Joined January 2014
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I’m appalled to announce that the weird little book I’ve been wittering on about for ten years is now available for Pre-Order. It’s a travel guide to a “Hell for Artists”.
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<Herzog Voice> Mucilaginous cubes of torment. Glistening colours, but of a preschool whose walls are daubed with despair. Why so acrid? How can a benevolent god so deform a thing of nature, the root crop, into this abysmal being? </Herzog Voice>
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A.Valliard retweeted
Right now, literary risk-taking is wholly outside of the Big-5 conglomerate model.
Replying to @pensandpoison
Contemporary novels feel soulless, but not for the reason you think. Full video here: youtu.be/pI1U0PksFuo?si=PlwL…
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Look at these handsome patinaed pottery children.
My babies
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Pathetically, horribly pleased by this monstrously kind review, and yes! to terrify writers back to their works was largely the reason I wrote the wretched thing, lest we all be trapped in a procrastinating hell of our own devising! #booktwt
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Man in chicken suit, late 19th century.
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16 Nov 2020
[activates laptop camera]
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A reminder that no serious historian, academic or anyone who has spent even minutes looking at Nazi Germany agrees with this. Hitler locked up the left, denounced the left. He was not a 'hardcore socialist.' The only people who say this are... Nazi sympathizers & the far right.
Replying to @paulg
Hitler was also left, just a different type of left. Hardcore socialist.
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A.Valliard retweeted
TERF raves about changing rooms, films random Marks and Spencer employee just doing his job. Replies are full of homophobia, but they definitely won’t come after the LGB once they’re done with the T because, uh, reasons
Colchester @marksandspencer I asked where the women’s changing room was to try on swimwear. Manager Andrew (he/ his /him) says gender neutral changing areas are “completely safe” for women and girls. For asking him this question, he told me to leave the store. @SexMattersOrg
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A.Valliard retweeted
Reading James Baldwin and with every single sentence being like “oh yeah, I remember. he’s the best writer of all time. of course yes I’d forgotten yes yes”
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A.Valliard retweeted
The character of Rizzo in "Midnight Cowboy" (1969) is described in the novel as “a skinny, child-sized man of about twenty-one or twenty-two… a little blond runt,”. The all-American image Dustin Hoffman had after "The Graduate" (1967) and him not being considered a character actor cast doubts for John Schlesinger if Hoffman could pull of the limping, coughing and scruffy Rizzo. Jack Gelber had told the producer Jerome Hellman that he had seen Dustin Hoffman in an Off-Broadway play, 'Eh?' & thought the actor would be perfect for the role. Hellman was blown away after seeing the play & said to himself, “Oh sh!t, this guy was born to play ‘Ratso’ Rizzo.” When meeting with John Schlesinger and the producer, Hoffman took it to the next level so as to show that he would indeed be a good pick for the part—they were to meet on a Manhattan street corner and he showed up dressed in filthy rags. Schlesinger did not even notice the beggar who was asking people for change not even 10 feet away until Hoffman revealed himself and got the part. Mike Nichols tried to change Hoffman's mind about accepting the role, thinking his performance would imply taking a few steps backwards, instead of forwards: “Are you crazy? I made you a star. This is an ugly character. It’s a supporting part to Jon Voight. What are you doing? Why are you sabotaging?” But Hoffman stood his ground and it ended up being one of the best decisions he had ever made: “The truth was, I saw 'The Graduate' as a setback, because I was determined not to be a star.” Little did Hoffman know that he would become an even bigger star and also get his first Academy Award nomination, along with co-star Voight. (Source: "How John Schlesinger’s Homeless and Lonesome ‘Midnight Cowboy’ Rode His Way to the Top and Became the First and Only X-rated Movie to Win a Best Picture Oscar", Koraljka Suton, Cinephilia & Beyond, & IMDb) P.S: On this day, 57 years ago, "Midnight Cowboy" (1969) was released in the USA & Canada.
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My first friend back from the kiln- super happy with this glaze
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“…Attack ships on fire off the shoulder of Orion… Women with the kind of walking that makes benches become men…”
Can AI write literature and get away with it? On May 16, the Commonwealth Foundation announced the regional winners of its Short Story Prize. A few days later, the winning entry from the Caribbean, “The Serpent in the Grove,” by Jamir Nazir of Trinidad, was drawing attention online because some people thought it, and other prize-winning stories, reads uncomfortably like AI-generated text. The story, which was published on the literary magazine ‘Granta’’s site after being selected, is crammed with metaphor and simile. Some descriptions are even bizarre: “The girl smiled like sunrise over a sink”; “She had the kind of walking that made benches become men.” There are other hallmarks of AI writing, like negative parallelisms and anaphora, or the repetition of words at the beginning of successive sentences or clauses. Razmi Farook, director general of the Commonwealth Foundation, said that the prize committee does not use AI checkers in the judging process, calling those programs “not unfailing or infallible.” (Several people online said that AI-checking tools deemed “The Serpent in the Grove” to be 100 percent AI generated. ) “All shortlisted writers have personally stated that no AI was used and, upon further consultation, the Foundation has confirmed this,” her statement reads. A concurrent statement sent by ‘Granta’ publisher Sigrid Rausing was less sure, writing that she and her colleagues ran the story through Claude, which concluded that it was “almost certainly” written with the help of an AI tool, though it might have a “human core.” A representative from ‘Granta’ confirmed that its editors did not participate in the selection. Sign up for our Book Gossip newsletter to read more about the controversy and why this is the type of news story we’re regrettably about to see more of: nymag.visitlink.me/02GTsY
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Bit peeved about these robots rocking the boat and muddying the waters for those of us who use confusing metaphors the way an aardvark peels potatoes.
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In a belated #TranslationDay nod, very fond of Antonina W. Bouis’ rollicking translation of Bulgakov’s “A Dog’s Heart” (@almabooks 2011):
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22 Jul 2020
Myles na gCopaleen BEHOLDING himself is high art.
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As it’s the anniworsery of this nonsense, I have created a little free downloadable sample as a generalised punishment. It’s 3 levels of the hell flung up as a PDF on Bookfunnel. Download at whim! dl.bookfunnel.com/4jmf3hjokz
I’m appalled to announce that the weird little book I’ve been wittering on about for ten years is now available for Pre-Order. It’s a travel guide to a “Hell for Artists”.
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Replying to @JacobL1994_
From the 11th century
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30 Jul 2022
Bones of a city 1 & 2.
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Ytic Rorrim (ink and dip pen) #scribbleau
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In 15 min they decided this entire whale species was less important than money from oil drilling. 15 minutes. FIFTEEN MINUTES.
The Trump administration has scrapped all protections for a critically endangered whale species known as the Rice's whale, allowing oil and gas drilling in their natural habitat. The regulatory meeting dooming the 50 remaining Rice's whales lasted just 15 minutes.
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Early morning foggy Gdansk, Poland.
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