Creative Artist || ✍🏿 || 🎥 || 🎭 || 🎬 || 🎻 || @dhaadhasfire

Joined April 2021
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Why Ugandan Cinema Must Escape the Hollywood Validation Trap We need to have an honest, uncomfortable conversation about the soul of Ugandan cinema. Right now, our industry is standing at critical crossroads. We are producing more content than ever, our actors are getting noticed, and the cameras are rolling across the country. But if we pierce through the celebratory smoke and mirrors, we have to ask ourselves a brutal question: Whose stories are we actually telling, and whose gaze are we trying to satisfy? The harshest truth we must confront is that Hollywood didn’t just export movies; it exported a worldview. It inflicted a specific narrative template onto our collective psyche; - a Western formula of conflict, pacing, heroism, and resolution. Slowly, almost imperceptibly, that formula became our benchmark for "good cinema." We have fallen into a dangerous validation gimmick. We measure our creative success by how closely we can mimic the West, or whether a foreign festival validates our pain. When we build our cinematic language on borrowed foundations, we aren’t creating art; we are performing cultural ventriloquism. We are treating our own rich, deeply nuanced reality as a mere subsystem of a Western framework. We must run from this trap. True cinematic sovereignty belongs to those who dare to look inward. This dependency on external templates manifests heavily in our current structural landscape. We find ourselves trapped in the era of the 400 episode television marathon. We look at our industry and proudly claim, "We have so many stories to tell!" Yet, we take a single narrative spark and stretch it across hundreds of episodes of serialized television, thinning out the plot, exhausting our creative collectives, and diluting the cinematic texture until it becomes background noise. If we truly have an abundance of stories, why are we hoarding them in endless loops? An abundance of stories should mean a diversity of forms. It should mean fierce, tightly wound feature films, experimental shorts, and anthologies that explore the infinite corners of our heritage from ancestral suppleness to the bittersweet, complex socio-economic ripples of modern labor export and the changing dynamics of our relationships. We need to stop manufacturing narrative filler and start engineering cinematic impact. But the burden of this revolution doesn't fall solely on the directors, writers, and showrunners. It falls squarely on the Ugandan audience. We need to cultivate a genuine, mature culture of film viewership. it is an uphill battle since our Ugandan Cinema Origins are quite unfortunate however, blind praise is just as damaging to an emerging industry as cynical apathy. To support Ugandan cinema means to show up for it, to buy the ticket, to sit in the dark with our community and then, to engage with it honestly. We must move past the defensive reflex where any critique of a local film is seen as "sabotage." Constructive criticism is an act of love. It is the highest form of respect an audience can pay to a filmmaker, signaling that we take their work seriously enough to demand excellence. The rest of the world thrives in it. The immediate testing ground for this cultural shift is right in front of us. The Uganda Film Festival (UFF) screenings are here starting today Monday 25th for the next two weeks. This is where we vote with our feet and our attention. Let’s pack the theatres, not to look for Hollywood lookalikes, but to find ourselves on screen. Go to the screenings, witness the experiments, celebrate the victories, and debate the shortcomings. Let’s leave behind the era of the validation gimmick. Our soil is thick with unwritten myths and raw, unpolished regional truths. It is time we trusted our own eyes to see them. #UgandanCinema #UFF2026 #Storytelling #AfricanCinema #FilmLiteracy
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David Patrick retweeted
Ssemujju to Muhoozi: I’m not afraid of you; you’re not immortal "So yes, I can feel pain. I can experience fear like any normal human being. But I will not lose sleep over Muhoozi. Let him come and arrest me. No problem. Because after arresting me, will he become immortal? Will he become an angel whom nobody can ever arrest? Will he never fall sick? Will even malaria become afraid to attack him? Let Ugandans stop being excessively afraid of Muhoozi. Muhoozi has a duty to serve the interests of Ugandans, not his personal interests. Taxpayers pay him, and those taxpayers have every right to hold him accountable. So whatever he says, I care less." observer.ug/news/ssemujju-to… 📹@BakerbatteLule
