Abstract painting doesn't eliminate meaning.
It returns it to you in its unprocessed state.
Before the agreements organized it into something recognizable.
new essay → rituart.com/blog/the-agreeme…#artthatlistens
Abstract painting has always demanded a phenomenology of encounter rather than a semiotics of representation.
We have never built one.
My answer to @jerrysaltz's blank point twenty → rituart.com/blog/point-twent…
"I don't paint what I know. I paint to know."
5 things about the practice, the companies left behind, and why the brush had to go.
rituart.com/blog/5-things-to…
Most people spend 11 seconds in front of a painting and wonder why abstract art doesn't speak to them.
The painting isn't withholding. You just haven't stayed long enough.
On how to actually see abstract art in a gallery → rituart.com/blog/how-to-unde…
I painted over a finished oil painting.
The red arrived. The canvas pushed back.
Fractal gaps opened where acrylic met oil — unrepeatable, unplanned. The ground surfaced through the red.
I stopped when the painting told me to.
Emergent Ground in Red — 2026.
rituart.com/recent-art-works…
Geometry without contrast is just pattern. It decorates rather than decides.
Took me three states of the same canvas to learn that.
The underpainting is still there. You can feel it.
Third Life → rituart.com/blog/third-life
Called it Abstract Inquiry before I understood what the name meant.
Thought I was describing a style. I was describing a posture.
The painter who enters the studio with an open question, and stays honest with it — produces something that cannot be made any other way.
New essay: rituart.com/blog/abstract-in…
You do not understand a lineage by inheriting it. You understand it by arguing with it.
Final essay in my Why This Series — on Rothko, Pollock, Richter, Basquiat, Kline, Twombly, and why I was the one writing it.
rituart.com/blog/why-this-se…