🎤 On a format like The Voice of Holland, post-production cannot afford to wait until filming is over. With 𝟭𝟬 𝗰𝗮𝗺𝗲𝗿𝗮 𝗳𝗲𝗲𝗱𝘀, multiple audio sources and ten-hour shoot days, ITV Studios Netherlands needed a workflow that could keep up with production in real time. The challenge was impressive: automatically prepare material before it hits the edit suite, without losing structure, context or editorial control. Together with NEP Europe, Limecraft helped move that work upstream: ▪️ Footage was ingested while recording was still ongoing. ▪️ On-set notes were captured as metadata and stayed attached to the media. ▪️ Template-based AAF export delivered structured, multi-track timelines that reflected the editorial logic from the start. The result for ITV Studios Netherlands: 𝟲𝟬% 𝗹𝗲𝘀𝘀 𝘁𝗶𝗺𝗲 𝘀𝗽𝗲𝗻𝘁 𝗼𝗻 𝗲𝗱𝗶𝘁 𝘀𝘂𝗶𝘁𝗲 𝗽𝗿𝗲𝗽𝗮𝗿𝗮𝘁𝗶𝗼𝗻 𝗮𝗻𝗱 𝗽𝗿𝗲-𝗰𝘂𝘁𝘁𝗶𝗻𝗴. Less manual work. Faster access to the right material. More time for the edit itself. 👉 Curious what this could mean for your production workflow? Book a demo with Limecraft. #Limecraft #ITVStudios #TheVoiceOfHolland #PostProduction #MediaTechnology #Broadcast #ProductionWorkflow #MediaWorkflows

✨ Influential Women Spotlight: Kate Shaw ✨ Marketing and media technology leader Kate Shaw combines expertise in AEO, SEO, and AI-driven strategy with a passion for community impact, authentic storytelling, and leadership development. Spotlight: influentialwomen.com/connect… #WomenInMarketing #DigitalStrategy #MediaTechnology #Leadership

INDORE·“सोशियो-मीडिया संवाद” से समझा न्यूज की दुनिया में फैक्ट चेक और एआई के प्रभाव का महत्व... “सोशियो-मीडिया संवाद” से समझा न्यूज की दुनिया में फैक्ट चेक और एआई के प्रभाव का महत्व... इंदौर प्रेस क्लब ने रखा “सोशियो-मीडिया संवाद” का आयोजन... विषय था "मीडिया टेक्नोलॉजी सिविलाइजेशन और सार्वजनिक संवाद.. बतौर मुख्य वक्ता सूचना एवं प्रसारण मंत्रालय, भारत सरकार के प्रिंसिपल एडवाइजर के.ए बदरीनाथ शामिल हुए.... कार्यक्रम में वरिष्ठ ब्रॉडकास्ट जर्नलिस्ट हेमन्त उपाध्याय ने भी वक्ता के रूप में विचार रखे.... के.ए बदरीनाथ ने न्यूज की वर्तमान दुनिया में फैक्ट चेक,उसकी चूक से होने वाली गलती और उसके असर को उदाहरण के साथ समझाया.... इंदौर प्रेस क्लब अध्यक्ष दीपक कर्दम ने आयोजन की जानकारी दी.... . . . . . . #SocioMediaSamvad #IndorePressClub #FactCheck #AIImpact #MediaTechnology #PublicDialogue #NewsAndInnovation #MediaCivilization #hbtv #hbtvnews

𝙒𝙝𝙮 𝙘𝙧𝙚𝙖𝙩𝙞𝙣𝙜 𝘽𝙧𝙤𝙖𝙙𝙘𝙖𝙨𝙩-𝙜𝙧𝙖𝙙𝙚 𝙨𝙪𝙗𝙩𝙞𝙩𝙡𝙞𝙣𝙜 𝙤𝙥𝙩𝙞𝙢𝙞𝙨𝙚𝙙 𝙛𝙤𝙧 𝙃𝙞𝙜𝙝-𝙍𝙚𝙖𝙙𝙖𝙗𝙞𝙡𝙞𝙩𝙮 𝙞𝙨 𝙢𝙖𝙩𝙚𝙧𝙞𝙖𝙡𝙡𝙮 𝙙𝙞𝙛𝙛𝙚𝙧𝙚𝙣𝙩 𝙛𝙧𝙤𝙢 “𝘼𝙄 𝙘𝙖𝙥𝙩𝙞𝙤𝙣𝙨” Creating readable, professional subtitles is about far more complex than splitting a transcript every 40 characters. Each broadcaster and streaming platform maintains detailed subtitle style guides covering timing, line breaks, reading speed, speaker changes, shot changes, positioning, punctuation and much more. Because good subtitles are not just technically correct. You want them to be as close to invisible as possible. Poorly auto-generated garbled captions expose the defects immediately: •awkward line breaks •subtitles appearing too early or too late •captions fighting against the rhythm of the edit •rapid flashing that creates a stroboscopic viewing experience •sentences broken at unnatural points The problem? Even the best “AI subtitle” services treat subtitling as a text problem. It is not. Subtitling is editorial craft. Timing matters. Rhythm matters. Editorial intent matters. At Limecraft, we approach subtitling from a post-production perspective. Our AI agents are designed to create state-of-the-art subtitles that follow your specific style guide and respect the editorial cadence. Because the goal is not simply to generate captions. The goal is to create subtitles viewers barely notice — because they feel natural. Not convinced yet? Give it a try yourself. #Limecraft #FeatureFriday #Subtitling #Accessibility #Broadcast #PostProduction #AI #MediaTechnology

