Reflecting on how exciting it was to have been a part of the Code Chronicles V.2 exhibition at bitforms gallery. Thank you Aleksandra for curating such a great group show. It felt full circle to be able to exhibit some hand-embroidered prints of Infinite Scroll, a mini-series originally made as part of the Model WIP project, which was presented for the first time at bitforms in its pure digital format last year.

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More information: bygrida.com/collect TG: @bygrida Also, don’t miss our neighboring digital art galleries @Danae__io @office_impart @heft_gallery @bitforms @drmiminguyen And @arabbankCH 🎉

Max Estrella & @bitforms | Rafael Lozano-Hemmer Max Estrella and bitforms gallery showcase a solo exhibition by Rafael Lozano-Hemmer—Panoptic Chiasma—consisting of digital installations that examine how contemporary perception has become inseparable from computation. The Mexican-Canadian artist is known for championing audience participation in digital art using tools like robotic lights, digital fountains, computerised surveillance, media walls, and telematic networks. Visuals: Rafael Lozano-Hemmer, Panoptic Chiasma, maxestrella.com

Installation view at Basel Social Club Basel Social Club returns for its fifth edition from 6/14-20, 2026, transforming a vacant multi-story office building in central Basel into a temporary social stage for art during Art Basel week. @sarahrothberg will be presenting new prints and generative work based on her FOREVER MEETINGS series. FOREVER MEETINGS continues Rothberg’s research on the dynamics of conversation and large language models, culminating in a new body of generative artwork from which the exhibition gets its name. Sarah Rothberg Basel Social Club Room: -1.C.7 Viaduktstrasse 33, 4051 Basel, Switzerland Free and open to the public Sun, 06/14: 4 PM – PM Mon–Sat, 6/15-6/20: 2 PM – PM To preview the works in the show: tinyurl.com/srbaselsocialclu…

Great install views of @bitforms new group exhibition Code Chronicles V.2. Curated by @aljaparis Featuring @wheresaddie @elliepritts @LibbyHeaney @emilyxxie @YesClaudiaHart @seohyowork Check out the work catalog at privateviews.artlogic.net/2/… 🗓️ On view through 06/06/2026 📍 bitforms gallery 📷 Gallery hours: Tue - Sat, 11 AM–6 PM Photos courtesy of Max C Lee

The final days to see Code Chronicles V.2 are here. Swing by to see this show before it closes on Saturday! Code Chronicles V.2 brings together artists Claudia Hart, Libby Heaney, Seo Hyojung, Ellie Pritts, Emily Xie, and Addie Wagenknecht in an exploration of how generative processes and artificial intelligence are reshaping artistic production.

Rip Space x @bitforms

@mfigge looking like he's about to take a bite out of that artwork

"Interference: The Interactive Art of Daniel Rozin" is now on view at @museumartlight in Manhattan, KS, through September 27, 2026. In this career-spanning exhibition, @daniel_rozin turns his focus to moiré: the shimmering, unstable visual phenomena that emerge when two patterned systems are overlaid and set into motion. Long explored by Op Art, these effects find new life here in kinetic form, activated not by the artist's hand but by your presence. For nearly three decades, Rozin's practice has investigated the structure and materiality of images. Employing a range of materials, from trash to hand fans, he probes what constitutes an image and, crucially, what can be transformed into one. Unlike many digital artists who emphasize technology, Rozin often conceals the mechanics and hardware entirely, creating a sense of mystery around the operation. The result is a body of work where the viewer is not audience but author. Interference is conceived as a homage to Jesús Rafael Soto, whose pioneering investigations of visual interference and perceptual motion laid the groundwork for the participatory optics Rozin has spent a career extending. Where Soto used hanging rods and painted planes, Rozin answers with custom software, aluminum knobs, and kinetic mirrors that shimmer in response to a body crossing the room. On view through 09/27/2026. Museum of Art Light, Manhattan, KS Photo & Video by Max Wagner/Courtesy of The Museum of Art Light #DanielRozin #InteractiveArt #bitforms #OpArt #NewMediaArt

Kevin McCoy mentions ↓ @rheaplex @beeple @supperman @objktcom @artblocks_io @cory_arcangel @cryptopunks @ZacharyHSmall @trevorpaglen @bitforms

AM In his interview with Art Basel about Zero10, the curated digital art space he co-curates, @trevorpaglen said that there is a »civil war« between the traditional art world and the blockchain community. What are your thoughts on that? KMC Looking at the relationship between digital art, the traditional art world, and the blockchain space historically, I think that framing is also a bit of a marketing thing. Jennifer and I had a digital work in an art fair in New York in 2001 that sold to the Metropolitan Museum. We had digital work in Miami Basel in 2002 that also went to museums. Steve Sacks at bitforms has been showing at art fairs since 2000. Postmasters too. Digital art in art fairs is not new. It has been happening for a long time. At the same time, digital art has always occupied a minority position within the art market. That is simply true. What has changed now is that the digital world has won. Culture is digital. Everyone’s reality is saturated with networked technologies. And yet it is striking that the art market itself is still not more digital than it is. The infrastructure is digital: JPEGs, PDFs, emails, tweets, Instagram posts, spreadsheets. Everything around the market is digitized, but the inventory itself remains largely physical. That seems strange. As the world becomes increasingly digital, it is surprising that the collector space has not embraced natively digital artworks more fully.

Strolling into the long weekend like... Shown here: Rafael Lozano-Hemmer, 'Agglomerate, Venice', 2024. Courtesy of the artist and Antimodular Studio. Find this and other works presented by Max Estrella & bitforms gallery at the upcoming edition of #Zero10 in Basel.