Installation view at Basel Social Club Basel Social Club returns for its fifth edition from 6/14-20, 2026, transforming a vacant multi-story office building in central Basel into a temporary social stage for art during Art Basel week. @sarahrothberg will be presenting new prints and generative work based on her FOREVER MEETINGS series. FOREVER MEETINGS continues Rothberg’s research on the dynamics of conversation and large language models, culminating in a new body of generative artwork from which the exhibition gets its name. Sarah Rothberg Basel Social Club Room: -1.C.7 Viaduktstrasse 33, 4051 Basel, Switzerland Free and open to the public Sun, 06/14: 4 PM – PM Mon–Sat, 6/15-6/20: 2 PM – PM To preview the works in the show: tinyurl.com/srbaselsocialclu…

Max Estrella & @bitforms | Rafael Lozano-Hemmer Max Estrella and bitforms gallery showcase a solo exhibition by Rafael Lozano-Hemmer—Panoptic Chiasma—consisting of digital installations that examine how contemporary perception has become inseparable from computation. The Mexican-Canadian artist is known for championing audience participation in digital art using tools like robotic lights, digital fountains, computerised surveillance, media walls, and telematic networks. Visuals: Rafael Lozano-Hemmer, Panoptic Chiasma, maxestrella.com

Rip Space x @bitforms

The final days to see Code Chronicles V.2 are here. Swing by to see this show before it closes on Saturday! Code Chronicles V.2 brings together artists Claudia Hart, Libby Heaney, Seo Hyojung, Ellie Pritts, Emily Xie, and Addie Wagenknecht in an exploration of how generative processes and artificial intelligence are reshaping artistic production.

"Interference: The Interactive Art of Daniel Rozin" is now on view at @museumartlight in Manhattan, KS, through September 27, 2026. In this career-spanning exhibition, @daniel_rozin turns his focus to moiré: the shimmering, unstable visual phenomena that emerge when two patterned systems are overlaid and set into motion. Long explored by Op Art, these effects find new life here in kinetic form, activated not by the artist's hand but by your presence. For nearly three decades, Rozin's practice has investigated the structure and materiality of images. Employing a range of materials, from trash to hand fans, he probes what constitutes an image and, crucially, what can be transformed into one. Unlike many digital artists who emphasize technology, Rozin often conceals the mechanics and hardware entirely, creating a sense of mystery around the operation. The result is a body of work where the viewer is not audience but author. Interference is conceived as a homage to Jesús Rafael Soto, whose pioneering investigations of visual interference and perceptual motion laid the groundwork for the participatory optics Rozin has spent a career extending. Where Soto used hanging rods and painted planes, Rozin answers with custom software, aluminum knobs, and kinetic mirrors that shimmer in response to a body crossing the room. On view through 09/27/2026. Museum of Art Light, Manhattan, KS Photo & Video by Max Wagner/Courtesy of The Museum of Art Light #DanielRozin #InteractiveArt #bitforms #OpArt #NewMediaArt

Great install views of @bitforms new group exhibition Code Chronicles V.2. Curated by @aljaparis Featuring @wheresaddie @elliepritts @LibbyHeaney @emilyxxie @YesClaudiaHart @seohyowork Check out the work catalog at privateviews.artlogic.net/2/… 🗓️ On view through 06/06/2026 📍 bitforms gallery 📷 Gallery hours: Tue - Sat, 11 AM–6 PM Photos courtesy of Max C Lee

✦ Release Highlight ✦ @seohyowork’s Coded Tapestry: NY reconstructs New York through data-driven generative systems. Each date reveals a different condition of the city - routine, intention, and interruption - through six interwoven datasets including taxis, subways, Citi Bikes, noise complaints, air quality, and crime. Presented as part of Code Chronicles V.2 at @bitforms gallery. Two unique works are now available on @objktcom. Learn more ↓

Thursday night marked the opening of Code Chronicles V.2 at @bitforms — a powerful continuation of curator @aljaparis 's exploration into generative systems, algorithmic aesthetics, and the evolving agency of AI within contemporary art. Featuring works by @YesClaudiaHart @LibbyHeaney @seohyowork @elliepritts @emilyxxie @wheresaddie , the exhibition asks what happens when computational systems move beyond tools and become collaborators, interpreters, and active participants in artistic production. On view through 06/06/2026 bitforms gallery Tue–Sat, 11 AM–6 PM

Tonight at 6 PM Code Chronicles V.2 See you all there.