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David Patrick retweeted
The cost of organising an event: Case Study: Africa Laughs Venue: Kololo Airstrip/ Serena Hotel 1. Venue Cost: Kololo - 50M, Serena - 25M 2. Production including Deco: 70-100M 3. Tent at Kololo - 25M 4. Floor Boarding at Kololo (Optional) - 25M 5. Artists - 40-60M (Both Local & International) 6. Flights - 25M 7. Accommodation - 7-10M 8. Advertising - 20M 9. Clearance & Permits: 5-10M 10. Welfare of Artists & Staff - 5M 11. Miscellaneous: 5M You roughly need 250 - 300M to pull of a successful concert If you Charge 100K, that about 2,500 to 3,000 People or you sell about 100 tables at 3M to break even, so you are at the mercy of Sponsors and Turn Up both of which usually don’t yield the numbers. But we got to do what we got to do. Everyone else gets paid 100% except the organiser . Basically we work for service providers 😭😭😭😭
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I agree
Guy Ritchie’s latest film In The Grey (🌟🌟) is so impossibly average, it hurts. My eyes are closed & I’m softly rubbing my temples while humming to myself…the only word that fills my mind? Mediocre. And while I’m at it, what the hell is my guy Jake Gyllenhaal doing in this film? Between In The Grey & The Bride, Gyllenhaal is clearly doing everything he can to test my love for him. Gyllenhaal is 45 & smack dab in what is supposed to be his prime acting years. So why the hell is he in this movie?? You will definitely find worse movies than this, but I can’t recommend In The Grey in good faith.  The biggest issue with this film is the story- the story is absurdly hollow & borderline obnoxious. Eiza Gonzalez, whom I like, plays this film’s lead- a lawyer named Rachel Wild who specializes in helping rich, powerful, largely unknown clients recover debts. Wild’s job is basically to “fix” asset deals that go wrong. With her she brings a group of henchmen, played by Henry Cavill & Gyllenhaal, who help carry out Wild’s plans to make her clients whole again. The idea here is Rosamund Pike plays one of Wild’s clients & loses a fuck tone of money in a deal-gone-wrong to start the film, which leads to Wild & her team cleaning up the mess.  There is way….way too much exposition in this movie. I know heavy exposition is something Guy Ritchie has cornered over the course of his last few films, but it’s such a thin line to walk. When done right, we get a beautiful film like The Gentlemen. When done wrong? We get a film like In The Grey, which violates the “show, don’t tell” rule that pervades Cinematic storytelling. Cinema is a visual art form, therefore, we don’t need every single character to explain every last motive of every last individual who enters a scene. We also don’t need constant, never-ending cutaways to something a character did at an earlier point in time. The over-exposition, the constant cutaways & the lack of plot all create hurdles that practically no director can overcome, including Ritchie.  It’s not to say this film doesn’t have redeemable qualities. I think Cavill & Gyllenhaal have good chemistry together, the dialogue is just barely witty enough to keep things moving & in typical Ritchie fashion, the action set-pieces are done well. I’m not going to sit here and pretend this film is a total disaster. It’s not. The issue, however, is the strong aspects of the film are lost by the fact that the story is just so damn weak.  Lastly, a word on Gyllenhaal again. There was a time- largely from 2013 to 2017- where I felt like Gyllenhaal was destined to win an Academy Award. It was just a matter of time until he found the right role with the right director at the right moment. I no longer feel that way. Gyllenhaal’s still got his fastball as an actor- I don’t doubt his talent. I do, however, doubt the choices he makes as an actor. It concerns me that he’s spending so many critical years of his career making bullshit films like this or The Bride or even the remake of Roadhouse- which was fine but not something worthy of Gyllenhaal’s skill. Watching this film sort of filled me with regret over the fact that Gyllenhaal isn’t in films like Nightcrawler or Prisoners anymore, but instead he’s choosing to do films like this with Ritchie. All of which is to say that I expect more from Gyllenhaal.  This is a totally average film & if you choose to spend your time watching it, you should at least wait until it’s free on Netflix or Amazon.
