Created a resource, Black Canadian Film, that documents films made by Black Canadian filmmakers, Canadian films about the Black experience, etc.
blackcanadianfilm.ca
I'm excited to participate in The AXT Exchange 2026 as a panelist.
It was a great chance to meet emerging talent AND connect with likeminded film & TV innovators.
If you're in Toronto, I hope you'll join us June 12-13.
Details and registration can be found via the QR code!
Harlem, 1972. You are invited to a party at the home of Duke Ellington.
ONCE UPON A TIME IN HARLEM opens in select theaters October 16. Teaser trailer tomorrow.
Two documentaries, two iconic photographs, and one search for greater truths behind images that captured the war in Vietnam: povmagazine.com/the-impact-o…
for @TorontoStar, i wrote about The Revue’s first ever Bleak Week, featuring a very Toronto lineup of despairing movies to have a bad* time at
*great thestar.com/entertainment/mo…
Bonus #TIFF26 details:
-"P&I" screenings now "Press & Market" screenings; every film in fest gets one P&M screening; films not in fest get market screenings accessible only to market badge-holders; sales titles in fest can pay for extra market screenings
-TIFF Selects phased out
At #Cannes this week, TIFF set the stage for its biggest, riskiest bet since the Lightbox: an official content marketplace to complement Cannes' Marché du Film and Berlin's European Film Market. My deep dive into what's at stake: theglobeandmail.com/culture/…
For @Letterboxd Journal, I wrote about three of the best films from #Cannes: Katharina Rivilis's I'LL BE GONE IN JUNE, Clio Barnard's I SEE BUILDINGS FALL LIKE LIGHTNING, and Marine Atlan's LA GRADIVA
Read: letterboxd.com/journal/best-…
NEW: @Telefilm_Canada report on Q1 Canadian theatrical box office reveals great numbers:
-Total box office revenue in Canada was $229.4M, up 27% from same period in 2025
-Canadian films earned $5.8M, up 39%
-English-language Canadian films earned $4M, up 166%
Film sector responds as the CRTC announces the elimination of Programs of National Interest (PNIs), which traditionally protected non-commercial programming including documentary. povmagazine.com/docs-at-risk…
i spoke with Boots Riley about I LOVE BOOSTERS and his thinking behind his use of comedy, aesthetics, and returning to the body as political tools theglobeandmail.com/culture/…
unpacked my thoughts on the messy joyride that is I LOVE BOOSTERS and its failure to engage fully with its own politics and characters beyond novelty (accessible link below)
theglobeandmail.com/culture/…
I had the pleasure of chatting with Boots Riley about his wonderful film I Love Boosters for @exclaimdotca. If you can only see one film this weekend make it this one! exclaim.ca/film/article/boot…
with drake dropping 3 albums in one day calling out more than a dozen former bromances, i talked to experts about how men deal with broken friendships and why it’s so hard to heal
playboy.com/read/music/drake…