend Chung’s ongoing investigation into what the artist terms Operational Art: a framework for protocols, ethics, and conditions of co-creation between human, machine, and environment. Here, collaboration evolves beyond method, toward an ecology in which agency is distributed and coexistence becomes indistinguishable from authorship. Presented in partnership with @opensea fellowship.xyz/exhibition/ar…

We are pleased to announce that two canvas works from RECURSIONS 遞迴 found new homes during VIP preview of @ArtBasel Hong Kong. Booth Z01 | Zero10 | presented by @fellowshiptrust × ARTXCODE x @StudioScilicet x @opensea

Looking to add a Masterpiece to your Art Collection? Then don't sleep on this edition of The Patron Age — your trusted source for intel on the most anticipated Digital Art Releases. This week, we've uncovered 41 Upcoming Collections & Unique Releases, all set to debut over the next 30 Days! 👀 Get Art Pilled 💊⬇️ 𝘗𝘪𝘤𝘵𝘶𝘳𝘦𝘥 𝘈𝘣𝘰𝘷𝘦: “𝘥𝘰𝘯’𝘵 𝘥𝘪𝘦 𝘢𝘵 𝘸𝘰𝘳𝘬” 𝘣𝘺 𝘔𝘢𝘯𝘪𝘤, “𝘈𝘭𝘨𝘰𝘳𝘪𝘵𝘩𝘮𝘪𝘤 𝘚𝘺𝘯𝘦𝘴𝘵𝘩𝘦𝘴𝘪𝘢” 𝘣𝘺 𝘏𝘢𝘳𝘷𝘦𝘺 𝘙𝘢𝘺𝘯𝘦𝘳, “𝘐𝘯𝘧𝘪𝘯𝘪𝘵𝘺” 𝘣𝘺 𝘑𝘢𝘤𝘰𝘱𝘰 𝘋𝘪 𝘊𝘦𝘳𝘢, “𝘛𝘰𝘶𝘤𝘩𝘪𝘯𝘨 𝘎𝘳𝘢𝘴𝘴” 𝘣𝘺 𝘕𝘪𝘴𝘩𝘢𝘯𝘵 ‘𝘌𝘨𝘰𝘥𝘦𝘢𝘥’ 𝘔𝘢𝘭𝘩𝘰𝘵𝘳𝘢, 𝘢𝘯𝘥 “𝘖𝘱𝘵𝘪𝘮𝘪𝘻𝘦𝘥 𝘛𝘳𝘢𝘫𝘦𝘤𝘵𝘰𝘳𝘺” 𝘣𝘺 𝘑𝘰𝘯𝘢𝘴 𝘓𝘶𝘯𝘥. 🟪🟦🟩🟨🟧🟥🟪🟦🟩🟨🟧🟥🟪 🟨▫️𝐑𝐄𝐋𝐄𝐀𝐒𝐈𝐍𝐆 𝐓𝐇𝐈𝐒 𝐖𝐄𝐄𝐊▫️🟦 🟩🟦🟪🟥🟧🟨🟩🟦🟪🟥🟧🟨🟩 🟪 𝙋𝙧𝙞𝙢𝙖𝙫𝙚𝙧𝙖 by @BaretLaVida 〰️ 📅 Date: 𝗠𝗼𝗻𝗱𝗮𝘆, 𝗠𝗮𝗿𝗰𝗵 𝟮𝟯𝗿𝗱 〰️ 🚀 Launchpad: Art Blocks Studio 〰️ 🧮 Supply: Determined Post-Mint 〰️ 🎛️ Format: Seasonal Edition [𝘕𝘰𝘸 𝘔𝘪𝘯𝘵𝘪𝘯𝘨!] 〰️ 💰 Price: 0.025 ETH 〰️ ℹ️ More Info: Inspired by two works by Botticelli, Baret La Vida reimagines Renaissance ideals through a generative lens, where flowing forms echo wind and water as they slowly assemble into living compositions and hidden structures. The work unfolds as a quiet cycle of renewal, bridging past and present while inviting viewers to witness creation not as a fixed image, but as an ongoing return to growth. Primavera will be available for purchase throughout the entire spring season in the Northern Hemisphere, from March 20, 2026 at 14:46 UTC to June 21, 2026 at 08:24 UTC. 