情報よりもインスピレーションを与える存在になりたい。 情報には新旧や正誤、伝播力の有無に関わらず消費されてしまうものだが、インスピレーションはその人の血肉となって受け手に残る。

iPadでメモを取っていても、とにかく日本語変換がバカなので修正ばかり増えてうんざりしていたんだけど、Appleが本気でこの問題の改善に着手してくれたらなら @nobi さんのこれまでのアクションは無駄ではなかったと理解してもいいのかな。とにかく文字入力のストレスは嫌。

ガウディが最後に見た時代のサグラダファミリアと 今の状態があまりにも違い過ぎる　笑 nobi.com/sagradafamilia/?lan…

🚨BREAKING: The U.S government gave Anthropic 90 minutes to shut down Fable and Mythos “Amazon AND others” called senior administration officials to warn about models’ capabilities Then: 1:00pm: Government calls. “Take it down.” Cites “national security threat.” No details. Anthropic asks what the threat is so they can fix it. Government said NO. 5:30pm: Commerce letter arrives with export controls. You have 90 minutes…

中傷疑惑の国会答弁を経ても高市を支持している人たちの思惑について解像度を高める調査

サグラダファミリアの3Dモデルが転がってたので、ガウディ没後100年って事でA1 miniでプリントしてみました！ 使ったフィラメントはElegooの高速PLA。Generic High Speed PLAパラメータを使用。 多少の糸引きが先端部分であったものの、概ねハイクオリティです。やるなあ、A1 mini。 使用したモデル: makerworld.com/models/419386 10年くらい前だっけなー、仕事でバルセロナに行った時にサグラダファミリアの中を登ってきましたが、その時は知らなかったんですよねー。ガウディが密かにサグラダファミリアの壁に魔法陣を刻んでいた事を。 後から知って、お土産屋さんでガウディの魔法陣のマグネットだけ買ってきました(笑)。 バルセロナはお肉がとても美味しくて、特にイベリコ豚の生ハムは驚異的な旨さでした。 世界どこに行ってもバルセロナの市場で食べたあのハモーンイベリコを超える生ハムには出会えていません。死ぬまでにもう一度食べたいな、あれ。 #ガウディ #gaudi #SagradaFamília #サグラダファミリア #a1mini

タンジェリンが実践する三層の「Move」 ロンドンのデザインファーム「Tangerine（タンジェリン）」のマット・ラウンドが、「Design that moves you」と題したステートメントを発表。そこに込められた意味と目指す先について話を聞いた。 林信行 - AXIS Media Membership membership.axismag.jp/posts/…

こんばんは。 ずっと眺めていたくなる氷の器のアイスコーヒー 神戸の名喫茶、北野坂にしむら珈琲店。切り出したままの正方形の氷を職人がひとつひとつ器へと加工。そこへ注がれる淹れたてのアイスコーヒー。まずはそのままブラックで。その後はお好みでミルクを。 7月、8月限定なので是非。

