.@helenabfoulkes wins overwhelming endorsement from Democratic Town Committee in @govdanmckee’s hometown of Cumberland

#CDTVライブライブ NCT WISH出演ありがとうございました💚🎤 #CDTV_届けWISHの愛 「Ode to Love」日本初披露いかがでしたか？🪽 📺TVerで見逃し配信中！ tver.jp/episodes/epdh15bizw @TBSCDTV #NCTWISH #OdetoLove #NCTWISH_OdetoLove #NCT_10TH_ANNIVERSARY

Hate it or love it but it’s real either way and your late ⏰ now Everyone keeps asking so here you go ( yes holders can play the beta NOW ) What Chris Has Actually Built (Plain English) This is not a metaverse. This is not land sales. This is not “play to earn”. And it’s definitely not a 50GB download nobody installs. This is a web-native game universe that runs instantly in your browser phone, desktop, tablet no installs, no friction. You click a link. You’re playing. 🔷 The Big Idea Build one beautiful, addictive, art-driven game that pulls people in then quietly connects them to a bigger universe where progress actually carries over. No hard sell. No bait. No scammy economics. 🔷 How It Works 1. The Gateway Game (The Hook) The first thing you experience is a standalone game: •High-quality art •Strong music atmosphere •Tight, skill-based gameplay •Designed to feel good, not extract money You don’t need to know anything about Web3 to enjoy it. This is intentional. ⸻ 2. Zero-Friction Web Gaming (Why This Matters) •No downloads •No app store •No account creation just to “try it” It runs directly in the browser using modern WebGL/WebAssembly tech. Same reason games like Vampire Survivors and viral web games explode: If it’s fun and instant, people play. ⸻ 3. Nodes (This Is the Clever Part) Each game or mode is its own website. When you walk through a portal in-game, you ➡️ literally move to a new URL ➡️ that loads a new game or experience ➡️ but your progress and items follow you So instead of one bloated game file, it’s a network of connected games. This means: •Infinite expansion •No bloated updates •New genres can plug in easily ⸻ 4. Items Actually Mean Something Example: •You earn a companion (like an Oogie) In different games it becomes: •A pet following you in a platformer •A healer card in a card game •A modifier in a future RPG The value isn’t scarcity. The value is utility across the universe. That’s the opposite of most NFT projects. ⸻ 5. The Economy (No Land. No Ponzi.) There is: •❌ No virtual land sales •❌ No promise of guaranteed yield •❌ No forcing players to grind for tokens Instead: •Items are useful because they work in multiple places •Creators can build new game nodes •Revenue is automatically split via smart contracts (e.g. 70/30) Good content gets rewarded because people actually play it, not because hype says so. ⸻ Why This Isn’t Another Failed Web3 Game Chris explicitly built this to avoid past failures: Avoided on purpose: •Decentraland / Sandbox ghost towns •Play-to-earn clones with bad gameplay •Metaverse buzzwords before fun existed Inspired by what actually worked: •Journey / Gris → emotional art sells •Neon White / Sonic → flow and momentum •Vampire Survivors → simple addictive beats graphics ⸻ Marketing Strategy (Also Important) No mass ads. No fake hype campaigns. Instead: •Short looping music visual clips •Shareable, vibey, ambient game footage •Stuff you’d leave on in the background on a TV If it looks cool and feels good, it markets itself. ⸻ Why This Matters for the Community This isn’t trust us, number go up This is: •Build something people genuinely enjoy •Let the ecosystem grow naturally •Let value come from usage, not speculation If the games aren’t fun → nothing else matters. So fun comes first. That’s the core difference. ⸻ Final Reality Check If you’re here for: •Quick flips •Floor watching •Token pumping This isn’t for you. If you’re here for: •Long-term creativity •Real games •Art mechanics that respect players This is exactly that. Chris didn’t build a pitch. He built infrastructure that actually works. And that’s why it’s worth paying attention.