The Longest Night at @bonhams1793 in London opens for minting on @fx_hash_ Monday February 3rd at 18:00 GMT 150ed 0.015 ETH Curated by @AlexEstorick and @nosuic 50% from primary sales will be donated to @CureParkinsonsT link below 🔗⬇️

gm, frens! Don't try to boil lessons down to one piece of advice. Or credit an outcome to one event. It's a combination, sequence, and clutter of things that we take for granted, are invisible, or seem unrelated. ARTWORK: Idem Locus #14 ARTIST: @Kitel87

Right — totally agree. AI isn’t singularly novel within the expanding world of digital art, and I really appreciate you engaging so thoughtfully here. It’s rare to have this kind of exchange 🙂 On generative art, there’s a ton of remarkable work out there. Personally, I love pieces like @zancan’s Monoliths, @toThePixel’s Busy, and @Kitel87’s Fields of the Abandoned Homeland. The main challenge, in my experience, is that when you show generative art to people outside the web3/crypto-art worlds, it can feel a bit too academic to immediately resonate. That’s not a criticism - I collect and admire the form myself - but it may limit its mainstream cultural reach for now. As for networked art, I think Spratt and the 6529 Memes project are pushing the most interesting boundaries in that space, in completely different ways. Both are carving out new conceptual terrain and I’m cheering both. I already have a few Memes, Spratt’s on my short list too… though the entry price is brutal 😂 But back to AI art and the “slop” concern: I actually see this as a transitional phase. It’s similar to what happened when everyone suddenly got a decent camera in their pocket. The early flood of low-quality content eventually gave way to a much higher standard as audiences became visually literate and creators pushed the medium forward. The same dynamic will play out here. The key difference in my eyes is that the best AI artists are already light years ahead of the noise. Take Alkan Avcıoğlu for example: he’s making his third appearance at Paris Photo next week, this time in collaboration with Edward Burtynsky, one of the most critically acclaimed photographers alive and a fixture at the Guggenheim, MoMA, and the Met. Artists of that caliber don’t collaborate with “slop”. Point being there’s no need to wait. There’s already *real* signal here if you’re willing to look closely. 😃

Some snaps from FEMGEN PARIS!✨❤️ Curated by @micolmicolmicol & @AlexEstorick Supported by @lerandomart, held at @ArtverseParis, sales at @fellowshiptrust Featuring conversations with: @herminebourdin, @coppergiloth, @monkantony_tez, @gretchenandrew, @Sko_hr & @MarleneCorbun

gm 🔴 LIMINA is an observation of the continuous cycle of emergence and disappearance. Light, shadow, and color gather into fleeting states, like breath, forming soft organic structures and dissolving them again. Monday 20th October, 10am ET for 24hrs (1:1 per Season Pass held) @trygamma 💕 After 24hrs, you will receive one more allocation if any mints remain. Special thanks to @PawelDudko for her continued support 💕

gm ⚫️ There is a blackout in Kyiv again

fields of the abandoned homeland #55 by @Kitel87 from @bitttygordon -> applied.tez

In 2022, RCS featured Ukrainian artists, spotlighting the @TheGivingBlock's Ukraine Emergency Respond Fund Mentions include: @BayBackner, @Kitel87, @melnitchenkosv, @LBukreyeva, @teryoshi, @Marina_Light, @voplividchau, @malka_napas, @CharmRaccoons rightclicksave.com/article/a…

GN 🇺🇦 Fields of the Abandoned Homeland #127 by @Kitel87 on @fx_hash_

Gm friends ☕️🌤️ An absolutely crazy week — seven secondary sales on @fx_hash_ ! Huge thanks to you @cspok_eth , @javaing , sooninlouvre.tez , Applied.tez and one more anonymous collector.

Fields of the Abandoned Homeland by @Kitel87 Plenty of gems still on @fx_hash_. Tezos or Base, XTZ or $fxh, the chain doesn’t matter. Good art does #13

After seeing the watercolors from a hundred years ago edge #51 by @Kitel87 , @harmonywrennn on @fx_hash_

gm 'Edge 120' by @harmonywrennn @Kitel87

I’m a big fan of @Kitel87 Fields of the Abandoned Homeland. It’s a generative collection about having to leave Ukraine at the start of the war.

Newly acquired “Edge # 100” by @harmonywrennn and @Kitel87

good morning!

WIP 17.04.25 Sun | Rain | Snow | Abstract

the Smith are unmatched. Watercolor on paper.

gn ⚫️ @fakewhale_xyz thanks for inviting me to ArtMarket again 🖤 open edition on @objktcom objkt.com/tokens/KT1Feeb2hAv…

Drawing from a rich background in fine art, @BrutalS81 creates works that merge traditional techniques with digital processes. Each piece holds a balance between the exact and the free. A moment of wonder where intention meets feeling. Happy birthday, Marco. Your work continues to move and inspire me🤗

🌙