Joined September 2018
- Tweets 983
- Following 325
- Followers 161
- Likes 622
208 Photos and videos
Pinned Tweet
22 Jan 2024
If you don't wanna listen to me, listen to him.👇👇
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May 21
We gaijin pretend the hardest part is learning 3 alphabets, when in reality we live in ignorant bliss not knowing what will come next 🤣
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E. LUNA retweeted
Apr 21
Hice esta visualización del metro de la CDMX en 3D y me gustó mucho. No es tan lineal como imaginamos.
Las estaciones más elevadas están todas al poniente de la ciudad: la más alta es Observatorio a 2,310m, luego Tacubaya a 2,288m y después Constituyentes a 2,282m.
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May 5
As manual analog experimentation and as a way to not generate the disposable plastic from a single-use camera, I might give this a try 🤔
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May 5
If you didn't train as a UI designer but you want to get better at Design, this little site has games to learn AND practice the notions of size, spacing and hierarchy :))
shiftgame.replit.app/
Give it a go to level up you UI Design!
20 Feb 2025
I've been away for a while, but I've been working on creating a UI/UX Principles course to teach you the basics of EVERYTHING that I learned in Design School.
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Apr 29
Every-time I have contact with the @Aeromexico brand I always wonder why they "refreshed" the logo to it's current version (2024-present).
I find it fascinating how we think logos "have to be refreshed", but I personally think that some -good- logos do not need it.🤷♀️
Apr 28
From Aztec Symbol to Modern Brand: A Designer’s Bold Vision.
Raúl Pérez Duarte Viesca was a Mexican graphic designer recognized for shaping modern corporate identity in Mexico, most notably through his 1989 redesign of the Aeroméxico logo. His work introduced a cleaner, more contemporary interpretation of the airline’s iconic “Caballero Águila” (Eagle Knight), a symbol rooted in Aztec heritage. Pérez Duarte Viesca streamlined the figure into a bold, geometric profile, emphasizing strength, motion, and national identity while making it adaptable for global branding. The redesign balanced tradition with modernity, helping Aeroméxico present itself as both proudly Mexican and internationally competitive during a period of industry change. His approach reflected a broader shift in late twentieth-century design toward simplicity and recognizability. The 1989 logo endured for decades with only minor refinements, demonstrating the lasting impact of his vision and his ability to create a timeless visual identity.
#logodecks
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Apr 24
Rifada.
Apr 23
昨日公開された Tiny Desk Concert の映像。スペインの音楽家アマイアが折り畳み椅子のフルート (chair flute) を吹いたり歌ったりピアノを弾いたりしています
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Apr 23
Peace between melodicism or chromaticism made -again- possible by cute animal videos.
Apr 22
Lithuanian composer and conductor Mindaugas Piečaitis, directs his orchestra on the notes of Nora the cat playing the piano.
She earns a standing ovation.
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Apr 17
Sukiya-zukuri architectural approach, but make it Mexican. 🪄
Apr 16
Hotel Humano by Hernández de la Garza in collaboration with Plantea Estudio
Puerto Escondido, Mexico 🇲🇽
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Apr 17
Whoooo look at that ink MOVING ❤️🔥
An old Life Magazine ad from 1940 animated by Studio Spud using Moho software (2D vector animation).
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Mar 30
Engineering: the machine is technically limited to run at this speed. There is no way can make it faster.
Designer: I... think that I might have an idea...
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Mar 25
WHAT!? 👀
Just discovered 1920s German Brick Expressionism and my life will never be the same
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Feb 13
OMG.
I've waited YEARS for the release of this #GDevelop #wholesome game.
My wallet is ready ✨
store.steampowered.com/app/4…
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Feb 12
When I was in Design school, teachers made us work in physical materials (paper, wood, acrylic) and I always wondered why they did this, where we were already trained to use design softwares that could do what they asked us to do 10 times faster.
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Feb 12
But as a trained visual Designer I can tell you: testing things the "slow way" (trying color combinations, shapes, odd or rigid alignments) is as crucial as thinking about your system's architecture.
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Feb 12
Sure, you can argue that this can also be automated by AI, but as a fellow member of the human race I am still on the fence about automating the delicious/interesting/forward parts of the creative process.
I still prefer to save galons of water by doing the visual testing by hand
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