🟪 𝙄𝙣𝙛𝙞𝙣𝙞𝙩𝙮 by @jaydicera 〰️ 📅 Date: 𝗠𝗼𝗻𝗱𝗮𝘆, 𝗠𝗮𝗿𝗰𝗵 𝟮𝟯𝗿𝗱 〰️ 🚀 Launchpad: Ninfa 〰️ 🧮 Supply: 6 Unique 1/1 Works 〰️ 🎛️ Format: 24H Auctions 〰️ 💰 Reserve Price: 0.5 ETH 〰️ ℹ️ More Info: Jacopo Di Cera transforms fleeting moments of Italian summer life into looping meditations where time no longer passes but lingers - inviting viewers to inhabit memory as something lived, not lost. Through quietly recurring gestures and familiar scenes, the work reframes the everyday as a shared, continuous present, where what once vanished now insists on staying. 🟪 𝙀𝙢𝙚𝙧𝙜𝙞𝙣𝙜 𝙁𝙧𝙤𝙢 𝘾𝙝𝙖𝙤𝙨 𝙞𝙣 𝙖 𝘽𝙪𝙧𝙨𝙩 𝙤𝙛 𝙂𝙤𝙡𝙙𝙚𝙣 𝙒𝙞𝙣𝙜𝙨 𝙖𝙣𝙙 𝙈𝙖𝙜𝙞𝙘 𝙎𝙥𝙞𝙧𝙖𝙡𝙨 by @aylaelmoussa 〰️ 📅 Date: 𝗠𝗼𝗻𝗱𝗮𝘆, 𝗠𝗮𝗿𝗰𝗵 𝟮𝟯𝗿𝗱 〰️ 🚀 Launchpad: SuperRare 〰️ 🧮 Supply: 1 of 1 〰️ 🎛️ Format: Public Sale 〰️ 💰 Price: 8.96 ETH 〰️ ℹ️ More Info: The work is paired with a 30 x 40 inch physical on Hahnemühle cotton rag paper, embellished with 24 carat gold, watercolor, and pencil. 🟪 𝙥𝙞𝙥𝙚𝙡𝙞𝙣𝙚 by @spogelsemaskine 〰️ 📅 Date: 𝗠𝗼𝗻𝗱𝗮𝘆, 𝗠𝗮𝗿𝗰𝗵 𝟮𝟯𝗿𝗱 〰️ 🚀 Launchpad: SuperRare 〰️ 🧮 Supply: 1 of 1 〰️ 🎛️ Format: 24H Auction 〰️ 💰 Reserve Price: 0.3 ETH 🟪 𝙙𝙤𝙣'𝙩 𝙙𝙞𝙚 𝙖𝙩 𝙬𝙤𝙧𝙠 by @manicdistopia 〰️ 📅 Date: 𝗠𝗼𝗻𝗱𝗮𝘆, 𝗠𝗮𝗿𝗰𝗵 𝟮𝟯𝗿𝗱 〰️ 🚀 Launchpad: SuperRare 〰️ 🧮 Supply: 1 of 1 〰️ 🎛️ Format: 24H Auction 〰️ 💰 Reserve Price: 0.1 ETH 🟪 𝘿𝘼𝙏𝘼𝙎𝙋𝙃𝙀𝙍𝙀 by @a1111ac011d0 〰️ 📅 Date: 𝗧𝘂𝗲𝘀𝗱𝗮𝘆, 𝗠𝗮𝗿𝗰𝗵 𝟮𝟰𝘁𝗵 〰️ 🚀 Launchpad: Art Blocks Studio 〰️ 🧮 Supply: 1 of 1 of 111 〰️ 🎛️ Format: Public @ 2pm ET 〰️ 💰 Price: 0.0150 ETH 〰️ ℹ️ More Info: In her latest work, Anna Condo conjures luminous, totemic landscapes where data takes on the presence of myth - at once ancient and emergent. Balancing intuition with system, the work invites viewers to encounter information as something felt and inhabited, rather than merely processed. 