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David Patrick retweeted
History does not repeat itself, only fools repeat history…because they never learn from it!
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😂😂😂
Jun 14
😭😭😭😭😭
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David Patrick retweeted
Jun 12
A young woman in East Texas gives birth in her car. When rushed to the hospital, doctors will quickly realize that the baby is not her own and neither is the blood she’s covered in. Maternal Instinct — a new documentary — is now on Netflix.
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David Patrick retweeted
In years to come there’s no edit coming close to this everrrrr,the transition is sickkkkkkkk 🥶
these tiktok editors are making movies in 30 seconds 😭
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David Patrick retweeted
Javier Bardem has now given us three iconic bad-guy performances: 1. Anton Chigurh 2. Raoul Silva 3. Max Cady Between these three characters, Bardem has established himself as perhaps the best villain in Hollywood history. I can’t think of anyone who does it better.
My Cape Fear review is going up this weekend but I have to get this off my chest immediately: Javier Bardem is so fucking great in this show. I feel like no one else is watching this but me? Like are you guys seeing the things Bardem is doing as Max Cady? My jaw is on the floor.
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David Patrick retweeted
I hate niggas who think like this alexander was groomed from a young age to be leader he had fucking aristotle as a private tutor in one of the most advanced civilizations at the time, he was great but he was MADE great. Your ass goes to a public school with no toilet paper.
Alexander already conquered half the world when he was 23...
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David Patrick retweeted
Fellow Africans I created a special song for the love of the game , all I wish for is for @FIFAWorldCup to recognize my song as I put in so much work to deliver this Please I beg you reshare my project for all to see and enjoy even upto @fifa God bless you- #forTheLoveOfTheGame #worldcup2026
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Class Act
I couldn’t stand the thought of scrolling the internet and seeing my father’s casket in the grave.That’s why no videos were allowed at the burial. You can spin it how you want.God will forgive you for the things you do for clout.
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David Patrick retweeted
Cristiano Ronaldo to Manchester United: HERE WE GO! Done deal between Juventus and Man United on permanent move. Cristiano has accepted the contract proposal from Manchester United and he’s coming back. 🔴🇵🇹 #MUFC #Ronaldo Medical to be scheduled soon. CR7 IS BACK. Here we go.
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David Patrick retweeted
A little girl in Boston went home one day and asked her Nigerian mother if she could change her name to Zoe. Nobody at school could say Uzoamaka. Her mother was cooking. She didn't even turn around. "If they can learn to say Tchaikovsky, Michelangelo, and Dostoyevsky, they can learn to say Uzoamaka." That girl kept her name. Then she went to Hollywood and won three Emmy Awards. And now the whole world knows exactly how to say Uzoamaka Aduba. Your name is not a burden. It's a prophecy.
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The audience a Ugandan filmmaker has to convince...sigh
why are people still choosing netflix over moviebox despite moviebox being free??
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The planting was done way before that.
That pussy eating scene in Blood Sisters was completely unnecessary…
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David Patrick retweeted
A feminist can humiliate even her own father for online validation, while a misogynist can fight the entire world to defend his mother's honor
Hit me with the harshest reality truth.
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David Patrick retweeted
No World Cup song beats Wavin' Flag

Which is the best World Cup son ever? The Cup of Life or Waka Waka
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I find most people limited to watching certain genres, especially Ugandans.
Finding a good movie or series to watch on Netflix these days needs connections. 😂
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David Patrick retweeted
Jun 5
LIES the system feeds you - Salt is bad - Animal fats are bad - Seed oils are healthy - Fruits are healthy - Eat more vegetables to push stool - Gout is caused by red meat - Eggs are not good - Cholesterol will kill you - Breakfast is the most important meal of the day - Eat 6 meals to accelerate your metabolism to lose weight. - Fasting will cause ulcers. Lies conceived by globalists and buccaneers to sell seed oils and processed carbs. - and you will find our own Afrikans defending these lies with their blood. #FoodFriday
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