Back from @mpts_london, heavily loaded and still digesting. One theme kept recurring. What was most striking this year was how much the industry has matured. The debate is no longer whether best practices will/need to change. The real question remains how to make complexity manageable, instead of simply adding more of it. Across MPTS, earlier industry events, and DPP discussions, much of the conversation focused on whether large-scale transformation would happen. The pressure is real: more content, more deliverables, tighter turnaround times, growing complexity, AI deployed in a hurry due to FOMO, and certain steps in post-production being decimated. So how do you transform operations in flight while everything is moving at full speed? Production teams rarely have the luxury to stop, redesign workflows from scratch, and restart. Yet, operational pressure keeps slowly increasing. The panel discussion with @NEPGroupInc Europe and @itvstudios resonated strongly. The key message stood out very clearly: meaningful transformation only happens through openness, collaboration, and partnership, not through theoretical “silver bullet” solutions. Organisations have to rethink assumptions together and align technology with operational reality. The collaboration between NEP Europe, ITV Studios and Limecraft showcases that approach: moving workflow intelligence upstream, capturing editorial intent earlier in the process, bringing editorial and post-production together in a collaborative model, and building workflows that remain operationally usable throughout the chain. Thanks to all partners and customers we had the chance to talk to at MPTS, for pointing us in the right direction. Your insights are invaluable 🙏 #MPTS2026 #MPTSLondon #MediaTechnology #PostProduction #WorkflowIntelligence

الإعلام والتكنولوجيا… حين تتحول الرسالة إلى تأثير. لم يعد الإعلام اليوم مجرد خبر يُنشر أو محتوى يُعرض، بل أصبح منظومة متكاملة تجمع بين التقنية، البيانات، المنصات الرقمية، وصناعة الوعي. التكنولوجيا غيّرت طريقة إنتاج الخبر، سرعة انتشاره، شكل المحتوى، وطريقة تفاعل الجمهور معه. لكن السؤال الأهم: هل نستخدم التقنية فقط للوصول أسرع؟ أم لصناعة رسالة أعمق، وأكثر تأثيرًا، وأكثر وعيًا؟ في زمن الذكاء الاصطناعي والإعلام الرقمي، النجاح ليس لمن يملك أدوات أكثر… بل لمن يعرف كيف يوظفها لخدمة الفكرة وبناء الثقة. الإعلام حين يلتقي بالتكنولوجيا… يصنع المستقبل. #الإعلام_والتكنولوجيا #الإعلام_الرقمي #صناعة_المحتوى #الذكاء_الاصطناعي #التحول_الرقمي #مستقبل_الإعلام #تقنيات_الإعلام #الصحافة_الرقمية #صناعة_الوعي #DigitalMedia #MediaTechnology #ArtificialIntelligence

🚨 𝗟𝗮𝘀𝘁 𝗰𝗮𝗹𝗹: 𝗟𝗶𝗺𝗲𝗰𝗿𝗮𝗳𝘁 @ @mpts_london 𝘁𝗵𝗶𝘀 𝘄𝗲𝗲𝗸 This Wednesday and Thursday, you'll find us at Stand F70 at Olympia London, ready to rethink high-volume workflows, distributed production, and the relentless pressure of tighter turnarounds. Also on the programme – and not to be missed: our co-founder Maarten Verwaest takes the stage on Wednesday 13 May at 15:15 in the Production Theatre, alongside Jonathan Vermeulen (@NEPGroupInc Europe) and Edwin van der Veen (@itvstudios Netherlands), chaired by Louise Wells (@Bubble_Agency). They'll share first-hand insights from building a connected production workflow for The Voice of Holland, from live capture to edit-ready content in real time, across dozens of cameras and unforgiving turnaround windows. 📍 Stand F70 | 13–14 May | Olympia London 🎤 "From Capture to Cut in Real Time" | Wed 13 May | 15:15 | Production Theatre 👉 Schedule's filling up, grab your slot via the link below. #MPTS2026 #MPTSLondon #MediaTechnology #PostProduction

