Interesting to see other judges commenting on this controversy about a Circuit Court judge taking judicial notice of his own experience. This kind of peer pressure is definitely warranted in this case. It would be good if the judge in question apologised… irishtimes.com/crime-law/cou…

It turns out the biggest set of testicles in DC is on the 74 year old math geek.

RT @GavinTobin: @EastVeterans Supreme Commander of Irish #defenceforces meets supporters of Hezbollah who murdered a member of the Irish De…

Left: a councillor has announced he is standing by the proposal to rename Herzog Park. Right: the councillor in question’s response to the October 7th massacre. Enough said.

Reclaiming national symbols and linking them to broad democratic traditions is crucial to reaching moderates and conservatives who may support authoritarians out of fear, says @FESonline’s Filip Milačić. bit.ly/3JXVFxu

I think Americans and Europeans need to see the secret protocols of the Witkoff-Dmitriev pact before casting judgement. Which business deals have been agreed?

A fantastic new review of GLOBALIZING EUROPE by Jonas Kreienbaum: hsozkult.de/publicationrevie…

coming soon: the President v. the Taoiseach and the dawn of a new age of Irish populism

Thanks! No UCD event I'm afraid - I've already made my colleagues listen to these ideas enough already! We will be at IIEA next week though: iiea.com/events/the-authorit…

Yesterday was absolutely amazing. What an honour and privilege to speak at Dublin @HistFest. An enormous audience filled an iconic building & I have never been prouder to tell the stories of the women of #SOE. Mission Europe sold out. @YaleBooks #author #historian

Author copies of Dictating the Agenda: The Authoritarian Resurgence in World Politics by me & @CooleyOnEurasia arrived from @OUPAcademic today! If you RT this by Sept 30 we'll put you in a drawing & send the winner a free signed copy anywhere they happen to be on the planet.

Lovely review of TUNISGRAD in @HistoryofWarMag: 'What a book Tunisgrad is! David brings this extraordinary history to life through masterful storytelling and rich detail... As comprehensive as it is compelling.'

Our new HistoryBookBuffs podcast has just dropped. Give a listen to me and @Tonisenior discussing @sauldavid66's brilliant new book Tunisgrad. 👇

Kamala Harris to Trump during the debate: Putin would be sitting in Kyiv with his eyes on the rest of Europe. Starting with Poland. And why don’t you tell the 800,000 Polish Americans in Pennsylvania how quickly you would give up for the sake of favor and what you think is a friendship with Putin who would eat you for lunch

I don't think she is talking about how the men of violence turned their backs on violence, decommissioned their weapons and embraced the politics of democracy.

I was, in fact, highly anxious about posting this for three distinct reasons. Firstly, the Irish language community, which leans nationalist, has proven to have a vicious antisemitism problem since October 7th. I knew there would be backlash and that it would be nasty. So it goes and predictably so it has indeed gone. Calls for ‘standing with Comhar’ for their right to *checks notes* put a symbol of Jewish identity on barbed wire, which evokes clear and offensive Holocaust imagery. Interestingly, there is strong historical basis for antisemitism in Irish cultural movements, which includes the Irish language community. The Gaeilgeoir who alerted me of the cover below, is conducting research into the history of antisemitism within Irish cultural nationalism, and why it is relevant for understanding contemporary Irish antisemitism. I attended her illuminating talk at the @centre_as conference on contemporary antisemitism a few months ago entitled: ‘Nailing a Lie: antisemitism in Irish cultural nationalism’. I was stunned by the scope of antisemitism she uncovered and and was stunned this week to see this image in ‘Comhar’ that echoed so strongly the antisemitic language historically present in ‘Conradh na Gaeilge’, another Irish language publication and one that her work focuses on. Secondly, I love Gaeilge. Growing up I often felt as if I was not Irish enough; I had an unusual surname and was bullied for unusual features, namely my thick eyebrows. When I went to the Gaeltacht as a teen and became immersed in the language, I felt home. Languages doesn’t care what your name is, all that matters is your willingness to learn them and your openness to appreciating the unique lens with which each one lets you see the world through. Acquiring the Irish language gives you a lens through which you can navigating the world embracing your Irish identity to its fullest extent. Drawing light to the antisemitism in an Irish language paper therefore brings me no joy whatsoever, especially knowing the wrath it will incur from a community that once felt like home. Thirdly, the Irish language is having a renaissance. Academics working on the Irish language are doing remarkable work, as are talented filmmakers and young, enthusiastic Irish language content creators. For Gaeilge to be politicised and stigmatised at this critical moment when we are seeing a renewed interest and passion for the language, would be disastrous. This is what I perceive as happening with Kneecap: they are connecting the Irish language with hatred, extremism, and open support for terrorist organisations. The damage this could cause to the language, at this critical juncture where significant revitalisation is possible, should not be underestimated. Any discourse that fuels division within the Irish language community at this time I don’t want to be a part of. However, the Irish language belongs to Jews in this country just as much as it belongs to anyone else. A blatantly antisemitic cover such as this sends a very clear message to them: the language is not yours. And that is unacceptable. In order for the Irish language to thrive, as Hebrew did, the Irish language community must ensure that Irish language resources embody principles of inclusivity, respect, and human dignity for all. Including Jews.

Have just received hard copies of my book from @CambridgeUP. It's about the ordinary people who funded the Irish Catholic church between the end of the Famine and independence. It takes in social, economic, religious, emotions history and much else besides...

Thinking today, on the tenth anniversary of the Berkeley tragedy, of Aoife Beary, Olivia Burke, Eoghan Culligan, Ashley Donohoe, Lorcán Miller, Niccolai Schuster and Eimear Walsh, and of their family and friends. They will always be remembered as part of the @ucddublin community.

'Self-portrait.' (c1930) Lotte Laserstein studied painting under Erich Wolfsfeld at the Berlin Academy of Fine Arts and for the final two years of her tuition was his star pupil, an honour which brought with it her own studio at the Academy in which to paint.