Music shows the IP problem better than anything else.
The value is not in the studio.
Not in the vinyl.
Not in the platform.
It sits in the rights.
Compositions.
Masters.
Catalogues.
Future royalty streams.
These are pure intellectual property assets.
Cash-generating.
Long-dated.
Yet traded in opaque, relationship-driven markets.
Tokenisation matters here not because music needs more liquidity theatre,
but because IP needs structure.
On chain, music rights can be mapped.
Royalties can be referenced, not reinvented.
Exposure can be fractional without losing control.
This is not about turning songs into gimmicks.
It is about making IP legible to capital.
Music is not the exception.
It is the preview.
IP is the asset.
Tokenisation is the infrastructure.