a weird general rule in urbanism is that the more aesthetic choice often delivers some enormous public benefit narrow lane widths are not just picturesque; they're also associated with FAR LOWER pedestrian fatality rates

📢 Only a few places left for our 2026 Urban Design & Architecture Summer School! Starting on 10 July, our intensive residential course in Sherborne offers a practical introduction to designing beautiful, sustainable and popular places createstreetsfoundation.org.… @ADAMarchitectur

Cottage Rows 🏡 Do you recognise this place?

Hello, we are Jonathan and Abigail - unashamed pedants who want to bring this affliction to bear on all things public policy and practice. We believe that details matter, especially in public administration. This is why today we are founding quibble: a campaign to fix the small stuff. Think, for example, about the cookie banner that we click on every webpage. Each instance is not a big deal, so we just put up with it. But its cumulative impact adds up - on average we press it 5 times per day. The European Commission estimates that it costs EU citizens 343 million hours per year. And who is there to represent the impacts of seemingly minor issues like this in a systematic way? We want quibble to be the answer. In the case of the cookie banner, lots of advocacy has rightly focused on privacy, but has this meant that user experience has taken a backseat? We believe there are ways to improve user experience without compromising on privacy. We will share more about this soon. Consider another example. Did you know that in some government-run car parks you can be fined for a minor keying error, such as accidentally typing a zero instead of an “o”? Again, we will come to the detail of this quibble in the coming weeks, but for now just consider again the question: who? Who is there currently to systematically represent the interests of the parker who is given an unfair ticket? An inherent feature of consumer interests is that those who have them rarely have enough other things in common to make collective organisation and representation feasible. This is the gap that quibble seeks to fill. Now of course excellent consumer interest groups exist. But understandably quibbles might not be at the top of their lists. Our hope is that quibble will be complementary; picking up the bottom-of-the-list issues faced by various groups - the stuff they are almost too embarrassed to raise because they are too small. We are not embarrassed about detail. If you’ve ever had a splinter, you know small things can have a big impact. This is what quibble is committed to tackling, and our wider hope is that by doing so we will also incentivise policy makers to be even more careful about detail. Check out our website here, including our first four campaigns: quibble.org.uk

📢 Only a few places left for our 2026 Urban Design & Architecture Summer School! Starting on 10 July, our intensive residential course in Sherborne offers a practical introduction to designing beautiful, sustainable and popular places createstreetsfoundation.org.… @ADAMarchitectur

The modal split in Oslo is approximately 31% public transport, 30% walking, 29% driving and 6-7% cycling. In the inner core, cars drop to 18%.

You walk around Rogers Park for the day and it’s like huh… I guess they really did aesthetically perfect moderate density apartments…

This, as you can see, is the greatest map in the history of the world. At Manchester Victoria station.

Tyler and I just published a list of the recipients of the New Aesthetics grants: newaesthetics.art/grants. Thank you very much to all who applied. There were far more applications than we expected. We funded 28 grantees and are excited to see what they create. My reflections on the whole thing: • Though there are clearly selection dynamics afoot, figuring out some route beyond the current aesthetic moment seems to be of wider interest in the art community than I would have guessed. Many applicants described their dissatisfaction with the status quo, some in strong terms. We had to close applications after a few weeks because there were so many. • It's too early to call it, but it seems that both beauty as an unapologetic goal (contra much that is in modernist and contemporary approaches), and ways to channel pre-modern styles into something new for the present era, are of growing interest. • The awards made me reflect on the perhaps obvious issue of how hard it must be for an artist to persistently do something new: schools, galleries, buyers, etc., all have structurally embedded preferences as well. These individual awards made me wonder what form supporting new clusters could take. • Architecture seems to me like the discipline most ripe for new ideas. One correspondent observed: "American architects are somewhat constrained by the association with the academy, in addition to the well known regulation issues. There is a tendency to overthink things so that the designs are formally interesting to someone deep in the conversation, but lacking poetry and magic. There are more firms in Europe, South America and beyond that “just do things” (especially in places where it is easier to build)." This was evident in the submissions. • AI seems to be making people rethink things in a quite fundamental way, just as urbanization/industrialization/popularization of photography did at the end of the 19th century. For some that will mean interesting new forms of AI-augmented art, but the effects of the rethinking will likely be wider. • Arts funding is clearly as precarious and scarce as ever. That's unfortunate, but it probably also means that individual actors can have meaningful impact, and I encourage others to get involved if interested. • There's a lot to know that is not written down, and I'm very grateful to those who have helped and advised me along the way.

A gorgeous sunny view of the former Martins Bank building on Water Street ☀️ Liverpool’s architecture never ceases to amaze me.

The State™ needs to straight up ban ugly, garish shop fronts (first two pics) and force businesses to pick from a pattern book of traditional designs (second two pics). Sorry, libertarians.