Now on our blog: read an interview with Jonathan Thirkield, whose new poetry collection, INFINITY POOL, publishes with the Phoenix Poets series this month: buff.ly/4evo2g4
ALT A graphic reading “Now on the Blog: Read an interview with Jonathan Thirkield, author of ‘Infinity Pool’” & “Poetry is where I find myself most myself and most not myself. It’s where I become myself and find selves that I maybe only kind of knew were there.” Includes the book cover & author photo.
My review of @CpPress series of computer generated/mediated writing (mostly, excitingly, poetry!), Using Electricity, is up at @parisreview -- fascinating works by @aparrish, @nickmofo, @programmatology, @RuMboya, @rafapyp, @rrrrrroa, and many others
“Counterpath Press’s series of now thirteen computer-generated books … offers a refreshing alternative to the fantasia of terror and wonder that we’ve all been subjected to since the public release of ChatGPT.”
@jonthirkield for the Review’s Review. theparisreview.org/blog/2023…
Just read my teaching evals (as always with deep trepidation) and I've never been this moved by the comments @parsons_dt MFA students wrote. I feel so lucky to have worked with this awesome group of artists/designers/coders. supreme thanks to @colleenmacklin for bringing me in
“Whenever I went on too long about Antwerp
The doctor would quietly descend the two steps
To the kitchen and pour a cold French white
Into a tumbler, so as not to incriminate himself.”
From “Antwerp (2)” by @jonthirkield in our new Summer issue.
theparisreview.org/poetry/79…
surfacing from my twitter silence to send love to @akasomeguy and his (as always) awesome poem (along with my infinite devotion to Celan (esp in the form Joris‘ trances))
I am very late on this--here are the opening 3 lines of my poem "Drop" in @_conjunctions amazing and horrowing Earth Elegies issue. Deeply grateful to have my voice among this concert of voices. Please find a copy and read everything in it. Our minds are all part of the Earth.
Everlasting layers of ideas, images, feelings, have fallen upon your brain softly as light. —Thomas De Quincey
via @laphamsquart (how soft is light exactly and how everlasting are ideas etc? Still nice stuff)
A stark governmental example of #codingtheself / coding subjugated identities based on the idea/possibility of engineering your visual identity through DNA. "Called DNA phenotyping. Scientists use it to analyze genes for traits like skin color, eye color and ancestry."
In Xinjiang, Chinese police are using the blood and faces of an oppressed minority to craft dystopian technologies that may not even work. For years, they’ve been publishing their findings in respected international journals. W/ @suileenytimes.com/2019/12/03/busin…
Here is another, actually quite visually beautiful (like quartz), story attesting to the Internet's opposition to nature.
bbc.com/future/bespoke/made-…
Fantastic poems by Shane McCrae @akasomeguy framed by a rare example of really well done illustration and digital/visual storytelling by the @NewYorker (but it's still really about the poems!)
newyorker.com/magazine/poems…
“Poetry is not a fancy way of giving you information; it’s an incantation. It is actually a magic spell. It changes things; it changes you.” An interview with Philip Pullman. nyer.cm/FhivnIr
Yes, from 1970!! #dataviz people (et all) please take a look at Agnes Denes "Absolutes and Intermediates" at @TheShedNY and read this Washington Post thing too: washingtonpost.com/entertain…