A few months ago, I went to a $15 open mic in Austin.
Dude gets on stage. The crowd goes bonkers. It's Shane Gillis, one of the most popular comedians in the world.
He pulls out a notebook and a pen, grabs the mic, and starts telling jokes.
When the crowd gives one of those loud, genuine laughs, he jots down a note. When the crowd looks at each other, confused, he jots down a note. When the crowd stares at him, expecting more, he jots down a note. When the crowd gives that knowing chuckle, he jots down a note.
You get the idea. He's testing jokes. Making a note of what's connecting and, even more importantly, what's not.
Then, I imagine, he cuts or changes the parts that don't connect. Tests them again at another open mic. And repeats the process until the joke, his story, is tight and compelling throughout.
He made me realize:
This is how you can treat Storytelling, too.
Your story is flexible. You can constantly test, get feedback, improve, repeat. Like Shane, what you're looking for is moments of connection:
• Your boss starts nodding along.
• Someone leans forward in their chair.
• There's a spark of interest in your partner's eye.
You get the idea. You're searching for that visceral reaction in your audience.
When you see it, double down. Iterate until you get there.