🔛 @ADCV_com #EnCircular @dicaticUPV @MasterRSCUPV #DestinoSolidario. Lucho por la accesibilidad universal y Otraveznoensayago. Cuenta personal

Joined November 2012
15 Photos and videos
Olivia Fontanillo retweeted
Acosar a especies protegidas, como el oso, constituye un delito contra el medio ambiente tipificado en los artículos 332-336, del vigente Código Penal y acarrea penas de 6 meses a 2 años de prisión. Espero que la Fiscalía haga muy bien su trabajo y encuentre a este energúmeno.
Son imágenes de la NA-140, en Navarra. El pasaje de un vehículo captaba a este oso pardo corriendo por esa carretera. Los detalles, en el #Canal24Horas
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Olivia Fontanillo retweeted
Menudo multón le metería yo a la persona que conduce. El oso corre porque es perseguido. Acosar a fauna protegida es constitutivo de delito.
Son imágenes de la NA-140, en Navarra. El pasaje de un vehículo captaba a este oso pardo corriendo por esa carretera. Los detalles, en el #Canal24Horas
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RT @galaxytiergeist: Quiero que los jóvenes cobren más y mejor, no que mi abuelo y mi padre cobren peor.
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Olivia Fontanillo retweeted
📢El jueves 18 de junio, 'Hablamos de sostenibilidad con...Sandra López Iranzo (@Coarval Coop. V.): Cómo construir la primera memoria de sostenibilidad paso a paso' 👉Híbrido, a las 16:30h - España / 10:30h - Colombia / 11:30h - República Dominicana ➕info rscmaster.webs.upv.es/18-6-h…
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Olivia Fontanillo retweeted
📢 El jueves 18 de junio, 'Hablamos de sostenibilidad con...Sandra López Iranzo (@Coarval Coop. V.): Cómo construir la primera memoria de sostenibilidad paso a paso'⭕Híbrido, a las 16:30h - España / 10:30h - Colombia / 11:30h - República Dominicana Info❌rscmaster.webs.upv.es/18-6-h…
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Olivia Fontanillo retweeted
Esta animación de MAKE realiza un recorrido lúdico y veloz desde los ancestros salvajes y prehistóricos de los felinos (pasando por el antiguo Egipto, donde eran adorados como deidades) hasta su evolución en los reyes indiscutibles del internet y los memes de la era moderna.
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Olivia Fontanillo retweeted
BREAKING: Apocalyptic scenes in Lebanon’s capital right now. Israel is bombing residential buildings in densely populated neighborhoods of Beirut. A ceasefire that still allows bombs to fall on civilians is not a ceasefire.
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She was 57 years old. White hair. No carefully managed image. No media training designed to make her more palatable. Just thirty years of accumulated knowledge and the calm, unhurried authority of a woman who had spent her life mastering her subject. She sat on a BBC panel, answered questions about immigration and politics, cited evidence, made arguments — and then went home. The next morning, her inbox looked like a crime scene. Her name is Mary Beard — Cambridge professor, classicist, one of the most respected scholars of ancient Rome and Western civilisation alive. And the internet had decided that a woman speaking with quiet authority on television needed to be punished for it. The messages were not criticism. They were not debate. They were rape threats. Death threats. Coordinated campaigns of personal destruction targeting her appearance, her age, her voice — anything that could be used to remind her that spaces like the one she had just occupied were not meant for her. Most people would have gone quiet. Mary Beard went further in. She did what scholars do when they find a pattern that disturbs them: she followed it backward. Through decades. Through centuries. Through millennia. All the way back to some of the oldest texts in Western civilisation. And she found it had always been there. In Homer's Odyssey — one of the foundational works of Western literature, nearly three thousand years old — there is a scene that most readers pass over without registering its quiet violence. Penelope comes downstairs and asks the poet to sing a different song. Her own son, Telemachus, cuts her off. He orders her back to her room and tells her plainly: speech is the business of men. She goes. Mary Beard read that scene and recognized it immediately. Not as ancient history. As a pattern. In ancient Rome, women who dared to speak in public were not described as orators or thinkers. They were described as noise — disorderly sound, something that did not deserve to be called language or argument. Their voices were not speech. Their thoughts were not thoughts. In the medieval world, women who claimed public authority were labeled as witches. Elizabeth I — Queen of England, ruler of a nation — had to rhetorically reshape herself into something masculine just to be taken seriously as the leader of her own country. The silencing of women who speak with authority was not invented by social media. It was not a modern pathology or a cultural accident. It was built deliberately, over centuries, into the very foundations of how Western civilisation defined who gets to speak, what authority sounds like, and who is allowed to take up space in public life. Mary Beard had found something important. In 2017, she published Women & Power: A Manifesto — short enough to read in an afternoon, substantial enough to reframe everything you thought you understood about why this keeps happening. Her argument was precise and devastating. The problem is not that women lack the ability to lead. The problem is that the model of leadership itself — the template for what public