Ternyata oh ternyata 😍 Smua drama nya aku sukaaaaaa 🎉🎉🎉🎉 Source : Lee Nam-Kyu (screenwriter) - AsianWiki share.google/EgupHTGHF7m2LuP…

A queer screenwriter. A remote island. A woman like a mirage in the heat. MHIS is a lush, cinematic fantasy that invites desire to step out of the distance. 🫦 bit.ly/HotItalianSummer Starring @BeatriceSe25338 & #TygaDares Directed by #GiannaMazzeo

PaIestinian screenwriter and filmmaker Ala Jaarah waves the Palesintian flag at the Washington state welcome sign. Note: She has traveled to 46 states.

Today, I'm recommending four works by The Queen of Space Opera, Leigh Brackett. An accomplished screenwriter, her contributions included - among other notable works - the classic noir The Big Sleep and an early draft of The Empire Strikes Back. The Long Tomorrow (1955): Set in a technophobic, agrarian post-nuclear America, it follows two cousins seeking the legendary hidden enclave of Bartorstown where science is secretly preserved. Compassionate, thoughtful, and profoundly human, it earned a well-deserved Hugo nomination for Best Novel. The Sword of Rhiannon (1953): A high-water mark for the sword-and-planet subgenre. It tells the breakneck tale of an archaeological thief hurled into Mars’s ancient, oceanic past, where he is caught up in a mythic, planet-spanning conflict. The Last Days of Shandakor (1952): A gorgeous, elegiac novelette that follows an Earthman's discovery of a doomed, legendary Martian city - and the ancient elder race quietly suffocating under the illusion of their own vanished glory. The Moon That Vanished (1948): A masterclass in atmosphere set on an oppressive, misty Venus. It tracks a man's obsessive quest for the Moonfire - the godlike, life-wasting remnant of the planet's long-vanished moon. Check out the quoted thread for the recommended works of Theodore Sturgeon, Alfred Bester, Bob Shaw, Clifford D. Simak, Algis Budrys, A.E. van Vogt, C.L. Moore, Cordwainer Smith, C.M. Kornbluth, D.G. Compton, Thomas M. Disch, Alice Bradley Sheldon (James Tiptree, Jr.), John Brunner, Judith Merril, Hal Clement, James Blish, Jack Williamson, Katherine MacLean, Fred Saberhagen and Jack Vance.

BIG BABY follows a horror screenwriter haunted by visions of a killer wearing a baby mask. When those nightmares start bleeding into reality, things get very messy. And yes, Cher is an executive producer.

I've read the manga and watched the drama. I think this is the only JBL adaptation that has a much better story than the original. two thumbs up for their screenwriter! 👍🏻👍🏻

As a screenwriter I never thought a part of being discovered for my work would include having to make a Reddit account.

No one has put the screenwriter for the film, a woman, more front and center than James, so you can shut the fuck up.

Remember that the 2005 film War of the Worlds was a team-up between director Steven Spielberg and screenwriter David Koepp. Sound familiar? This episode goes through the long history of the War of the Worlds from 1897 to 2025 and beyond. Podcast: Everywhere. Video: youtu.be/V7jKSsvY4No?si=YXrr… Website: SoundLightFrequency.com All Our Videos: HollywoodUFOs.com

PaIestinian screenwriter and filmmaker Ala Jaarah waves the Palesintian flag at the Washington state welcome sign. Note: She has traveled to 46 states. 🎥 alajaarah (IG)

Happy Birthday 🎂🎈🎉🎁 Television and film director and screenwriter Ken Loach is 90 today. tvark.org/wednesday-play

This is an insane hot take (courtesy of me, lol) but I think Rann is the only one who can actually time travel. Honestly, I don’t think we’ll get an explanation right away either. My guess is they’ll save that for after all the chaos because I feel like most of the action scenes are going to happen in the first half of the episode. Then we’ll finally get some answers, explanations, and hopefully some much needed LeneRann communication. I do, however, think that Peem will also get shot but doesn’t die. I think EP5 foreshadows well, he says, “as long as I don’t die, I don’t mind a few holes.” I thought too much about EP1 where he did say he wants to come back as a funny ghost and not a vengeful one. Rann turned back time. He may not be a ghost in the traditional sense but he did get revived. He came back from the dead and somehow still managed to stay funny af. Kind of crazy, but I honestly think Rann could get shot too and still not die. From a viewer’s perspective, that’s way more exciting and angsty. The screenwriter has been way too good so far for me to believe they’re going to make it that obvious. At this point, all the dialogue feels like it’s practically screaming, “Peem is getting shot,” which makes me think it’s a misdirect. It almost feels too easy now, doesn’t it? I don’t think Lene’s dad is the killer either. He could absolutely be the mastermind behind everything, pulling the strings and setting things in motion, but rich, powerful people usually know better than to get their own hands dirty. Could easily just be anyone on his team willing to do the job. The more I rewatch the episode, I think for me I’ve focused less on who did it vs. the why it turned out this way. And honestly, I keep coming back to the idea that maybe keeping Rann in her life could have saved her the first time around too. Yes, Rann turned back time, so the circumstances are different, but the sentiment still gets me. At its core, their story feels like two people choosing to stay by each other’s side no matter the timeline, no matter the outcome. Whether it’s through time travel, fate, or sheer stubbornness, there’s something really sweet about the idea that their love is also their protection: that in any lifetime, they’ll keep finding their way back to each other and doing everything they can to keep the other safe. Enjoy my theory! And seriously, congratulations to the entire team, it’s probably one of the best GLs on the market right now. I genuinely hope you all continue to find success in your respective arts! @miephat @ayaorapan @MAME12938 @jamesthps @MemindyOfficial #LoveBeyondDreamsSeries

[A Clarification from Mo Li Producer Side] Regarding the recent controversy surrounding the screenwriter, Wang Ying, the chief producer of "Mo Li" and vice president of Xinguang Pictures, told Sina Entertainment that the initial draft of the script for "Mo Li" was developed by Li Jingling's team, and a commissioned writing contract was signed. In July 2024, Feng Ranbai and Feng Jin joined as "optimization screenwriters," signing a script optimization service contract to optimize and revise the initial draft. The collaboration ended in January 2025, with all payments settled. "During the seven-month collaboration, we only worked on the script with Feng Ranbai and Feng Jin, and never communicated with Meng Qiqi. I don't even know her. The chat logs she posted on Weibo were between me and Feng Ranbai, not between me and her". In addition, Wang Ying clearly stated, "Bai Lu chose to star in 'Mo Li' because she wanted to work with director Lin Yufen. She never interfered with any scriptwriting or screenwriter changes" #BaiLu

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