"Rain Blooms: Worlds Emerging from Computation" Solo by @KZ_LAB_E Generative visuals emerging from cellular automata, in digital & physical form 🔊 Sound on. The audio is generative, too. artblocks.io/collection/rain… May 15 – 31 | NEORT 🎉 Reception: May 15 luma.com/c2yeehwt 🎨@artblocks_io release: May 22, 0:00 JST two.neort.io/exhibitions/rai…

The most interesting things often happen in doorways, along boundaries, in those moments where paths meet and overlap. “In the Flux of Us: The Art of Algorithms” reimagines the entrance space and screens of the New Taipei City (@NewTaipeiGov) Art Museum (NTCAM) — a threshold between arrival and departure, once only a passage — as a space meant not only to be passed through, but inhabited. Here, meaning begins to unfold. (1/7) #exhibition #art

本週五是新北市立美術館成立一年的館慶，植徑集獲邀展出；我特別喜歡這一次跟民眾的互動方式，如果你在台灣請務必來拜訪

Developing a project for women × coding × art in Taiwan — looking for insights and experiences! This project aims to build a supportive community for women in Taiwan working with creative coding — through learning, sharing, and collective growth — while also opening pathways to international exchange I’d love to hear from you if you: - Have experience with code art programs or communities - Know relevant organizations or resources and are open to making international connections - Want to get involved, support, or share any advice (Currently in the research phase — any info, experience, or advice is deeply appreciated 🙏) A small personal note: I’m quite introverted by nature, but I’m sharing this in hopes of reaching more people who might resonate with or support this project I’m applying for a government program with plans for an international visit in 2026 Regardless of the outcome, I’ll continue working on this — even if it means moving a bit more slowly

@xuedao_tw XueDAO 是台湾规模最大的学生主导 Web3 开发者社区，向世界展示台湾学生能够构建的成果。 XueDAO 的目标是把「华语学生的学习动能」转化为「长期可复用的公共教育资产」，并建立跨城、跨校、可持续的建设者网络。其核心定位是非营利、开源与教育公共物品，因此主要产出（教材、录播、知识库、Hackathon 项目）将会 100% 开源，免费提供华语学生与开发者使用。

fxhash is getting an upgrade ✨ we're so excited to share this first look at our major website enhancement with you! over the next few weeks, we'll dive into details around the changes, of which there are many. the driving force around everything has been clear: make it simple 🎯 simpler to discover art, simpler to launch and invest in art coins, simpler to collect great pieces huge thanks to our entire community, all the artists and collectors who shared feedback on the outgoing site. you shaped this enhancement every step of the way 🙇‍♂️ this new design focuses on the ART - an infinite scroll homepage that prioritizes art previews and fully integrates alternate views (secondary, market activity, etc) - collection pages go big on displaying artworks front and center to create an immersive gallery experience - art coins get their own page to easily grab important coin metrics at a glance - cleaner artist profiles showcasing entire career portfolios - streamlined navigation that gets you where you need to go faster improved search & filtering to find exactly what you're looking for - ...plus dozens of quality-of-life improvements throughout these are big changes that elevate the fxhash experience for artists and collectors alike, while also streamlining the use of art coins and integrating them more naturally within the fxhash ecosystem. we're now integrating these designs piece by piece, replacing pages on the existing site. the complete migration will take place over the coming weeks ♻️ follow along as we ship updates, and let us know what you think! $fxh

"Star Atlas 9-12" by @PeiliHuang on @objktcom objkt.com/tokens/KT1JADsCaBy… Still many others~~~

【渋谷から原宿へ、CCBTが新たなまちで再始動】 2022年10月の渋谷での開所以来、アーティスト、デザイナー、研究者、技術者など、多様な専門性や視点をもつプレイヤーが集う場を創出し、人々との共創を通じて、都市・東京を舞台に様々な創造的実験を行ってきました。 原宿への移転を機に、これまで以上に活動を地域へ、そして世界へと展開することを目指し、新たにスタートします。 ⚠️移転に伴い2025年12月1日（月）～2025年12月12日（金）まで休館します。 #ccbt #ccbttokyo

今日からIori Iwaki @ioriiwaki の個展"天啓と執着"を NEORT で開催してます。 モーショングラフィックスを自身の作品としてつくる作家の展覧会。 10/26まで。

I’ve developed a small tool that not only includes an ink-spray brush system but also records all the drawing data during creation. When replayed, it can either use the original seed or generate a new random one. Since the playback follows the same path, the results look similar, yet never identical. Maybe this could be the beginning of a new kind of work.

TaipeiArtWeek ｜Polypaths

White Rabbit just became the first crypto project to win an Emmy imagine telling 2021 CT that in a few years our producers and ETH would get a shoutout on stage at the Emmys u wouldn't believe us "૮₍ ˶•⤙•˶ ₎ა

「身體性」

we are all instances of the same algorithm, different in colour and rhythm, different in taste and context. But same wishes, same dreams, same needs, same nature.

2⃣days until DIGITAL SPRINGBOARD Vol.3 by @tokyonodelab & @neort_io 🗓️Display starts Oct 13 at Toranomon Hills Station TOKYO NODE signage "Actor Network" - exploring connections between people, technology & urban spaces 🎉 @seohyowork @Asahamiz1 @yuta_0_p5 @unacceptablee2

Kitasenju Design and the parameters @kitasenjudesign

Thank you to everyone who joined us for the vernissage of “Temple and Kitchen” last Friday. Huge thanks to the three artist duos Albrecht/Wilke, Marlene Zoë Burz & Manuel Kirsch and Grapebattleships for their beautiful and humorous works, and to Linhan Yu for the inspiring concept and curation. On view until October 25! Temple and Kitchen Albrecht/Wilke, Marlene Zoë Burz & Manuel Kirsch, Grapebattleships October 11 – 25, 2025 Mariannenstrasse 33, 10999 Berlin Curated by Linhan Yu - #albrechtwilke #marlenezoeburz #manuelkirsch #grapebattleships #galeriemet

One month ago, A LIVING POEM came to life at @MuseumModernArt. Since then, this poem-in-residence has rewritten itself hundreds of times and counting — an infinite performance evolving word by word, moment by moment. It’s still surreal to think of this extension of self living in the Gund Lobby — an algorithmic bard composed to embody and excavate, in ways both deceptively simple and unexpectedly complex, my own existential anxieties as well as the urgent, subversive hopes of our moment: an age of nonhuman intelligences, dehumanizing realities, and transformative possibilities. It’s been a joy to witness the work’s evolution through the eyes and ears of museum visitors — from those who’ve come seeking poetic reflection to those who’ve stumbled upon it by chance and stayed to listen, linger, and ponder the arrival of a more-than-human voice in one of the world’s great spaces for human imagination and expression. Thank you for sharing your time, energy, attention, experiences, heartfelt readings, intriguing questions, provocative challenges, ekphrastic responses, and of course the many great photos and videos, some of which I’m sharing here. @technelegy and I are so grateful. 💚 And there is so much more to come…

ｉｎｔｅｒｅｓｔｉｎｇ！