There is a gap between where AI is being applied in media today and where the argument needs it to be. Read more in the latest episode of #GameOfStreams #MediaTechnology #AgenticOrchestration #MCP #NABShow linkedin.com/pulse/orchestra…

Final day at NAB Show 2026! Don’t miss your last chance to visit us, explore our latest solutions, and connect with the team. 📍 Booth N1425 #NAB2026 #PlayBoxNeo #MediaSolutions #MediaTechnology

How do you report, shoot, and produce alone, with nothing but a phone? And can mobile journalism meet broadcast standards under real constraints? In “How the Pandemic Introduced Me to Mobile Journalism,” @natashaghoneim recounts how COVID-19 restrictions forced her to work without a crew, relying solely on an iPhone and a basic kit. The article details how she reported independently, producing stories on issues like homelessness, domestic violence, and protests, while navigating technical limits such as poor zoom, audio monitoring challenges, and storage constraints. It shows that mobile journalism is not just a workaround but a viable reporting model, enabling continued coverage when access, budgets, and safety conditions disrupt traditional newsgathering. 🔗 Link to the full article is in the comments below. #MobileJournalism #Mojo #NewsroomInnovation #WarReporting #JournalismEthics #MediaTechnology #ReportingTools

𝗟𝗶𝗺𝗲𝗰𝗿𝗮𝗳𝘁 𝗮𝘁 @mpts_london 𝟮𝟬𝟮𝟲! On May 14–15, Limecraft will be at the Media Production & Technology Show in London, the UK’s leading event where media, tech, and storytelling collide. 📍 Visit us at stand F70 to see how Limecraft blends workflow automation, media asset management, and content delivery, all in one intelligent, collaborative platform. 💡 High volumes of content, distributed teams, or ever-tightening deadlines? We’ll show how producers are rethinking their operations and staying ahead. Have a project in mind? Plan your visit and book a meeting with us via the link below. #MPTS2026 #MPTSLondon #MediaTechnology #PostProduction #Limecraft #MediaIntelligence

See the Future of IP Broadcast Infrastructure at NAB Show 2026 Join us at Booth N1431 (North Hall) to see how modern broadcasters are simplifying ST 2110 operations with software-driven networking, deep telemetry, and AI-assisted visibility. At NAB 2026 we’ll be demonstrating how broadcasters can move beyond basic IP connectivity to true operational control of their infrastructure. Stop by to see live demos of: • Media Control Service (MCS) • Real-Time Network Visibility • AI-Assisted Broadcast Operations As the industry accelerates its transition to IP production, operational visibility and automation are becoming critical. Arista is helping broadcasters build networks that are simpler to operate, easier to troubleshoot, and ready for the future. Schedule a meeting bit.ly/4s7mrEv #NABShow #NAB2026 #ST2110 #BroadcastEngineering #IPBroadcast #MediaTechnology #AristaNetworks

📝Star of Iran's Foreign Ministry📝 Abbas Araghchi — a favorite of American social media Iran's Foreign Minister Abbas Araghchi unexpectedly became one of the most discussed figures on American internet. His rhetoric, addressed directly to ordinary Americans rather than the White House, spreads across X, Instagram and YouTube — both left-wing anti-war activists and right-wing isolationists from the MAGA camp cite it. 🔻What does he say? Araghchi consistently promotes several simple theses that fit into one narrative: ▪️Iran does not pose a threat to ordinary Americans — "Israel Firsters," the pro-Israel lobby in Washington that places Israel's interests above U.S. security, created the threat. ▪️The U.S. dragged itself into a "war of choice" not for its own security, but in Israel's interests — and taxpayers' money. ▪️The American people "deserve better" and should "take back their country" from those who voted for costly foreign adventures. ▪️All blame for the economic consequences of war — rising prices, more expensive credit, losses in retirement accounts — lies with those who unleashed this conflict in others' interests. 🖍The formula proved perfectly tuned to the pain points of the American audience in 2026. After years of inflation, a mortgage crisis and Trump's anti-war rhetoric, a significant portion of Americans already feel disappointed by "foreign wars" in the Middle East. 🚩Araghchi does not invent a new agenda — he says what already a large segment of American voters thinks, and does so in good English, in short viral formats. His clips and quotes rack up hundreds of thousands of views. Influencers from both sides — pro-Palestinian activists on the left and anti-neoconservative commentators on the right — use his words as ready-made arguments against the pro-Israel lobby in Washington. 🏳️Of course, this infuriates the White House. Israeli officials and Western media attack him in response, calling his statements "propaganda." The scandal surrounding his exclusion from the Davos Forum in January is another indicator that the Western establishment perceives his communication strategy as a real threat to its narrative. 📌Overall, Araghchi's public activity is an excellent example for official diplomats from countries opposing the West: he speaks the language of social media, appeals to ordinary people's economic fears and positions himself not as America's enemy, but as someone on the side of ordinary people — against elites and lobbyists. This makes him an inconvenient figure for Washington precisely because his words find a living response within the United States itself. #Iran #mediatechnology #USA ✈ RU | ✈ EN | ✉ MAX ✉ VK | ✉ RuTube | ✉ OK | ✉ Zen 💸Support us Original msg 10 MAR 2026 | 11:44 ET ET SOURCE: DD Geopolitics (@DDGeopolitics)

