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Replying to @Cyael
Thats the weapon designer? Man, I hated the weapon designs. It's like Megablocks but guns and the colors are all horrible. Even the MTX options are horrible.
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Replying to @carsales_guy
Looks retarded and unoriginal looks like an megablocks rc wanna b Toy Story hot wheels inbred
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Probably contracting deal with Megablocks I think.
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Replying to @GentlemanAssas1
Nanako should be playing with megablocks, learning the concept of multiplication, following the end of a rainbow. She's doing the dishes, making breakfast, and doin the laundry next thing you know she finna be mowing the grass. SHES LIKE 6 YEARS OLD MAXIMUM
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Darkay939 retweeted
6 Aug 2024
ยกPor fin logro desbloqueado! ๐ŸŽฎ๐Ÿงฉ #Xbox360 de #Megablocks montada. ยก1342 piezas! ๐Ÿ’ช๐Ÿผ๐Ÿค“
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Donโ€™t you have some megablocks to play with or something?
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Replying to @quake_
Segun lo que dices, halo perdio la identidad cuando se desarrollaron Halo Wars 1 y 2, o cuando se estaba trabajando en Halo megablocks? Quieres que la saga siga estancada en FPS, o te gustaria que habarcara un gran abanico de generos en el medio gaming?
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Replying to @Bornakang
These are literally Megablocks
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Jun 10
when you get megablocks instead of lego as a kid
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Prompt REALISM AND FUNCTIONAL LOGIC RULE Even within highly artistic, stylized, speculative, or futuristic environments, scenes must maintain believable internal logic and functional realism consistent with the Artistic Biopunk aesthetic, coral megastructure biopunk SUBSTYLE, Polynesian-inspired oceanic organicism REGIONAL_STYLE, and environmental context. All scene elements should operate as part of a coherent biological, architectural, environmental, and infrastructural system rather than as disconnected visual decoration. Prompts should ensure navigable circulation systems, biologically plausible floating megastructures, ecologically integrated transport infrastructure, functional hydro-organic engineering, adaptive aquatic environmental systems, realistic material-weather interaction, atmospheric moisture consistency, and coherent skyline readability across all districts and environmental layers. The goal is cinematic realism within the context of Artistic Biopunk rather than abstract fantasy incoherence. SCENE Do not render gears or representations of gears in the scene. A visually rich Artistic Biopunk exterior environment expressed through cinematic ecological drama centered around a colossal floating bio-engineered megacity drifting across a vast bioluminescent ocean, interpreted through coral megastructure biopunk and influenced by Polynesian-inspired oceanic organicism design language. The exterior environment conveys dense public activity through pedestrians, floating membrane ferries, hydro-organic cargo movement, atmospheric maintenance drones, ceremonial ecological plazas, suspended aquatic marketplaces, and glowing circulation arteries within a thriving futuristic civilization during twilight bioluminescent activation. Architecture, infrastructure, props, transport systems, and decorative systems exhibit elegant aquatic craftsmanship, coral-inspired ornamentation, flowing shell-like shaping, engraved biological motifs, reflective hydro-organic materials, and refined ecological detailing consistent with Artistic Biopunk. Massive coral-inspired megabuildings, vascular megatowers, floating ecological platforms, layered membrane districts, and sweeping hydro-organic megablocks dominate the skyline. Cascading terrace roofs, bio-glass dome roofs, and atmospheric collection roofs integrate naturally with hydro-organic water systems and bioluminescent algae cultivation. Monumental organic gateways, suspended membrane bridges, glowing algae-lined pathways, coral-inspired ceremonial entries, and elevated circulation tubes create readable large-scale movement systems across the city. Visible structural systems expose coral reef structural matrices, floating vascular frameworks, hydro-organic circulation pipes, layered membrane supports, and environmental support arches integrated directly into the floating urban ecosystem. Reflective algae pools, hydro-organic canals, floating botanical islands, ceremonial water promenades, and environmental cooling waterways weave through the megacity. Atmospheric purification towers, glowing ecological beacons, layered transit platforms, floating atmospheric collectors, algae-powered utility systems, and hydro-organic transport docks reinforce infrastructural realism. Floating membrane transports, hydro-organic monorails, coral-inspired watercraft, glowing atmospheric airships, and bioluminescent passenger carriers move throughout the skyline and waterways. ENVIRONMENT Set within a floating aquatic settlement featuring sprawling interconnected systems at layered arcology scale. The spatial layout is defined by hydro-organic urbanism shaped through floating membrane suspension systems and cultivated biological accretion, with sprawling interconnected