🟪 𝙎𝙤𝙧𝙧𝙮 𝙄'𝙢 𝙇𝙖𝙩𝙚, 𝙏𝙝𝙚 𝙒𝙤𝙧𝙡𝙙 𝙒𝙖𝙨 𝙀𝙣𝙙𝙞𝙣𝙜 by @egodead 〰️ 📅 Date: 𝗧𝘂𝗲𝘀𝗱𝗮𝘆, 𝗠𝗮𝗿𝗰𝗵 𝟮𝟰𝘁𝗵 〰️ 🚀 Launchpad: SuperRare 〰️ 🧮 Supply: 3 Unique 1/1 Works 〰️ 🎛️ Format: Public Sale @ 3pm ET 〰️ 💰 “𝘛𝘩𝘦 𝘐𝘯𝘷𝘪𝘴𝘪𝘣𝘭𝘦 𝘏𝘢𝘯𝘥” Price: 1.42 ETH 〰️ 💰 “𝘛𝘰𝘶𝘤𝘩𝘪𝘯𝘨 𝘎𝘳𝘢𝘴𝘴” Price: 1.69 ETH 〰️ 💰 “𝘐 𝘎𝘰𝘵 𝘚𝘰𝘮𝘦 𝘍𝘭𝘰𝘸𝘦𝘳𝘴 𝘧𝘰𝘳 𝘠𝘰𝘶” Price: 2.69 ETH 〰️ ℹ️ More Info: Nishant “Egodead” Malhotra captures the quiet absurdity of carrying on as everything feels on the brink, where tension lingers not in catastrophe but in the persistence of everyday life. Rooted in physical painting yet extended through its digital twin, the work holds that uneasy balance—where humor, fatigue, and resilience coexist without resolution. This is a physical-first experience, meaning you are acquiring the original, handcrafted physical painting (measuring 54” x 58” and utilizing Oils, Acrylic, Pastel and Charcoal on Canvas) with its NFT serving as its permanent digital twin. 🟪 𝘽𝙞𝙩𝙈𝙊𝙉 𝙃𝙤𝙣𝙜 𝙆𝙤𝙣𝙜 by @DesLucrece 〰️ 📅 Date: 𝗪𝗲𝗱𝗻𝗲𝘀𝗱𝗮𝘆, 𝗠𝗮𝗿𝗰𝗵 𝟮𝟱𝘁𝗵 〰️ 🚀 Launchpad: Opensea x Iconic Moments 〰️ 🧮 Supply: 500 Packs 〰️ 🎛️ Format: Public Sale @ 12pm ET 〰️ 💰 Price: 0.094 ETH 〰️ ℹ️ More Info: For their Art Basel Hong Kong release, Des Lucréce reframes the act of collecting as a moment of chance and discovery, where the anticipation of the unopened pack becomes central to the artwork itself. Bridging physical artifact and digital claim, the series invites viewers to engage with art not as a fixed object, but as an unfolding experience shaped by