Building the leading AI cartoon storytelling platform at Neolemon.com → Bootstrapped | I write about creativity, AI & entrepreneurship
Joined July 2009
- Tweets 2,938
- Following 1,472
- Followers 2,019
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1,104 Photos and videos
Pinned Tweet
Apr 15
It's wild that this entire cinematic short was made in one hour. Solo.
No crew, no studio, no budget.
Here's the exact stack: Neolemon Kling 3.0 Suno 👇
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Sachin Kamath retweeted
Jun 13
prediction: a year from now, the most-watched series on your feed won't come from a studio.
it'll come from one person with a story and a laptop.
Like this short animation.
think SpongeBob, Adventure Time, Avatar. Recurring characters. A world you return to every week.
Except every episode is generated and the whole "studio" is one creator.
what actually separates the ones who break out:
- character consistency across every scene
- narrative structure AI can't write for you
- shot composition and pacing that feels intentional
- knowing which moments to show and which to skip
generation is the easy 10%. that's solved.
the wave that breaks out won't be whoever found the tool first. it'll be whoever can hold a world together long enough for people to care.
what's the series you've been carrying that finally has somewhere to go?
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Sachin Kamath retweeted
Jun 10
One character → infinite worlds
Moodboard, turnaround, final pose, first cinematic shot. All from the same character concept.
This is what cartoon story pre-production looks like with AI.
— made with Neolemon Kling
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Sachin Kamath retweeted
Jun 8
The cartoons we never forget share one thing, and it isn't the animation.
In Netflix’s Swapped (38M first-week views), the Pookoos live by one rule: hide today, survive tomorrow. They avoid the world—except Ollie, who can’t stop looking.
Back in 1998’s A Bug’s Life, Flik is the same kind of problem: an inventor ant in a colony trained to keep its head down and serve the grasshoppers. Everyone tells him to fall in line. He won’t.
We never root for the character who accepts things. We root for the one who won't.
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Jun 7
Cartoons that age like fine wine…
They don’t make animations like this anymore…
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Jun 7
Design the character once.
Build any world around them.
Moodboard. Turnaround. Final pose. First cinematic shot.
All from the same character concept.
This is what cartoon story pre-production looks like now with AI.
— made with Neolemon Kling
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Jun 6
Don’t believe everything you see or hear
Jun 6
There is no red in this picture.
Your brain is filling in the red color. The picture is made entirely of light blue, black, and white.
[🖼️ Akiyoshi Kitaoka]
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Jun 4
One wrong move, and the giant wakes.
A soldier no bigger than a thumb climbs the length of his body, reaching for the glowing crown perched on his nose.
An idea at breakfast.
A finished film by afternoon.
No studio. No crew. No gatekeepers.
I left aerospace to build the tools that let people make stories like this.
The bet was simple. Drive the cost of execution toward zero, and what's left is the only thing that was ever hard.
Telling a beautiful story. Caring about the craft.
That part didn’t get easier.
Everything else just got out of the way.
So: what would you make this afternoon if nothing stood in your way?
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Jun 4
📌This was made by 1 person on our team, start to finish in one afternoon.
AI Stack: Neolemon for the character and the location, Seedance for the motion, Suno for the score.
The crown's glow and the giant's breathing were the two things worth slowing down on. Regenerated until they felt right.
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Jun 3
Storytelling is a beautiful craft, but it bothers me that so many people surrender it to a prompt written in a box, expecting such beauty.
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Jun 1
does this mean professionals in the creative industry will become more creative because of AI image and video generation, like Nano Banana and Seedream?
May 28
After AlphaGo, the skill of human Go players noticeably improved. I suspect we will see a similar pattern in math.
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Jun 1
Stories like these once entertained us and left us wiser.
Now we hand the craft off to a prompt.
Visual storytelling can’t stop there. It shouldn’t.
That’s the future I’m working to create.
— From the Looney Tunes short Wild Wife (1954), directed by Robert McKimson.
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May 31
- caring deeply about a problem
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May 31
How did we forget the art of slow productivity? We still got shit done.
Windows 98's iconic underwater screensaver, peak digital tranquility before the internet got loud (1998)
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May 31
I pick Samurai Jack
May 30
i think we should bring back the concept of waking up on weekends and watching cartoons first thing in the morning.
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May 31
The best stuff ppl create is behind closed doors unobserved… it's pure joy & devotional effort.
May 30
Disney no creía en "The Lion King" y asignó su equipo B para hacerla.
Los mejores animadores fueron destinados a Pocahontas, la gran apuesta para los Óscar.
Como nadie los vigilaba, el equipo B tuvo libertad total.
Y crearon un éxito histórico que eclipsó a Pocahontas.
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May 30
Turn one character into a full cinematic comedy scene with AI
Same knight. Same world. Perfect timing.
Here’s how I made a medieval “epic battle”… turn into a bee chase using Neolemon Kling 3.0
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May 30
Then I built 4 shots using:
• Same knight reference
• Same battlefield reference
• Same lighting
Hero stance
Bee appears
Reaction
Full panic run
Neolemon keeps everything visually locked
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May 30
This is where it comes alive
Kling 3.0 handles the motion comedic timing
Use simple prompts:
One clear action per scene
Add a reaction beat
The flinch moment → that’s where the comedy hits
Tweet 5 (Why This Works)
Serious setup → broken by something small
That contrast is everything
Neolemon = visual consistency
Kling = motion timing
That combo is how you go from static images → shareable story
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