M.Arch ’25 @columbiagsapp • Editor @rotepress • Alum @google • Y7 @newinc • NOIA 03 'States' out now ↴

Joined May 2007
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OUT NOW → INDEX—2 'Free' on @rotepressrote.press → 2nd issue of a print publication I started w/ @oiligrivsotnas in 2020. Issue 2 explores what we observe as enabling, inhibiting, using, and defining the idea of ‘free’ and related qualities of living today.
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Notes on display methods from the 'Journal of Alternative Archives' mentioned in my piece 'Center for Archival Interpretation' in the latest NOIA magazine. ⁠ NOIA Magazine 03 ‘States’⁠ ISSN 3033-5000⁠ Spring 2024⁠ ⁠ instagram.com/noia.magazine/ noiamagazine.myshopify.com/p…
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Happy to share that my article ‘Center for Archival Interpretation’ featuring research developed during @ColumbiaGSAPP summer workshop ‘Un-Archiving LA’ with Felicity D. Scott and Mark Wasiuta, has been published in UK/Italy magazine NOIA 03 ‘States’ instagram.com/noia.magazine/
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Starting today, March 14-25 → Excited to have a new video piece included in this year's @culturehub_org Re-Fest, amongst over 100 other artists. Details, full schedule → culturehub.org/re-fest-2022 #culturehub #singlechannelvideo #mediaart
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Andrew Chee retweeted
10 Mar 2022
We’re proud to partner with @culturehub_org again this year to support their annual festival, Re-Fest, which brings artists, activists, and technologists together to explore our role in reshaping the future.
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why is Android now looking like a chic, Swedish soft minimalist cafe and iOS looking like the kitchen junk drawer
“The long-running battle between #civic and #commercial interests for #control of #city streets and their #surfaces” ⟶ placesjournal.org/article/th… by @sam_holler for @placesjournal ⟶ 19th century London to Litfaßsäule to LinkNYC ⟶ subversion via #graffiti and its reappropriation
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"As we look ahead to building new institutions, [Annette Michelson’s essay, April 1975] offers a valuable model for how to see the big picture that will ultimately frame any and all of those exhibited inside of it." ⟶ artforum.com/print/197504/be… ⟶ “The #Museum Now” via @Artforum
'XX, XY' by #type designer Marie Boulanger @mariedansparis of @byMonotype "explores how #typography perpetuates #gender stereotypes" ⟶ via @dezeen dezeen.com/2021/08/05/xx-xy-…marie-boulanger.com/xx-xy-1 via @ecvfrance ⟶ via @typecon
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"[…] by working from the ground up, […] starting with the basic tool of #type, […] designers [across the #gender spectrum] can begin to dislodge the binary" ⟶ eyeondesign.aiga.org/the-wom… by Madeleine Morley for @AIGAdesign ⟳ 2016

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"The history of public #pools in #NewYork traces a reciprocal relationship between architectural invention and policymaking" ⟶ urbanomnibus.net/2021/07/swi… public-pools.com "Swim Lessons" by Karolina Czeczek of only-if.com @YaleSoA ⟶ @UrbanOmnibus #urbanism
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Earlier this/last year, Virgilio Santos @threepress and I wrote & designed what started as a zine, then became a 510 pg book, now on slanted.de/index/ @slanted_blog ⟶ INDEX—1 'FLAT' explores what we observe as the flattening, flatness, and related qualities of living today
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"What is an image w/ no limits on spatial, temporal, energy, signal/noise or cost resolutions?" ⟶ BLOB of Im/Possible Images newart.city/show/menkman-blo… beyondresolution.info/IM-POS… by @_menkman at @ArtsAtCERN commissioned by @HeK_Basel ⟶ @new_art_city from @rhizome w/ @NEWINC
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Exploring boundaries b/t "chaos and control" (my team) ⟶ "William Jacobson: A Thesis on Generative Written Language" by williamjacobson.se at @RCA via @followrietveld ⟶ itsnicethat.com/articles/wil… from @itsnicethat re: #generative #language #typography #design w/ @runwayml
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What would it mean to #design with, for, and amongst #hyperobjects? Re: this article by Morgan Meis for @NewYorker w/ @the_eco_thought ⟶ "Timothy Morton’s Hyper-Pandemic" newyorker.com/culture/person… #pandemic #climate #ecology
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Andrew Chee retweeted
When Sun Ra declared "It's after the end of the world," he didn't mean to doomsay, he meant to get us to question worldliness and/whose world this and whose has ended if every attempt at ruin fails to kill the sun, the primordial life force. It was a statement of total optimism.
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Artifacts as performance within a set of constraints ⟶ "Instead of specifying a composition from the top down, he created conditions by which interesting sounds could be made in a real-time, bottom-up process" @geetadayal re: David Tudor via @4_columns4columns.org/dayal-geeta/rem…
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