participation. After you mint a BitMON on Opensea, you can burn the digital pack via ICONIC’s claim portal and receive a sealed foil pack containing a BitMON Hong Kong trading card with a matching NFC-enabled Art Basel Art Card. Common pulls from the Art Basel BitMON release feature four distinct artworks by Des Lucréce, each available in editions of 100 within the 500-piece collection, offering collectors a balanced entry point into the series while still capturing the artist’s signature visual language. Collectors have the exclusive ability to purchase a corresponding, hand-signed & numbered fine-art print for an additional $499. 🟧 𝙏𝙃𝙀 𝘽𝙀𝘼𝙎𝙏 𝙒𝘼𝙎 𝙉𝙀𝙑𝙀𝙍 𝙏𝙃𝙀 𝙋𝙍𝙊𝘽𝙇𝙀𝙈 by @hafftka 〰️📅 Date: 𝗧𝗵𝘂𝗿𝘀𝗱𝗮𝘆, 𝗠𝗮𝗿𝗰𝗵 𝟮𝟲𝘁𝗵 〰️🚀 Launchpad: Gamma Prints 〰️🧮 Supply: 6 Editions 〰️🎛️ Format: Public Sale @ 2pm ET 〰️💰 Price: 0.0036 BTC 〰️ℹ️ More Info: Michael Hafftka turns the gaze inward, questioning whether what we label as monstrous is anything more than a reflection of our own fear. As the second installment in his “WE ARE NOT IN KANSAS ANYMORE” series, the work unsettles familiar narratives, asking viewers to reconsider what truly warrants distrust. 🟪 𝙍𝙀𝘾𝙐𝙍𝙎𝙄𝙊𝙉𝙎 by @sougwen 〰️ 📅 Date: 𝗠𝗮𝗿𝗰𝗵 𝟮𝟱𝘁𝗵 - 𝗠𝗮𝗿𝗰𝗵 𝟮𝟵𝘁𝗵 〰️ 🚀 Presented by Fellowship x ARTXCODE 〰️ 🎛️ “RECURSIONS” is available by Private Inquiry 〰️ 🇭🇰 𝗣𝗮𝗿𝘁 𝗼𝗳 𝙕𝙚𝙧𝙤𝟭𝟬 𝙖𝙩 𝘼𝙧𝙩 𝘽𝙖𝙨𝙚𝙡 𝙃𝙤𝙣𝙜 𝙆𝙤𝙣𝙜 - This year’s @ArtBasel Hong Kong will dedicate over 12,000 square feet within this year’s main fair to showing robotics, painting, sculpture, generative, AI-based and interactive works. 