Every clean transmission has a story behind it. Grateful for the opportunity to keep learning and contributing to the standards that make broadcast reliable. 📡📡📡 #BroadcastEngineering #DSNG #MediaTechnology #BehindTheScenes #QualityControl

Welcoming 𝗠𝗼𝗱𝗲𝗿𝗻 𝗦𝘁𝗿𝗲𝗮𝗺𝗶𝗻𝗴 𝗦𝗼𝗹𝘂𝘁𝗶𝗼𝗻𝘀 𝗣𝘃𝘁. 𝗟𝘁𝗱. as an exhibitor at @Convergenc 𝗜𝗻𝗱𝗶𝗮 𝟮𝟬𝟮𝟲, set to showcase next generation OTT and streaming technology solutions designed to deliver seamless, scalable, and high performance digital video experiences. Visit them at- 📌𝗔𝟱-𝟴𝟬 | 𝗛𝗮𝗹𝗹 𝟱 🗓️𝟮𝟯–𝟮𝟱 𝗠𝗮𝗿𝗰𝗵 𝟮𝟬𝟮𝟲 📍𝗕𝗵𝗮𝗿𝗮𝘁 𝗠𝗮𝗻𝗱𝗮𝗽𝗮𝗺, 𝗡𝗲𝘄 𝗗𝗲𝗹𝗵𝗶 𝗕𝗼𝗼𝗸 𝘆𝗼𝘂𝗿 𝘃𝗶𝘀𝗶𝘁 𝘁𝗼𝗱𝗮𝘆 – bit.ly/49LHXXt . . . #CI2026 #ConvergenceIndia #ModernStreaming #OTT #StreamingTech #MediaTechnology #BroadcastInnovation #DigitalVideo #ContentDelivery #TechExpo #B2BExpo #DelhiEvents #Exhibitor

Honoured to be invited as a Key Speaker at BES EXPO 2026, the 30th International Conference & Exhibition on Broadcast & Media Technology, organised by the Broadcast Engineering Society (India) 🇮🇳📡 With the theme “Broadcast Intelligence Innovation: Make in India for the World”, I’ll be speaking on Smart Mobility through Next-Gen Broadcast Technologies on 30 January 2026 at Bharat Mandapam, New Delhi. Grateful for the opportunity to share perspectives and be part of conversations shaping the future of broadcast and mobility. #BESExpo2026 #BroadcastInnovation #SmartMobility #MakeInIndia #MediaTechnology

AI and Make in India Transform Broadcasting President of the Broadcast Engineering Society, Sunil, welcomed delegates to BES Expo 2026, describing it as a significant platform for advancing India’s media and broadcasting ecosystem. He highlighted the expanding role of artificial intelligence across content creation, automation, cloud workflows and monetisation, while underscoring the importance of building and owning indigenous technologies in line with the Make in India vision. The three-day expo brings together broadcasters, technology providers, academia and industry professionals to foster collaboration, strengthen skills and drive next-generation broadcast solutions. #BESEXPO2026 #BroadcastInnovation #MakeInIndia #AIinMedia #MediaTechnology @AshwiniVaishnaw @sjaju1 @besindiaexpo @MIB_India

Ready to see what’s powering broadcast today? Mr. Neeraj Gupta, MD – Advanced Telemedia, invites the Broadcast & Media fraternity to meet them at #BESExpo2026 and visit Booth B04. Skip the queues, register online: besindia.com/registrationfor… ... #BroadcastIndustry #MediaTechnology

#10DaysToGo #BESExpo2026 — the 30th International Conference & Exhibition on Broadcast & Media — returns with the theme: Broadcast Intelligence Innovation: Make in India for the World 📅 29–31 Jan 2026 📍 Pragati Maidan, New Delhi #BroadcastIndustry #MediaTechnology

14 Days to Go! The broadcast & media industry comes together at #BESExpo2026, the 30th International Conference & Exhibition on Broadcast & Media Technology. Visitor Registration and Stall Bookings are open. New Delhi | 29–31 Jan 2026 #BroadcastEngineering #MediaTechnology