dekh zindāñ se pare rañg-e-chaman josh-e-bahār raqs karnā hai to phir paañv kī zanjīr na dekh #shair #Majrooh

Dekh zindaa'n se pare rang - e - chaman josh - e - bahaar Raqs karna hai to phir paa'nv ki zanjeer na dekh #shair #MajroohSultanpuri @shairoftheday

10: she knows how to do various kinds of dances! Those being: Ballet Jazz Tango Salsa Waltz Capoeira Flamenco Raqs Baladi / Belly Dance

All she did was steal raqs sharqi and stripped it of its Egyptian essence. She had no right to do that and now other places around the world claim it as their own 😡😡😡😡😡

Raqs the real monster here for sure

Its clear the writers intentionally blurred lines between Kanans flaws and Raqs toxic upbringing

Antique Seraphim Raqs Sharqi 🩶🐱💙

QT your Belly Dancer! Prompt: A 29-year-old Egyptian woman of Sa’idi and Cairene heritage, 168 cm tall, performing a traditional raqs sharqi solo inside a restored early-20th-century music hall in Cairo. She has medium-width shoulders, a naturally full C-cup bust positioned proportionally on the upper torso, a softly defined waist, a pronounced hip-to-waist differential, rounded gluteal volume, strong full thighs developed through dance, toned arms, long balanced legs, and a soft hourglass build capable of controlled isolations and sustained rotational movement. Her face is a long oval with softly projected cheekbones and a narrow but rounded jawline. She has large dark-brown almond-shaped eyes with double lids and slightly lifted outer corners, dense black eyebrows following a low natural arch, a medium-height straight nose bridge with a rounded tip, and defined lips with a fuller lower lip in a muted rose-brown natural tone. Her skin is medium olive-brown with warm golden undertones, visible pores around the nose and upper cheeks, faint expression lines beside the eyes, and a small beauty mark beneath the left cheekbone. Her black 2C wavy hair reaches 55 cm below the crown, arranged in a center-parted half-up style with the remaining lengths moving freely behind her shoulders. She wears a professionally constructed two-piece dance costume. The upper garment is a structured, long-sleeved cropped bodice made from deep garnet stretch velvet over a breathable cotton lining, fitted firmly at the shoulders, chest, and underbust. Curved princess seams shape the front, while concealed hook-and-eye closures run along the center back. Dense antique-brass beadwork follows the neckline, cuffs, and underbust seam without exposing excessive skin. The lower garment is a high-waisted circular skirt in layered garnet silk chiffon over an opaque satin underskirt, secured with an internal grosgrain waistband and side zipper. The skirt falls to the ankles and opens through controlled overlapping panels that reveal movement without exposing the upper legs. A coin-trimmed hip belt in aged brass sits firmly over the waistband, its chains responding independently to each hip accent. She is barefoot, with the soles showing slight dust from the wooden stage. Accessories include two 65 mm hammered-brass hoop earrings, six narrow brass bangles divided between both wrists, and a short collar necklace composed of linked geometric plaques. Her right hand holds the edge of a translucent burgundy veil while her left arm curves outward at shoulder height. Her weight rests on the ball of her left foot; the right heel is lifted as her pelvis completes a controlled horizontal figure-eight. Her torso remains vertically stable while her rib cage shifts subtly in the opposite direction. Her head turns three-quarters toward the musicians, eyes focused past the camera, lips parted slightly with the concentrated expression of a performer listening for a precise rhythmic change. The setting is an intimate interior music hall with carved dark-wood balconies, faded cream plaster, patterned tile borders, brass wall lamps, and a small ensemble seated behind her with oud, qanun, violin, and darbuka. In the foreground, the blurred edge of a low mosaic table and a brass tea tray frame the lower image. The dancer occupies the midground on a worn honey-colored wooden floor. The musicians and layered balconies recede into the background, remaining identifiable but subordinate. A large diffused tungsten source enters from the upper left, creating soft modeling across her face, bodice, and raised arm. Warm practical lamps add small pools of amber light behind her, while a weak cool fill from a high side window separates the dark hair from the background. Shadows fall softly toward the lower right. Brass coins, beads, and bangles catch narrow moving highlights, while the velvet absorbs most direct reflection. Mood: concentrated celebration. The room feels suspended between disciplined performance and communal memory, as though the audience has become silent during the most technically controlled passage of the dance. Photographed in the visual language of Paolo Roversi using a medium-format Phase One camera with an 80 mm lens at f/4, shallow but controlled depth of field, 4:5 vertical aspect ratio, restrained grain, softened highlight roll-off, warm amber and garnet color grading, realistic fabric motion, accurate hand anatomy, no text, no logo, no watermark, no duplicated jewelry, no extra fingers, and no orientalist fantasy architecture. @RickiLe52603915 @t2ill9 @88breess #Promptshare #AIart️️️️️️️️️️️️️️️️️️️️️️️️️️️️️️️️️️️️️️️️️️️️️️️️️️️

Pichle 3 4 sal se in jaison ki tadat main tezi se izafah hua hai podcast main Kisi KO bhi bitha Kar interview lene lag Jaate hai ab koi or Nahi milta Tou raqs Karne wali raqasa KO invite Kar lete Jo Alhumdulillah Masha Allah bol Kar apni kamayee halal Karne Ki tips deti hain

Regardless of what works in the drug game bro, he's still a child. MEANING his reasoning for doing stuff can be expected to be a little rash, and not fully thought out. Its all raqs fault, she seemingly tried to steer him to go to school but she didnt try hard enough

350kg, 95% muscle, brooklynite, three-way vein on three-way inches, racks on raqs #pacers

⎐كُـود⎐كوبِون⎐خـِصم⎐ ⎐ايهرب⊴ ايهيرب⎐ ⊵GCA5893⊴ ⎐نون⎐ ⊵S3Q⊴ ⎐نمشي⎐ ⊵AABN⊴ ⎐ليـفل▬ شـوز ▬لفيل▬ ⊵AAA127⊴ ⎐بلومنغديلز▬بلومينغديلز⎐ ⊵SAR⊴ كارديال A004 ⎐ريف للعطوور⎐ ⊵A004⊴ *** any where rAqS

Menh that boy dead inside.😂🔥 See the disappointment on raqs face she fought her whole life to make sure the boy stays with him but it didn't work 😂

مساج في جدة الرياض منزلي فندقي Raqs

He’s raqs bodyguard he was protecting her from kanan and Lou wasn’t gonna let him kill kanan

I see your point about Kanans actions being despicable and Howard and Raqs pain is heartbreaking somehow

You act like he knew it was Lou he was shooting at, it could’ve been anybody. He didn’t know until after he shot. And I honestly don’t expect him to cry with all the shit that’s happened around him. Damn sure wouldn’t expect him to feel sad for Raqs hurt feelings. But he’s def-

All this shii is raqs fault bruh lol