🐍RAIDERS OF THE LOST ARK🐍
Storyboard to Film Comparison of the climactic "opening the Ark of the Covenant" scene.
Artist Ed Verreaux drew 45 storyboards for Spielberg that were shared with all the department heads.
During filming, the storyboards were on set, printed on big poster boards, per Spielberg's request.
Go behind-the-scenes at the Ranch with Skywalker Sound's Ben Burtt and Foley artist John Roesch as they discuss how they created the iconic sounds of Raiders of the Lost Ark!
Celebrate the film's 45th anniversary and watch it now on Disney !
Some scenes created with Cloud Paint ☁️
Cloud Paint has officially launched!
Paint and shape fully 3D clouds directly inside Blender.
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I’ve been capturing 3D human motion for 30 years and today is maybe the biggest day in that history. We are presenting MAMMA at CVPR (oral session 2A). MAMMA is a markerless multi-camera system that has accuracy similar to marker-based systems.
💎 Can not believe I made my first official tutorial! Only took two full version of the addon to get to it, and it doesn't cover the core technique or software. But it's a tutorial! I broke through a personal wall here.
youtu.be/B7tmRvmTXBo
Je suis dispo pour n’importe quelles missions 3d.
Rendu produit, animation, modélisation, motion design, visuels pub, assets, etc.
Si vous avez un besoin ou connaissez quelqu’un qui cherche un profil 3D comme le mien, mes DM sont ouverts 👌
Turbulent gives you detailed water effects from a simple plane and a material.
Depth-based translucency
Edge detection
Auto flow map
Flow painting
All from just a shader.
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Only for #blender3d#b3d#blender#cgi
Steven Spielberg and Close Encounters of the Third Kind
new original UFO history documentary
This documentary covers the early life and career of Steven Spielberg leading up to his first major UFO film Close Encounters of the Third Kind, released in 1977. It covers how Spielberg’s lifelong fascination with UFOs and with film making would ultimately lead to his seminal UFO film.
It also covers J Allen Hynek who was the scientific advisor to the Air Force’s UFO investigation Project Blue Book in the 1950s and 1960s. Hynek would eventually leave Project Blue Book accusing the Air Force of covering up the reality of the UFO phenomenon. Hynek would later be an advisor to Spielberg and would greatly influence Close Encounters of the Third Kind.
This video also goes scene by scene with Close Encounters illustrating real world events and easter eggs the film draws on.
Spielberg’s Early life and film career
00:00 Intro
01:57 Early life
03:50 Early interests in film, space, and flying saucers
05:50 The young film maker
07:23 Spielberg’s first UFO film “Firelight”
10:54 The young LA director
16:12 J Allen Hynek and Project Blue Book
24:55 JAWS
The Making of Close Encounters of the Third Kind
27:19 The making of Close Encounters of the Third Kind
29:21 Hynek and Vallee come on as advisors
34:24 Casting
35:58 Filming locations
37:15 Music
38:14 Special Effects - UFOs and aliens
41:06 George Lucas visits the Close Encounters set
41:55 J Allen Hynek visits the Close Encounters set
43:41 NASA and the Air Force don’t cooperate with the film
44:16 President Jimmy Carter and Close Encounters
45:34 United Nations UFO initiative and Spielberg
47:40 Close Encounters releases November 16, 1977
Close Encounters scene by scene breakdown
49:04 Scene by Scene break down
49:15 The UN investigators and the disappearance of Flight 19
50:25 UFOs above Indiana
51:33 Jillian and her son
52:18 Roy’s first UFO encounter
54:00 UFOs causing car interference and radiation burns
56:36 Police cars chase UFOs over state lines
57:44 UN investigators and Mongolia and India
58:34 Roy’s obsession starts
01:00:21 The signal from space
01:02:12 UFO abducts Jilian’s son
01:02:52 Air Force Press Conference
01:05:18 Mashed potatoes mound, Roy’s family leaves, and Devil’s Tower
01:06:37 The journey to Devil’s Tower
01:08:20 Lockheed and TRW easter egg
01:10:55 The UFO landing site
01:11:36 The UFOs arrive
01:12:23 The abductees return
01:14:05 The aliens
01:16:13 The impact of Close Encounters of the Third Kind
I made a duplicate of the main body, shrunk it down slightly, added it as a difference boolean on the hexagons so they have a cutoff point.
That way, I could make their depth easily adjustable even when cutting into the outer mesh and the ends also contour to the surface shape.
Blender 5.2 has a new shader feature called "thin wall" which is designed for meshes which have no thickness (or very little).
These can be anything from leaves, paper, tissues and some thin plastics
(images taken from Chritstopher3D's youtube video)