Most NFT collections launch with hype.
The Beaks feels different.
Dima Kashtalyan
@DKashtalyan spent 20 years building a visual language through murals, editorial illustration, and pointillism detailed enough to feel instantly recognizable. His work appeared in The New York Times, Harper’s, MIT Tech Review, and galleries across Europe long before Web3.
Now that world is moving onchain.
1111 pieces. Not randomly generated characters, but surreal personalities that actually feel lived in. Strange expressions, symbolic details, quiet emotions, the kind of art that makes you stop scrolling for a second longer.
What makes this interesting to me is intention.
Dima was already exploring themes around AI, ownership, and artistic identity before most NFT projects started talking about them. So
@thebeaksart doesn’t feel like a trend play.
It feels like a long built artistic universe finally opening its doors.
And honestly, that difference is hard to fake in this space.
ALT Most NFT collections launch with hype.
The Beaks feels different.
Dima Kashtalyan @DKashtalyan spent 20 years building a visual language through murals, editorial illustration, and pointillism detailed enough to feel instantly recognizable. His work appeared in The New York Times, Harper’s, MIT Tech Review, and galleries across Europe long before Web3.
Now that world is moving onchain.
1111 pieces. Not randomly generated characters, but surreal personalities that actually feel lived in. Strange expressions, symbolic details, quiet emotions, the kind of art that makes you stop scrolling for a second longer.
What makes this interesting to me is intention.
Dima was already exploring themes around AI, ownership, and artistic identity before most NFT projects started talking about them. So @thebeaksart doesn’t feel like a trend play.
It feels like a long built artistic universe finally opening its doors.
And honestly, that difference is hard to fake in this space.