🟪 𝙎𝙀𝘼𝙇 by @onkaos__ x @robertalice_21 〰️ 🇭🇰 𝗣𝗮𝗿𝘁 𝗼𝗳 𝙕𝙚𝙧𝙤𝟭𝟬 𝙖𝙩 𝘼𝙧𝙩 𝘽𝙖𝙨𝙚𝙡 𝙃𝙤𝙣𝙜 𝙆𝙤𝙣𝙜 〰️ 📅 Date: 𝗠𝗮𝗿𝗰𝗵 𝟮𝟱𝘁𝗵 - 𝗠𝗮𝗿𝗰𝗵 𝟮𝟵𝘁𝗵 〰️ 🚀 Presented in Collaboration with Verse Works 〰️ 🎛️ “SEAL” is available at seal-abhk(dot)com for $8 per Output 🟪 𝙋𝙓𝙇 𝙋𝙊𝘿 by @kimasendorf 〰️ 🇭🇰 𝗣𝗮𝗿𝘁 𝗼𝗳 𝙕𝙚𝙧𝙤𝟭𝟬 𝙖𝙩 𝘼𝙧𝙩 𝘽𝙖𝙨𝙚𝙡 𝙃𝙤𝙣𝙜 𝙆𝙤𝙣𝙜 〰️ 📅 Date: 𝗠𝗮𝗿𝗰𝗵 𝟮𝟱𝘁𝗵 - 𝗠𝗮𝗿𝗰𝗵 𝟮𝟵𝘁𝗵 〰️ 🚀 Presented by Nguyen Wahed 〰️ 🎛️ A Limited Number of “DUO PODS” are available by Private Inquiry 🟪 𝙧 𝙪 𝙤𝙠𝙖𝙮? by @deekaymotion 🟪 𝙄 𝙒𝘼𝙉𝙉𝘼 𝙍𝙐𝙉! by DeeKay 🟪 𝙄 𝙒𝘼𝙉𝙉𝘼 𝙍𝙐𝙉… by DeeKay 〰️ 🇭🇰 𝗣𝗮𝗿𝘁 𝗼𝗳 𝙕𝙚𝙧𝙤𝟭𝟬 𝙖𝙩 𝘼𝙧𝙩 𝘽𝙖𝙨𝙚𝙡 𝙃𝙤𝙣𝙜 𝙆𝙤𝙣𝙜 〰️ 📅 Date: 𝗠𝗮𝗿𝗰𝗵 𝟮𝟱𝘁𝗵 - 𝗠𝗮𝗿𝗰𝗵 𝟮𝟵𝘁𝗵 〰️ 🚀 Presented by AOTM Gallery 〰️ 🎛️ “r u okay?” is available as a 1 of 1 Work by Private Inquiry 〰️ 🎛️ “I WANNA RUN!” is available as an Edition of 10 by Private Inquiry 〰️ 🎛️ “I WANNA RUN…” is available as an Edition of 10 by Private Inquiry 🟪 𝙈𝙖𝙧𝙮’𝙨 𝙍𝙤𝙤𝙢 by @ClaireSilver12 🟪 𝙋𝙚𝙧𝙘𝙚𝙥𝙩𝙞𝙤𝙣 by @ThankYouX 〰️ 🇭🇰 𝗣𝗮𝗿𝘁 𝗼𝗳 𝙕𝙚𝙧𝙤𝟭𝟬 𝙖𝙩 𝘼𝙧𝙩 𝘽𝙖𝙨𝙚𝙡 𝙃𝙤𝙣𝙜 𝙆𝙤𝙣𝙜 〰️ 📅 Date: 𝗠𝗮𝗿𝗰𝗵 𝟮𝟱𝘁𝗵 - 𝗠𝗮𝗿𝗰𝗵 𝟮𝟵𝘁𝗵 〰️ 🚀 Presented by Plan X Gallery 〰️ 🎛️ “Mary’s Room” is available as a 1/1 Complete Installation and 10 “Echoes” with 10 Editions Each 〰️ 🎛️ “Perception” is available by Private Inquiry 🟪 𝙈𝙞𝙧𝙧𝙤𝙧 𝙎𝙩𝙖𝙜𝙚𝙨 by @bottoproject 〰️ 🇭🇰 𝗣𝗮𝗿𝘁 𝗼𝗳 𝙕𝙚𝙧𝙤𝟭𝟬 𝙖𝙩 𝘼𝙧𝙩 𝘽𝙖𝙨𝙚𝙡 𝙃𝙤𝙣𝙜 𝙆𝙤𝙣𝙜 〰️ 📅 Date: 𝗠𝗮𝗿𝗰𝗵 𝟮𝟱𝘁𝗵 - 𝗠𝗮𝗿𝗰𝗵 𝟮𝟵𝘁𝗵 〰️ 🚀 Presented by Botto 〰️ 🎛️ “Mirror Stages: Seed” is available as a Timed Open Edition on OpenSea beginning on March 24th for 0.012 ETH and will remain open until March 30th @ 10am ET 🟦 𝘿𝙞𝙤𝙧𝙖𝙢𝙖 𝙄 (2025) by @DanielCanogar 🟦 𝙇𝙚𝙫𝙚𝙡𝙨 (2025) by Daniel Canogar 🟦 𝙕𝙚𝙧𝙤-𝘿𝙖𝙮 (2026) by Daniel Canogar 🟦 𝙎𝙏𝙊𝙍𝙈𝙎 𝙓𝙎 by @quayola 〰️ 🇭🇰 𝗣𝗮𝗿𝘁 𝗼𝗳 𝙕𝙚𝙧𝙤𝟭𝟬 𝙖𝙩 𝘼𝙧𝙩 𝘽𝙖𝙨𝙚𝙡 𝙃𝙤𝙣𝙜 𝙆𝙤𝙣𝙜 〰️ 📅 Date: 𝗠𝗮𝗿𝗰𝗵 𝟮𝟱𝘁𝗵 - 𝗠𝗮𝗿𝗰𝗵 𝟮𝟵𝘁𝗵 〰️ 🚀 Presented by Bitforms Gallery 〰️ 🎛️ “Diorama I” will be available as a 1 of 1 Work by Private Inquiry 〰️ 🎛️ “Levels” will be available as a 1 of 1 Work by Private Inquiry 〰️ 🎛️ “Zero-Day” will be available as a 1 of 1 Work by Private Inquiry 〰️ 