Honored to be presenting at this weekend's @Roguelike_Con online conference‼️🎙️😳 I'll be sharing insights from co-designing @Blaseball's name pool. Including rolling up new names Live~ Watch me 🗓️SAT 3:30pm (PDT) Or subscribe to Roguelike Celebration on Youtube for the VOD!

Once I saw a drawing of wirt, snufkin, and siffrin all together because of their very triangle shape designs im gonna add coco to that

Tifa Lockhart is coming to Street Fighter 6, alongside three newcomers variable.games/2026/06/06/ti…

ive been thinking about this being brushbuddy for the last few days

k kagamines win

Discord is working on a new spatial audio feature for voice channels, allowing you to hear your friends as if they were right next to you

Manga ichiba is poppin

Witch Hat Atelier director Ayumu Watanabe on the challenges behind the anime adaptation: “I thought, ‘This would definitely be incredibly difficult to turn into anime. So when the adaptation offer actually came to me, my reaction was, ‘What a reckless undertaking.’” The director explained that the manga's dense artwork and intricate worldbuilding made simplifying the visuals almost impossible without losing the identity of the original work. “One of the series’ greatest strengths is that level of detail,” he said. “As a fan myself, I didn’t want to see that reduced just because it became animation.” Watanabe further described the anime as a major challenge for the staff, particularly due to the sheer amount of linework and movement required in every scene. “In anime production, there’s usually a tendency to settle on ‘this is enough detail,’ but for this project, we decided to throw out that way of thinking. That meant drawing far more and demanding both higher quality and quantity from the staff. It was a huge challenge.”

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