authority looks, sounds, and feels like — was built by men over centuries and has never been redesigned. When a woman enters public life and doesn't fit that template, she is not failing. The template was never built for her. It was built specifically to exclude her, and it has been doing exactly that, efficiently and continuously, for three thousand years. The solution, Beard argued, is not to teach women to perform power the way men have always performed it. The solution is to dismantle and rebuild the very concept of what power is allowed to look like. She kept teaching. She kept writing. She kept appearing on television — white-haired, unhurried, carrying her decades of authority without performing it, without packaging it for comfort, without apologizing for it. The threats continued. But other messages began arriving too. Letters from women and girls who had spent their entire lives feeling that every door was slightly too narrow, every table slightly too high, every room slightly reluctant to make space for them. Women who had spent years wondering what was wrong with them — why they couldn't quite fit, couldn't quite belong, couldn't quite be taken seriously no matter how much they knew or how hard they worked. They read the book and understood, perhaps for the first time, that nothing had ever been wrong with them. The room had been designed without them in mind. That is not a personal failing. That is a three-thousand-year-old architectural decision. And one Cambridge professor with white hair and a calm voice — who refused to go quiet when the internet told her to — spent her career documenting it, naming it, and handing that knowledge to everyone who needed to hear it. Telemachus told Penelope that speech was the business of men. He was wrong then. He is still wrong now. And Mary Beard has three thousand years of evidence to prove it. via The Inspireist #FeministFriday #HERstory
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Olivia Fontanillo retweeted
Lo de demonizar a gente que ha currado toda su puta vida para tener una pensión digna tiene que parar
La renta de los jubilados supera a la de los jóvenes, con la mayor diferencia jamás vista en España Informa Pablo Seguí cadenaser.com/nacional/2026/…
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Olivia Fontanillo retweeted
No difference!
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Olivia Fontanillo retweeted
Israel is blowing up entire villages in Lebanon, killing 200 to 300 civilians every 48-96 hours, calling it a ceasefire, with absolutely no consequences. Israel is killing so many Lebanese so regularly that the world has lost interest. Just like has lost interest in Gaza.
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Olivia Fontanillo retweeted
This is what Elon Musk doesn't want you to see on this platform. This’s what your media won’t report. Lebanon is being ethnically cleansed in real time.
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Olivia Fontanillo retweeted
Buenos días a todos! Hoy hace 45 años que conocimos al Profesor de arqueología Dr. Jones
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Olivia Fontanillo retweeted
"We are the only people in history who are expected to witness our own genocide,and then watch what we say so we don't hurt the feelings of the people who did this" (Susan Abulhawa, Palestinian/US scientist and writer)
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WHY are we letting Israeli soldiers destroy every inch of Palestine? Is it ''a war''? Would you accept others do this to you and your home? Let's stop this genocide together. Diplomats Politicians Judges Police officers Journalists Citizens Anyone can and must take action.
This is Beit Lahia in northern Gaza. Just now, Israel blew up homes and demolished what remained of other buildings across the city, reducing more of it to rubble.
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Olivia Fontanillo retweeted
Somos muchos los que lamentamos que esta triste historia se silencie por los medios y la indiferencia general. Los que amamos a los animales y los cuidamos tenemos el corazón hecho pedazos. La maldad anda suelta. Cuidado.
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Olivia Fontanillo retweeted
No se habla lo suficiente de que "Israel" está borrando la ciudad de Tiro, uno de los asentamientos humanos más antiguos del mundo, con orígenes que datan de 2750 AC, literalmente están destruyendo patrimonio de toda la humanidad. En 3 meses "Israel" ha asesinado a más de 3.700 libaneses pero al mundo no parece importarle.
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Olivia Fontanillo retweeted
🔜🔜 Nuevo periodo de matrícula del Máster Universitario en Responsabilidad y Sostenibilidad Corporativa de la Universitat Politècnica de València (UPV) 🔜 Del lunes 15 al viernes 26 de junio. Toda la información, en: 🔛 upv.es/estudios/master/mursc…
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Olivia Fontanillo retweeted
🔛Encuentro con el Consejo de Empresas del Máster RSC UPV para explicar la evolución a Máster Universitario. Nos acompañan el decano de @adeupv, Javier Ribal, Jesús Valero, @GVAhisenda, e Isabel Roser, @PactoMundial, que hablará de ‘La sostenibilidad en tiempos de incertidumbre"
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Olivia Fontanillo retweeted
Isabel Roser, @PactoMundial, con Consejo Empresas Máster RSC UPV: "Más que nunca, el mundo necesita agentes de cambio. Estamos ante un cambio sistémico y de paradigma. No se trata tanto de ajustes técnicos, sino de narrativa, estrategias y la forma en que tomamos las decisiones"
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