A Japanese programmer looked at every existing programming language in 1993, decided none of them made him happy, and spent two years building his own the language he built became the foundation GitHub, Shopify, Airbnb, and Coinbase were all built on. His name is Yukihiro Matsumoto. Everyone in the programming world calls him Matz. He was born in 1965, studied information science at the University of Tsukuba, and graduated in 1990 with a head full of ideas about what programming languages could be and a quiet frustration with what they actually were. He knew Perl. He did not like it. He said it had the smell of a toy language. He knew Python. He did not like it either, because he felt its object-oriented features were add-ons bolted onto a language that was not designed around them from the start. He wanted something that was genuinely, completely object-oriented, easy to use, and built for the person writing the code rather than the machine running it. He looked for that language. He could not find it. So on February 24, 1993, he opened a chat window with his colleague Keiju Ishitsuka and typed: "Let us decide the codename now." They wanted to name it after a gemstone, inspired by Perl. Ishitsuka suggested Coral. Matsumoto suggested Ruby. Ruby was shorter by one letter. Ruby won. He spent the next two years building it alone, working through the architecture piece by piece. The object system. The string class. The IO streams. He later said he talked through specific features while speaking to his baby daughter, using her as a sounding board the way programmers use rubber ducks. In August 1993, he finally wrote the line of code that produced "Hello, world." on the screen. The first public version, Ruby 0.95, was released to Japanese domestic newsgroups on December 21, 1995. No press release. No launch event. Just a quiet post to a mailing list. The design principle underneath everything was the one nobody else had ever made primary. Matsumoto called it programmer happiness. He believed programming languages should be built for the joy and productivity of the person writing the code, not optimized purely for machine efficiency. Every decision in Ruby's design ran through that filter. If it made the programmer's life harder, it was wrong. That philosophy attracted a small but devoted following in Japan through the late 1990s. Then in 2003, a Danish programmer named David Heinemeier Hansson discovered Ruby and used it to build an internal project management tool for his company. He called the tool Basecamp. He extracted the framework underneath it and released it publicly in 2004. He called it Ruby on Rails. Within a year of that release, the framework had changed how web applications were built. Rails introduced the principle of convention over configuration, meaning developers could make decisions about structure quickly because the framework had already made sensible defaults. What used to take weeks of setup took days. What used to take days took hours. Shopify started on Rails in 2005. GitHub built on Rails a couple of years later. Airbnb, Twitch, Coinbase, SoundCloud, and Zendesk all followed. The first generation of consumer internet companies that defined how people think about software products were largely built by small teams moving fast on a framework that traced directly back to one Japanese programmer who was dissatisfied with his tools in 1993. Shopify now processes over $200 billion in annual commerce volume. It still runs on Rails. GitHub became the largest code hosting platform on earth and was acquired by Microsoft for $7.5 billion in 2018. It started on Rails. Matsumoto has said many times that he created Ruby for selfish reasons. He was so underwhelmed by every available option that he built something that would make himself happy. The programmer happiness he was chasing was his own. The community that grew around Ruby adopted a motto that says everything about who he is. Matz is nice and so we are nice. They abbreviated it MINASWAN. It spread because it was true. He answered emails from strangers. He engaged with the community with patience. He treated the language as a gift, not a product. He is still the chief designer of Ruby today. The language is 31 years old. It is still being improved. The last stable release was Ruby 4.0.4, shipped on May 11, 2026. One programmer, unhappy with his tools, built something better in the evenings in 1993. The companies you use to buy things, to store code, to book travel, and to watch streams were built on top of what he made. He just wanted to be happy while he worked. Did you know Ruby was behind the tools you use every day?

【写真展のお知らせ】 香を聞く、時を写す — 志野流香道の世界 — 昨日の写真のつづきです 火取り香炉で整えられた炭団が、香炉の灰中に埋められます。こののち、灰を整え、銀葉をのせて香を焚きます。 現在、展示へ向けて額装を進めています。 一枚の写真が、少しずつ会場へ向かっていく時間です。 画面では届かない質感があります。 紙の静けさ、余白の深さ、光の気配。 ぜひ会場でご覧ください。 🗓 2026/6/19(金)〜6/25(木) 📍 松栄堂 薫習館 1F 松吟ロビー（京都） 🕊 全日在廊予定 ※変更がある場合はSNSでお知らせします。

障子を通して漏れる柔らかな光は、空間に鈍く留まり、ゆっくりと室内に吸収されて奥ゆかしさを生み出します。「陰翳礼讃」を体現する、日本の建築4選。 1.梅原龍三郎アトリエ 2.鈍考 / 喫茶 芳 3.浜松市 松韻亭 4.浄智寺 庫裡 ただ明るいだけが豊かさではないと、暗闇の中に差す光が教えてくれます。

Playground equipment for Ala Moana Park, Isamu Noguchi, Honolulu, Hawaii, USA, 1939. Follow archinerds for your daily dose of architecture #archinerds #architecture #isamunoguchi #publicspace #playgrounddesign

JUST IN: 🇺🇸 Anthropic CEO Dario Amodei reportedly declined US government request to fix jailbreak in its Claude Mythos Fable 5 AI model. This led to the Trump administration "reluctantly" restricting foreign access.

開幕まであと2日！ 特別講演会の開催が決定しました。 開催記念特別講演会「絶滅について」 登壇者：杉本博司、浅田彰、増田玲 日時：6月20日（土）14時〜15時30分 会場：東京国立近代美術館　地下1階講堂 ▼参加方法など詳細は公式HPでご確認ください x.gd/HRIyk #杉本博司絶滅写真 photo: 森山雅智

Ancient reflective blue Sassanian Persian cup that was gifted to Empress Komyo of Japan. 📍Shoso-In repository in Nara, Japan

Claude Fable5と４〜５回やりとりしてブラシュアップしたサグラダ・ファミリアの3D模型アプリ。自分が見ている状態を保存して共有できる仕様にしてある。 個人的に17:45頃の太陽の位置でワイヤーフレーム表示にするのが好き。 nobi.com/sagradafamilia/?lan…

This is the last project I completed with #Fable5 by @ClaudeAI before the US government put it on hold. enjoy! —— Sagrada Família, dissected in 3D nobi.com/sagradafamilia/?lan…

BREAKING: ANTHROPIC IS OFFERING REFUNDS UNTIL JUNE 20TH

apps on nobi_com AIなどで作った自作Webアプリのindexページを今更作った： nobi.com/apps/