🧵 While We Wait for HS4… Louis Shows Up on the Street
Back when part of the fandom speculated about the number 21082025 printed on Pleasing forms, interpreting it as a possible release date for HS4, other signs pointed to a slower timeline:
🔮 HS4 might arrive in 2026 or even 2027, aligned with the return of Glastonbury, where Harry is rumored to be a potential headliner.
The album is said to be in progress, with sessions in Berlin and collaborators like Florence Welch, HAIM, Olivia Dean, and Fred Again. Everything suggests a carefully crafted, global, artistic return.
Meanwhile, Louis shows up on the street.
📍 Dalston, London. Kingsland Road.
📸 In front of a salon called Chez Rose, surrounded by wigs, posters that say “Today’s Girl”, and an atmosphere of community, memory, and transformation.
His outfit: a Martine Rose polo, a London brand that celebrates the marginal, the real, the urban.
The name overlap doesn’t seem accidental: Chez Rose and Martine Rose share a vision.
🌹 Femininity as power.
🌹 The everyday as art.
🌹 The unannounced as a statement.
Louis isn’t on a runway. He’s on the street.
No press release. No date.
Just an image that says: “I’m here. I’m watching. I’m creating.”
While Harry might be preparing his return for 2027, with HS4 and a possible Glastonbury coronation, Louis shows up unannounced, offstage, in the middle of the street.
🎭 One projects global impact; the other cultivates local intimacy.
And while we wait, Louis reminds us: not everything that matters comes printed on a receipt.
Some things simply show up.
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