I wrote about meeting Sophia the robot at Melbourne’s new National Communication Museum, as well as data surveillance and exhibitions in the age of the selfie (with a little help from Byung-Chul Han) @memoreviewmemoreview.net/reviews/hyper…
The good folks at @memoreview have made my summer conversation with David Velasco available online. Seems like as timely a moment as ever to think about boycotts, solidarity and "protocol." memoreview.net/magazine/issu…
TONIGHT
Celebrate the Naarm/Melbourne launch of Memo’s first glossy annual magazine.
Friday, 24 November, 6–8 PM
Fitzroy Town Hall
The Reading Room
201 Napier St, Fitzroy
Naarm Melbourne
Open Bar
🟢 0 DAYS
LAST DAY ON THE MEMO FUNDRAISER
We are holding a thank you drinks / Matildas screening tonight to celebrate (almost) meeting our goal of 20k
Help us over the line tonight: Wednesday, 16 August, 6–8pm at The Alderman in Brunswick East.
artists.australianculturalfu…
SYD // JUNE MISKELL connects with ALI TAHAYORI's 'Impossible Desire' at Knulp 🤼♂️
The author approaches the artist in the gallery, sharing intimate information about the video work being screened out into the street.
memoreview.net/reviews/impos…
MELB // @gilesfielke wants to know who's running this shit? 🥂
Continuing the MeMO tradition of supporting artists while dragging the institution, GILES FIELKE looks at OLANA JANFA's 'What Is Your Gov'ment Name', and a photography showcase @Library_Vicmemoreview.net/reviews/what-…
MELB // SCOTT MCLATCHIE confirms the Incinerator Gallery as Naarm's premier site for goth art:
"The gallery is a graveyard."
READ their review 'In the Ruins I See the Future', curated by JAKE TREACY.
memoreview.net/reviews/in-th…
SYD // Feel TOYAH WEBB getting hooked on AMBER BOARDMAN's exhibition 'Dude', full of knuckle dusters and engagement rings.
memoreview.net/reviews/amber…
SYD // Feel TOYAH WEBB getting hooked on AMBER BOARDMAN's exhibition 'Dude', full of knuckle dusters and engagement rings.
memoreview.net/reviews/amber…
MELB// EMILY KOSTOS writes about the growing fascination with dance artist and "mythical Miranda figure", PHILIPPA CULLEN (1950-1975)
What made this short life so extraordinary?
memoreview.net/reviews/danci…
Memo goes brrrr 🟢
Did you read @_DeclanFry's gorgeous review on 'Octopus 23: The Field'?
Memo Editor @tristenharwood commissions First Nations writers to review 10 exhibitions each year
Make a tax deductible donation to us to keep our critical reviews INDEPENDENT
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Memo goes brrrr 🟢
Where do you see reviews like Rex Butler and Paris Lettau's on Michael Zavros, 'Pistol grip (Ben Roberts-Smith VC)', 2014?
Only on Memo!
Make a tax deductible donation to us to keep our critical reviews INDEPENDENT.
artists.australianculturalfu…