🎛️ “STORMS XS” will be available as a 1 of 1 of 50 Series on objkt one March 25th @ 2pm CET via Private Inquiry for 1,000 XTZ Each 🟪 𝘼𝙛𝙩𝙚𝙧 𝙅𝙖𝙙𝙚 by @allseeingseneca 🟪 𝙈𝙄𝙍𝙍𝙊𝙍 𝙊𝙁 𝙏𝙃𝙀 𝙈𝙀𝙏𝘼: 𝙄𝙣𝙘𝙧𝙚𝙙𝙞𝙗𝙡𝙚 𝙍𝙚𝙖𝙡𝙞𝙩𝙮 by @YipTim 🟪 𝙎𝙖𝙘𝙧𝙚𝙙 𝙏𝙧𝙪𝙩𝙝𝙨 by Qu Leilei 〰️ 🇭🇰 𝗣𝗮𝗿𝘁 𝗼𝗳 𝙕𝙚𝙧𝙤𝟭𝟬 𝙖𝙩 𝘼𝙧𝙩 𝘽𝙖𝙨𝙚𝙡 𝙃𝙤𝙣𝙜 𝙆𝙤𝙣𝙜 〰️ 📅 Date: 𝗠𝗮𝗿𝗰𝗵 𝟮𝟱𝘁𝗵 - 𝗠𝗮𝗿𝗰𝗵 𝟮𝟵𝘁𝗵 〰️ 🚀 Presented by Asprey Studio 〰️ 🎛️ Format: Available by Private Inquiry 🟪 𝙒𝙤𝙧𝙠 by @jackbutcher 🟪 𝙇𝙪𝙘𝙠 by Jack Butcher 〰️ 🇭🇰 𝗣𝗮𝗿𝘁 𝗼𝗳 𝙕𝙚𝙧𝙤𝟭𝟬 𝙖𝙩 𝘼𝙧𝙩 𝘽𝙖𝙨𝙚𝙡 𝙃𝙤𝙣𝙜 𝙆𝙤𝙣𝙜 〰️ 📅 Date: 𝗠𝗮𝗿𝗰𝗵 𝟮𝟱𝘁𝗵 - 𝗠𝗮𝗿𝗰𝗵 𝟮𝟵𝘁𝗵 〰️ 🚀 Presented by Silk Art House in Collaboration with Asprey Studio 〰️ 🎛️ Format: Available by Private Inquiry 🟪 𝘼𝙡𝙜𝙤𝙧𝙞𝙩𝙝𝙢𝙞𝙘 𝙎𝙮𝙣𝙚𝙨𝙩𝙝𝙚𝙨𝙞𝙖 𝘼𝘾 by @harvey_rayner 〰️ 🇭🇰 𝗣𝗮𝗿𝘁 𝗼𝗳 𝙕𝙚𝙧𝙤𝟭𝟬 𝙖𝙩 𝘼𝙧𝙩 𝘽𝙖𝙨𝙚𝙡 𝙃𝙤𝙣𝙜 𝙆𝙤𝙣𝙜 〰️ 📅 Date: 𝗠𝗮𝗿𝗰𝗵 𝟮𝟱𝘁𝗵 - 𝗠𝗮𝗿𝗰𝗵 𝟮𝟵𝘁𝗵 〰️ 🚀 Presented by Art Blocks 〰️ 🧮 Supply: 1 of 1 of 12 〰️ 🎛️ Format: Available by Private Inquiry 🟪 𝙗𝙡𝙪𝙚𝙗𝙚𝙧𝙧𝙮 𝙘𝙚𝙡𝙡 𝙥𝙝𝙤𝙣𝙚 𝙨𝙞𝙡𝙠 𝙘𝙚𝙡𝙖𝙙𝙤𝙣 𝙥𝙤𝙥𝙘𝙤𝙧𝙣 𝙙𝙧𝙞𝙛𝙩 by @petcortright 🟪 𝘼𝙪𝙩𝙤𝙛𝙞𝙘𝙩𝙞𝙤𝙣: 𝙈𝙮 𝘾𝙤𝙡𝙡𝙖𝙗𝙤𝙧𝙖𝙩𝙤𝙧 by Laurie Simmons 〰️ 🇭🇰 𝗣𝗮𝗿𝘁 𝗼𝗳 𝙕𝙚𝙧𝙤𝟭𝟬 𝙖𝙩 𝘼𝙧𝙩 𝘽𝙖𝙨𝙚𝙡 𝙃𝙤𝙣𝙜 𝙆𝙤𝙣𝙜 〰️ 📅 Date: 𝗠𝗮𝗿𝗰𝗵 𝟮𝟱𝘁𝗵 - 𝗠𝗮𝗿𝗰𝗵 𝟮𝟵𝘁𝗵 〰️ 🚀 Presented by Verse Solos 〰️ 🎛️ Cortright’s 9 Works on Canvas with accompanying Sister NFTs will be available by Private Inquiry 〰️ 🎛️ Simmons’ 14 Physical Works with accompanying NFTs will be available by Private Inquiry 🟪 𝙊𝙥𝙩𝙞𝙢𝙞𝙯𝙚𝙙 𝙏𝙧𝙖𝙟𝙚𝙘𝙩𝙤𝙧𝙮 by @jonas_lund 〰️ 🇭🇰 𝗣𝗮𝗿𝘁 𝗼𝗳 𝙕𝙚𝙧𝙤𝟭𝟬 𝙖𝙩 𝘼𝙧𝙩 𝘽𝙖𝙨𝙚𝙡 𝙃𝙤𝙣𝙜 𝙆𝙤𝙣𝙜 〰️ 📅 Date: 𝗠𝗮𝗿𝗰𝗵 𝟮𝟱𝘁𝗵 - 𝗠𝗮𝗿𝗰𝗵 𝟮𝟵𝘁𝗵 〰️ 🚀 Presented by Office Impart 〰️ 🎛️ “Optimmized Trajectory” will be available as a Timed Edition from March 25th until March 29th for 0.404 ETH and can be collected at optimized-trajectory.jonaslund(dot)com 🟪 𝙊𝙧𝙣𝙖𝙢𝙚𝙣𝙩 𝙎𝙪𝙧𝙫𝙞𝙫𝙖𝙡 by @emikusano 〰️ 🇭🇰 𝗣𝗮𝗿𝘁 𝗼𝗳 𝙕𝙚𝙧𝙤𝟭𝟬 𝙖𝙩 𝘼𝙧𝙩 𝘽𝙖𝙨𝙚𝙡 𝙃𝙤𝙣𝙜 𝙆𝙤𝙣𝙜 〰️ 📅 Date: 𝗠𝗮𝗿𝗰𝗵 𝟮𝟱𝘁𝗵 - 𝗠𝗮𝗿𝗰𝗵 𝟮𝟵𝘁𝗵 〰️ 🚀 