bitforms gallery @bitforms and Rip Space present 𝑪𝒐𝒏𝒕𝒊𝒏𝒖𝒖𝒎, a LA–based exhibition marking the first in an ongoing series of collaborations, featuring work by 𝐃𝐚𝐧𝐢𝐞𝐥 𝐂𝐚𝐧𝐨𝐠𝐚𝐫 @DanielCanogar , 𝐍𝐚𝐭 𝐃𝐞𝐜𝐤𝐞𝐫, 𝐀𝐮𝐫𝐨𝐫𝐚 𝐌𝐢𝐭𝐢𝐭𝐞𝐥𝐮, 𝐂𝐚𝐬𝐞𝐲 𝐑𝐞𝐚𝐬 @REAS , 𝐚𝐧𝐝 𝐒𝐚𝐫𝐚𝐡 𝐑𝐨𝐭𝐡𝐛𝐞𝐫𝐠 @sarahrothberg . Co-curated by Vera Petukhova. Join us at Wilshire Online on Thursday, May 14, 6–9 PM to celebrate the opening. RSVP at luma.com/kp96pt0n The exhibition traces an intergenerational lineage of artists working with software-based practices, foregrounding how code operates as both a time-based and spatial medium. The partnership pairs bitforms’ long-standing engagement with the histories and infrastructures of digital and time-based work with Rip Space’s process-driven approach to experimentation and ideas in motion. 𝑪𝒐𝒏𝒕𝒊𝒏𝒖𝒖𝒎 coincides with bitforms gallery’s 25th anniversary, reflecting a legacy of supporting artists who have defined generative and software-based practices. Pioneers like Daniel Canogar and Casey Reas, whose work helped establish code as an artistic medium, are presented alongside artists such as Sarah Rothberg, whose practice engages interactive systems and AI to explore the social and psychological dimensions of technology. Their influence extends to artists like Aurora Mititelu and Nat Decker, who treat software as both material and environment, developing installation-based and networked practices that expand how digital systems inhabit physical space. 05/14 – 06/20, 2026 at Wilshire Online || 6135 Willshire Blvd Opening reception: May 14, 6–9PM Hours: Thurs 11-7 | Fri 2-9 PM | Sat 2–9 PM Photo Credit : Sarah Rothberg, Sophie For You (software), 2023-2025, Custom software (color, sound)

Opening May 14th: Code Chronicles V.2 Code Chronicles V.2 brings together artists Claudia Hart, Libby Heaney, Seo Hyojung, Ellie Pritts, Emily Xie, and Addie Wagenknecht in an exploration of how generative processes and artificial intelligence are reshaping artistic production. Extending @aljaparis inquiry initiated in the 2023 exhibition Code Chronicles—which considered the ways algorithmic structures sustain and reinterpret visual continuity—this iteration shifts attention toward more entangled dynamics. Here, computational systems are not simply tools but active participants. RSVP here: luma.com/htafvgk9 @YesClaudiaHart @LibbyHeaney @seohyowork @elliepritts @emilyxxie @wheresaddie

We are proud to present "Panoptic Chiasma", a Rafael Lozano-Hemmer solo show, at Zero 10 @ArtBasel Switzerland, in collaboration with Max Estrella Gallery. Mexican-Canadian media artist Rafael Lozano-Hemmer presents a selection of digital art installations that explore contemporary perception as inseparable from computation. Four works use computer vision techniques to sense the public and create platforms for participation and critique. The exhibition includes the premiere of Black Hole (2026), a spiral, parabolic image reflector that uses a panoptic camera with built-in algorithms to extract facial features; Spectral Subjects (2024), a generative animation made with the heat signatures of participants captured with a thermographic camera; Broken Mirror (2025), a computational reconstruction of a poem from the perspective of the viewer; and Pulse Agglomerate (2024), a memorial performance and wearable sculpture made with heartbeats captured with an integrated photoplethysmography camera. #ArtBasel #Zero10 #RafaelLozanoHemmer #MediaArt #InteractiveArt

Zero 10 is coming to Art Basel in Switzerland this June. Co-curated by Trevor Paglen, this edition is the most ambitious to date. It tracks the computer and digital art movement to its origins in the 1950s. Galleries include Hauser & Wirth, Spruth Magers, Marian Goodman, Almine Rech, Max Estrella, Andrew Kreps, eastcontemporary and Esther Schiller, joining @fellowshiptrust @nguyenwahed @artblocks_io @AspreyStudio @Interface_art @GazelliArtHouse @office_impart @bitforms @artmetaofficial. Plus a special presentation by HEK. Presenting artists: @_deafbeef @williamapan @andreasgysin @lennyjpg @JanRobertLeegte @john__gerrard Vera Molnar Harold Cohen Ryoji Ikeda Avery Singer Andreas Gursky Agnieszka Kurant Aziza Kadyri Hito Steryl Rafael Lozano-Hemmer

Announcing the New York Times review of "As Above So Below" a group show featuring @marshmallowlf Now in Venice. MLF presents Seeing Echoes in the Mind of the Whale, an immersive audiovisual installation based on whale vocalizations and bioacoustic research, inviting audiences to explore the sensory world of cetaceans. NYT article below nytimes.com/2026/05/04/arts/…

tonight !!! yay see u, tickets avail at the door xo

last week of StarPower at bitforms ! we are having a closing reception on saturday