I NEED MILK 🍼🍼 ︎ ︎ ︎ ︎ ︎ ︎ ︎ ︎ ︎ ︎ we’ll remind you ︎ ︎ ︎ ︎ ︎ ︎ ︎ ︎ ︎ ︎ ︎ ︎ ︎ ︎ ︎ ︎ ︎ ︎ ︎ ︎ ︎ ︎ ︎ that ︎ ︎ ︎ ︎ ︎ ︎ ︎ ︎ ︎ ︎ ︎ ︎ ︎ I desperately need milk for my baby.🍼 chuffed.org/project/safe-lif…

i’m cleaning my depression room who clapped!! the first picture is really bad i’m sorry i actually feel so disgusted rn

In 2016, I received an email from an aspiring manga artist in Morocco. It began like this: “I want to become a mangaka, but there is no manga publishing industry in Morocco.” Many people around the world love manga and read it, but when you look globally, there are many countries where manga is simply not published at all. In some places, there is not even a publishing system(including publishing, translation, and distribution) in place. Even where books exist, the infrastructure for printing, distribution, and bookstores is often lacking, making it very difficult for a true industry to develop. Telling manga fans in those countries, “Your country has a relatively high GDP per capita, so you should buy manga,” is meaningless if there is no actual way for them to buy it. That is something I find deeply painful. Why is it that the manga industry has not been able to properly serve those regions? Even in countries where publishing exists, manga books are often too expensive. The price of a single tankōbon book is $ 15 to $ 20, which is high even in the United States, especially when today’s digital entertainment offers so many alternatives at much lower prices. So, this is why I believe the future of manga is clearly not limited to print publishing, but must include digital services—manga that can be enjoyed in a reasonably accessible and affordable way. If such systems are established globally, I believe the manga industry could grow dramatically. In North America alone, a tenfold expansion would not be unrealistic. Even countries without any publishing tradition could develop sustainable manga industries. Once official digital services exist in each country, they can generate tax revenue, and governments can more seriously address piracy. At that point, creators and aspiring manga artists can also demand proper enforcement and protection. Most importantly, it would create opportunities for local aspiring manga artists. And those opportunities would, in turn, strengthen the global industry as a whole. When a country’s manga ecosystem develops properly, it becomes a cultural export industry. From a government perspective, piracy then becomes something that can and should be actively addressed. The first people to pay for legitimate manga services will, in many cases, be the very readers who once relied on piracy. They are not enemies of the industry—they are its earliest supporters in waiting. Pirated manga readers are not our opponents. They are our future audience. They are proof that demand already exists. In late 1990s Korea, manga piracy was widespread, and attitudes were often very hostile toward paid content. Many believed that paying for manga was unnecessary, or even that the industry itself should not exist. At the time, Steve and I did not fully understand this. We were wrong in many ways. But later, when proper legal services were introduced in Korea, readers were more than willing to support them. They paid for content gladly, and the Korean webtoon industry grew stronger, eventually becoming a major source of IP for film and television. We learned, through experience, that the joy of not paying cannot compare to the deeper satisfaction of supporting and sustaining the culture you love. Piracy users were never the enemy. They were simply manga fans. And all manga fans, in the end, are on the same side. Through our mistakes, Steve and I came to understand this more clearly. What needs to be done is simple: build proper digital manga services. Ensure fair pricing. And most importantly, help each country develop its own manga ecosystem. Because only then can a truly global manga industry exist. And only then can the works we create truly reach the world. To be continued...

HAPPY SAINT PATRICK'S DAY FROM CONOR MCGREGOR AT THE WHITE HOUSE! 🍀🇺🇸 @TheNotoriousMMA

PUERTO RICANS R BEING DENIED BASIC HUMAN RIGHTS (WATER) BECAUSE THE GOVERNMENT FUCKING SUCKS. I HAVENT HAD WATER RUNNING FOR DAYS BUT I CANNOT COMPLAIN BECAUSE THERE ARE PEOPLE HERE WHO HAVENT HAD WATER FOR OVER A MONTH. WATER! SOMETHING WE NEED TO SURVIVE IS NOT A PRIORITY.

An executive producer of ‘Love Island USA’ Season 8 has died following an “unexpected medical emergency” in Fiji, where the show is currently being filmed. ITV has stated that James Barker will be honored in Tuesday’s episode of the show. (tmz.com/2026/06/15/james-bar…)

원룸조교님 애니 오프닝 부른 싸이코드 늦잠이라는 사람은 술집 가서 여자가 여자에게 술취해서 뽀뽀하는 건 상관없는데 남자가 남자에게 술취해서 뽀뽀하는 거 보게되면 자리에 있던 소주병 날아갈거 같다고 말을 하는데...? 애초에 벨 애니화 오프닝을 맡은 건지 이해가 안가는데?

Kalena "Peaches" Croskey, 32, was found deceased in her cell at the Birmingham Jail in Birmingham, Alabama on June 11, 2026. No COD has been released at this time. RIP Peaches. I hope they find out what happened to you. 🙏 #BlackTransLivesMatter #TransLivesMatter #WontBeErased

LAPD News Release: Officer-Involved Shooting Investigation

Did someone order a fucking baller?

Imagine being scared of this dog.

Erika Kirk has filed to legally remove ‘Kirk’ from her last name.

THIS IS CRAZY

again i think we need to put women through sex ed again where they get a lesson on what blueballing is and why men are frustrated about this

#엔믹스 #설윤 허리 통증이 심한데도 불구하고 무대를 꼭 하고 싶다고 본인이 요청했다는데 울면서 무대를 할 정도면 팬이나 본인을 위해서라도 쉬는게 맞지 않았을까..? #NMIXX