Presented by K Contemporary 〰️ 🎛️ Format: Available by Private Inquiry 🟪 𝙇𝙞𝙢𝙞𝙩𝙚𝙙 𝙀𝙙𝙞𝙩𝙞𝙤𝙣 𝟮𝟬𝟮𝟱 𝘿𝘼𝙈 𝘼𝙣𝙣𝙪𝙖𝙡 𝙍𝙚𝙥𝙤𝙧𝙩 by @24_Hours_Art 〰️ 🚀 Launchpad: SuperRare x @RogerDickerman 〰️ 🧮 Supply: 100 Unique 1/1 Editions 〰️ 🎛️ Format: Public Sale 〰️ 💰 Reserve Price: 1 ETH 〰️ ℹ️ More Info: Extending the ethos of 24 Hours of Art into a living ledger of the past year, Roger Dickerman’s 24HOA pairs 365 daily artworks - created in real time at the intersection of culture and blockchain - with the year’s dynamic annual, chronicling the year’s defining moments in tokenized art. Collectors do not simply acquire a work; they curate a 1 of 1 to anchor their own edition, receiving both an on-chain record and an archival physical volume that secures their place within the narrative itself with Collector Credits. 🟧 𝘽𝙀𝙃𝙊𝙇𝘿 - 𝙏𝙝𝙚 𝙍𝙚𝙨𝙤𝙣𝙖𝙣𝙘𝙚 𝘾𝙝𝙖𝙥𝙩𝙚𝙧 by Steven Miller 〰️ 🧮 Supply: 1 of 1 of 508 [𝘖𝘯𝘨𝘰𝘪𝘯𝘨] 〰️ 💰 Price: 0.0032 BTC 〰️ ℹ️ More Info: "Behold" is a heartfelt exploration of perception, subjectivity, and connection that places emphasis on Art Discovery, both through its application of curated tribute palettes and by pioneering a notable first for Generative Art on Bitcoin - Collector Co-Curation through Parametric Composition. Remaining outputs are available by inquiry only on a first come first served basis, so DM today to acquire yours! Now that you're through the 7-Day Outlook, let's take a look at what else is coming up over the next 30 Days! ⬇️👀

Arte digital generativo explorando la línea, el color y el movimiento. #generativeart #generative #digitalart #digitalartist #art #mediaart #contemporaryart #nwemediaartists #media #visuales #artxcode #creativecodeart

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