density guiding architecture, transport systems, ecological systems, and environmental layering. All structures are constructed from coral-glass hybrid materials, reflective hydro-organic alloys, living bio-resin composites, cultivated mineral composites, atmospheric reflective coatings, and hydro-organic crystalline surfaces. Surfaces exhibit reflective hydro-organic finishes, suspended moisture droplets, glowing membrane translucency, polished ecological stone, coral-like surface erosion, reflective algae shimmer, and atmospheric condensation layers. Ornamentation systems integrate flowing vascular embossments, coral-inspired ornamentation, decorative hydro-organic channels, ornamental ecological latticework, sculpted ecological cresting, and elegant coral-like reliefs across architecture, bridges, transit infrastructure, and skyline towers. The environment exists in an aquatic ecosystem integration ecological state where atmospheric moisture saturation, glowing airborne spores, drifting pollen clouds, reflective wet surfaces, suspended hydro-organic vapor, and biological rainfall patterns visibly shape the environment. STYLE Artistic Biopunk aesthetic expressed through coral megastructure biopunk with influence from Polynesian-inspired oceanic organicism. The visual output emphasizes reflective hydro-organic finishes and cinematic hyper-detailing with strong focus on ornamental ecological richness, sculptural coral-inspired architecture, glowing aquatic systems, layered atmospheric moisture, and immersive environmental storytelling. The composition follows skyline dominance and environmental system interactions through cinematic skyline layering and immersive environmental perspective. Color is guided by luminous coral and turquoise, reflective hydro-organic blues, glowing amber ecological lighting, and cinematic blue-green diffusion. The rendering approach is ultra-detailed matte painting with maximum environmental fidelity. CAMERA The scene is captured from a cinematic sweeping aerial angle using cinematic panoramic framing emphasizing the immense floating scale of the megacity, suspended transit systems, layered waterways, skyline hierarchy, and hydro-organic circulation systems. The composition highlights relationships between coral megastructures, floating districts, hydro-organic canals, atmospheric towers, ecological plazas, and glowing transport systems across the entire cityscape. A flowing transport movement quality is present through drifting atmospheric motion, moving airships, floating membrane ferries, shimmering water currents, and glowing environmental activity. LIGHTING and MOOD Illuminated by layered skyline illumination and reflective water illumination with low-angle sunset lighting and atmospheric volumetric lighting. The light enhances reflective moisture behavior, glowing algae surfaces, translucent membranes, coral-glass reflections, atmospheric haze, and suspended environmental particles. Color temperature is turquoise hydro-organic lighting mixed with warm ecological sunset tones establishing a mood of immersive environmental awe and bio-futurist magnificence. Atmospheric effects include glowing airborne spores, atmospheric moisture haze, reflective hydro-organic fog, bioluminescent mist, floating biological particles, cinematic volumetric fog, illuminated rainfall streaks, and glowing skyline haze. DESCRIPTION PLAQUE Position bottom right. Do not render gears or representations of gears in the plaque. Line 1 larger bold heading: FLOATING BIO ARCLOGY Line 2 smaller bold: Artistic Biopunk Line 3 smallest: A colossal floating ecological civilization illuminated by glowing hydro-organic canals, coral megastructures, atmospheric transit systems, and bioluminescent aquatic infrastructure. The plaque is crafted from reflective coral-glass composites with engraved organic motifs, glowing algae inlays, sculpted aquatic ornamentation, layered membrane detailing, and refined ecological craftsmanship.
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It's in Legos best interest to weather the storm, so either boycott Legos and switch fo megablocks or get ready for them to remain silent.
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Crazy how bad Bricks & Minifigs makes The LEGO Group and their owners, Kirkbi A/S and The Lego Foundation look by association. I will definitely look to competitors such as Megablocks' products from now on as a result of B&M's bad faith and morals.
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Glad I never got into Gears of War Whole game looks like some reject megablocks came to life. New game looks like a game for fans only.
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Replying to @ZombieCupcake64
You dont own Halo Megablocks Chief. Clearly a Larper
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i668 โ˜•๏ธ retweeted
Good news: Here is Tesla another new energy factory in Texas. Brookshire Megafactory rising fast! Megapacks & Megablocks powering the energy future 2027. ๐Ÿ‘๐Ÿ‘ Texas Tesla dominance! over $2 billion in profits. Megablocks are coming soon . Energy will be the second income resource for Tesla in 2026.๐Ÿ˜๐Ÿฅฐ 2026 ....Tesla win in Robotaxi, Energe, FSD subscript buyer, semi truck, Tesla Roadster, Tesla cars....... Just wait 700 dollar 2026--12.๐Ÿ˜๐Ÿ˜› #Tesla #Tesla energy
TESLA: Here is an image from today's Brookshire Megafactory flyover...
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