Pieces coming together on a new mission in the early area of the game. It has a little bit of everything, for testing. Resembles a datajack 1 mission. #gamedev #cyberpunk

Datajack 2020, in development

gimme a datajack and i'm ready for some decker shenanigans

And then you'll slot the Basic Japanese skillsoft into your datajack and it'll be fine.

277 years from now someone is gonna prompt wiggle via their neuralink datajack and a blocky low bitrate korone is gonna appear in their vharem because a.i. trained itself off of this and they will be happy

Not dead, just working hard on the next major, transformative systems for DataJack 2020. Movement through world locations, revisiting previous missions, procedural missions, more exploration and some plot work. #gamedev #pixelart #cyberpunk

The irony of this is that there are so many of us humans who can't wait to chrome up. I just want a datajack, and to replace my eyes (crappy eyesight).

DataJack 2020 demo soon #gamedev #cyberpunk

Investing in a Datajack Meter is a life saver. Not having one is like me trying to troubleshoot 3phase 480v without a multimeter

Imagine a world where a brain-computer interface is available to humanity. Echoes of the altme, wetware, datajack, neural-stack and other terms of #scifi lore. The fifth & final level of deployment on my PCESU scale. Live in the future: @neuralink @elonmusk

I was too hung over to make Jorunna art so I finished this instead. DJ fell in with the gang that controls a city called Hadron mostly through happenstance - they didn't shoot at him, the guys in blue did. Flagged for violence due to the throat slice - Splint #action #Datajack

DataJack (2013) title screen vs. DataJack 2020 title screen

After a tense standoff over the last pack of hydroponic coffee, our astronaut questions the otter’s presence, while the otter quips via a translator chip: “What’s the matter, spaceboy? Never seen a river rat with a datajack?”

Veo-3 fast on Flow 🩵 Generate an 8-second, hyper-realistic, seamlessly looping video capturing a 'slice of life' in a grounded, futuristic metropolis, focusing on the blend of high-tech and everyday grime." }, "animation_parameters": { "type": "Live-action style sci-fi cinematography", "duration_seconds": 8, "looping": "true, seamless loop", "pacing": "The rhythmic, efficient, and deliberate pace of a practiced worker.", "animated_elements": [ { "element": "Cooking Process", "description": "A well-worn robotic arm, integrated into the cart, precisely dices a block of shimmering, genetically-engineered protein. An induction-heated plasma torch sears the pieces on a griddle, causing them to curl and char realistically. The sequence of dicing and searing forms a continuous, looping action." }, { "element": "Holographic Interface", "description": "The vendor, using a cybernetic finger, casually flicks through a flickering, semi-transparent holographic menu of orders. The menu glitches for a microsecond, showing scan lines and pixelation, indicating its age and constant use." }, { "element": "Atmospheric Effects", "description": "Thick, flavorful steam billows from the searing food, momentarily warping the holographic display behind it. In the background, sleek, autonomous transport pods glide silently along elevated mag-lev tracks, their movements a constant, fluid stream." }, { "element": "Vendor's Actions", "description": "The vendor's organic hand deftly sprinkles a pinch of iridescent, crystalline salt onto the food while their cybernetic hand adjusts a dial on the cart's console. The movements are synchronized and efficient." } ] }, "scene_description": { "base_subject": "A cinematic medium close-up of a street food vendor preparing a meal at their high-tech cart in a bustling, futuristic city.", "key_details": [ { "element": "The Vendor", "description": "A person in their 50s with a weathered, expressive face. They have a visible, older-model cybernetic prosthetic arm; its chrome plating is scratched, and exposed wiring is visible near the elbow joint. A datajack port is visible on their temple." }, { "element": "The Food Cart", "description": "A modular cart made of worn stainless steel and patched carbon fiber, retrofitted with various pieces of tech. A faded corporate logo is peeling off the side. A small, humming atmospheric recycler condenses humidity from the air into a water tank." }, { "element": "The Food", "description": "The food looks alien yet appetizing. The protein cubes have a faint, inner bioluminescent glow. The vegetables are genetically modified, with unusual geometric shapes and vibrant, unnatural colors (e.g., bright purple carrots, blue spiral-cut onions)." } ] }, "photographic_parameters": { "style": "Hyperrealistic, grounded science fiction. A 'daylight cyberpunk' or 'casually-dystopian' aesthetic, inspired by films like 'Blade Runner 2049'.", "camera_setup": { "camera": "RED V-Raptor 8K", "lens": "50mm Cooke Anamorphic/i SF prime lens", "perspective": "Static, locked-down shot at chest-height, focused on the vendor's hands, the cooking surface, and the holographic interface. The camera does not move, creating a stable, documentary-like observation." }, "camera_settings": { "aperture": "f/2.8", "shutter_speed": "1/48s (standard 180-degree shutter)", "iso": "ISO 200" }, "lighting": { "type": "Bright, slightly harsh midday sun filtered through a persistent atmospheric haze.", "description": "The high sun creates strong, defined shadows, but they are slightly softened by the haze. The holographic menu and the glowing food act as motivated key lights, casting complex, shifting colored light onto the vendor's face, hands, and the metallic surfaces of the cart." }, "composition": { "framing": "A tight, layered composition. The vendor's hands and the food

I just looked into Subversion by Introversion Software and now I'M disappointed that it never came out too! It's absolutely crazy how closely the vision matches what I'm building in DataJack 2020. Incredible work, too bad it was canceled: youtu.be/1giu6sMnAxY

sci-fi neck datajack but it still just uses rs232

Grayson is chained to a chair in a cold, metallic chamber beneath The Warren. A single red bulb flickers above. His cracked rabbit mask lies discarded on the floor. His face is bloodied but defiant. GRAYSON: You’ve already lost. You just don’t know it yet. Mr Rabbit stands across from him, silent. Two masked lieutenants flank the room. On a nearby table: blades, a neural probe, and a datajack cable. MR RABBIT: We don’t need you to talk. We just need you to bleed. A lieutenant plugs the neural cable into a port at the base of Grayson’s neck. He flinches as data pulses across a nearby screen. Lines of corrupted Iron Vultures code flicker. TECH LIEUTENANT: Encrypted Vulture directive. He was acting under orders. MR RABBIT: What’s their plan, Grayson? You fed them her location. That wasn’t a warning — it was an invitation. Grayson laughs, blood on his teeth. His eyes flicker toward the ceiling — not fear, but certainty. GRAYSON: You think they want Lina? They don’t care about her. They want you. Suddenly, the lights go out. A sharp alarm sounds in The Warren. Red backup lights kick in. One of the lieutenants reaches for a weapon. CAPTION: While you looked for the traitor… The Iron Vultures walked through the front door. #MrRabbit #story #NFT #XRP #XRPL #NEW #NFTCollection

work continues on DataJack 2020 even if you don't see me post much these days. Work is focused on burglary mode interface & assets. I'll be showing it all off when it's done. #gamedev

Just River Clear, thief extraordinaire and medical specialist at the Horizon Research Institute, getting herself cleaned up after a night of partying and fun with one of the institute's bachelors. #datajack #sexy #sfw #art

The main aesthetic design concept for DataJack 2020 remains peering down into an intricate little cutaway dollhouse world where all the infrastructure is meaningful and simulated, rendered in a style that combines 2D pixel art with low-poly 3D models.