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🔥LMAO🔥 DC: An unexpected merchandise controversy has emerged ahead of Supergirl, after fans noticed what appeared to be a Star Wars character featured in officially released artwork. 👀🔥 The collectible reportedly showed Milly Alcock's Supergirl surrounded by various alien characters. However, eagle-eyed fans quickly pointed out that one of the aliens closely resembled Lexo Sooger, an obscure figure known from deleted scenes of Star Wars: The Last Jedi. Following the discovery, the product was reportedly removed from sale, sparking speculation about how the character ended up in the artwork in the first place. While it's likely a simple design mix-up, the incident has already become one of the strangest DC stories leading up to Supergirl's release. 👀

If you do dislike anything about this, it is time to take a serious look within

me with the SpaceX cafeteria lady after she becomes a billionaire from the IPO

🎬 My Name Is Nobody (1973) Not just a film, but a stylish farewell to the golden age of the Wild West...

❤️‍🔥💐❤️‍🔥 Today is the ninth anniversary of the loss of Adam West (aka Batman, 蝙蝠俠). Born William West Anderson on September 19, 1928, in Walla Walla, Washington. Died June 9, 2017, in L.A., CA. Here is the unaired screen test for him as Bruce Wayne / Batman (with Burt Ward as Dick Grayson / Robin (羅賓)). 1) Burt Ward's name here is Burton Gervis. 2) They exit Stately Wayne Manor and enter the Batcave simply by walking and not using The Batpoles. 3) Batman's costume is very noticeably different from that of the TV show.

Tried to buy 1000 IPO shares of SpaceX at $135 per share. Could not get approved... I was ready to lose all that money just to show my support. ❤️‍🔥💯❤️‍🔥 @elonmusk @SpaceX

Harrison Ford had a nostalgic moment when Dan Lanigan showed him Rick Deckard’s original blaster prop from Blade Runner. For fans of the film, the moment felt like a powerful return to one of the most iconic worlds in science fiction. The blaster was never just an ordinary prop. In Blade Runner, it became part of Deckard’s image, carrying the mystery, danger, and futuristic noir feeling that made the film unforgettable. Seeing Harrison Ford connected to that piece again brought back memories of the character who helped define a generation of sci fi storytelling. Deckard’s world was dark, stylish, and emotional, and the blaster became one of its most recognizable symbols. Dan Lanigan’s role in preserving the prop made the moment even more meaningful. It showed how movie history can live on through the objects that once helped create legendary scenes on screen. For fans, this reunion with the original blaster felt like more than a simple behind the scenes moment. It was a reminder that Blade Runner’s legacy still lives through its memories, its props, and the actors who made it timeless. These visuals are owned by Hollywood Flashback Club. Any kind of unauthorised copying, reposting, or use of our content is strictly prohibited.

Ridley Scott kept Denzel Washington and Russell Crowe completely separated during the filming of American Gangster (2007). They did not meet until the cameras rolled for their climactic interrogation scene, ensuring the on-screen tension was genuine.

Blade Runner (2049) there was a similar scene in 1990’s Total Recall, directed by Paul Verhoeven, who was no stranger to creating dystopian futures, but also where advanced technology symbolized corporate and/or social status. Both Blade Runner and Total Recall are adaptations of Phillip K. Dick stories. So here’s a reminder of this techno fingernail connection between the two films, whether deliberate or coincidental.

When Vito says, “I spent my life trying not to be careless. Women and children can afford to be careless, but not men,” he is talking about how important discipline, caution, and responsibility are in life. That quote shows that through experience, he learned that a single mistake or moment of carelessness can change a person’s fate. Vito believes that a man must always stay alert, make thoughtful decisions, and carry the burden of responsibility without leaving room for weakness. In his words, you can feel years of experience, power, and the weight of a life spent trying to keep everything under control.

In Terminator 3, the chest-expansion effect was achieved with inflatable air bladders hidden beneath the costume. The actress Kristanna Loken couldn’t stop laughing because a crew member would literally pump them up by hand. “It didn’t always work. Sometimes it popped.”

Luv sits in a Pierre Paulin chair. She is perfection dressed in pure sleek lines thanks to Renee April, having a manicure in her office, while she coolly commands an attack many miles away. Doug Harlocker was the 2049 Prop Master, and the head gear and laser scalpel for Luv's Esthetician were perfect in every detail.

🎬 A tense battle of wits between James Bond and Valentin Zukovsky. No guns needed — just words and precision, turning dialogue into a weapon. Pressure, sharpness, and pure spy-thriller energy — a truly iconic face-off.

Marlon Brando created Don Vito Corleone’s iconic voice in The Godfather by experimenting with cotton balls in his cheeks during early tests, later using a custom dental device to achieve the same effect—giving the character his unforgettable presence. The Godfather (1972)

The most famous religious song in the world was not written as a prayer. You have heard Ave Maria a thousand times. Everyone assumes Franz Schubert wrote it as a setting of the ancient Catholic prayer, the Hail Mary, but he did not... This melody was never composed for the Latin prayer at all. In 1825, at the age of 28, Schubert was working his way through a German translation of a poem by the Scottish writer Sir Walter Scott, The Lady of the Lake. It is an adventure story, set among the warring clans of the sixteenth-century Scottish Highlands. In one scene, the heroine, a young woman named Ellen Douglas, is in hiding with her father in a mountain cave. Alone and afraid, she sings a song asking the Virgin Mary for help. Schubert set seven songs from that poem to music. Three of them were sung by Ellen, and this was the last of her three. He called it, plainly, Ellens dritter Gesang — 'Ellen's Third Song.' Its opening words were the two she would naturally cry out in her prayer: Ave Maria. That was all it took... The melody was so achingly beautiful that, in the years that followed, people began fitting the full Latin text of the actual Hail Mary prayer over his music. The fit was so natural, and the result so moving, that in the popular imagination the song became the prayer. Schubert died in 1828, at thirty-one. He had written more than six hundred songs, and much of his work was still unpublished and little known beyond a small circle in Vienna. He never knew that one melody, written for a fictional girl in a cave, would become one of the most beloved pieces of music in human history. It is a strange and beautiful thing. The most famous prayer ever set to music began as a song about someone who was simply afraid, and reaching, in the dark, for something to hold onto. Perhaps that is exactly why it has never stopped moving people. It was a real prayer before it was ever a holy one... If you enjoyed this, I write a weekly newsletter read by over 50,000 people who love rediscovering the beauty of the past. You can join us here: James-lucas.com/welcome If you'd like to support my work, a paid subscription is what makes it possible.