That's how I got started with Programming
I used @ProcessingOrg IDE before swiftly moving to p5.js cause Java was always throwing errors at me
I believe it's best way to get started with programming because you get visual feedback of the code, especially with the p5 web editor
I’ve been learning pygame this weekend. Reading docs and writing code.
Let me tell you, nothing nothing nothing comes close to changing a line and tabbing to see your changes. Slowly seeing your code turn into something. Calling a new function and seeing something appear on the screen…
Prompting will never.
Not saying we should go back. I won’t. Just realizing how much I loved this.
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The Book of Shaders retweeted
Proud to share that I have started assisting @ProcessingOrg as an R&D Mentor. What a great privilege.
processingfoundation.org/peo…
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Thandi Simmons retweeted
repost @sid.laheri on IG
Interactive creative code artworks made with @p5xjs @processingorg
#p5js #processing #creativecoding #interactiveart
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repost @ellieanthony.world on IG
Reactive particle type
Experimenting with image rasterisation and repulsion forces. So much fun to delve deeper into the physics side of Processing.
Font: Otto by @abcdinamo
Made in @processingorg
#processing #kinetictypography
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Jun 4
◉ Tutorial - Writing Shaders ◉
📣 p5.js v2 Artist Series Drop #3: @_juanrg92
What happens when we open up our p5.js sketches to the parallel power of the GPU?
@ProcessingOrg × @TezosFoundation
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May 29
A video reel of my p5js @p5xjs @ProcessingOrg interactive creative code artworks from some time back!
#creativecoding #p5js #interactiveart #processing
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✦ objkt weekly recap — highlights from our platform & beyond ✦
!!! Italian 🇮🇹 and Turkish 🇹🇷 language support launched on objkt
! New article on objktor:
✧ “Social Media Is Essentially Collage Culture” featuring @mich_tom written by @ForgetDali
✧ @mich_tom museum-grade print editions featured on @origenprints
! you don’t want to miss:
@_juanrg92 released "sin fin" on @bootloader_art as part of the p5.js v2 Artist Series in partnership with @ProcessingOrg × @TezosFoundation
✧ "Contingent" by @jamesbloom_ × Gottfried Jäger released and sold out on @objktone — extending Gottfried Jäger’s pioneering generative photography systems into a live networked digital environment.
✧ "Dear Guests, For Human Eyes Only" by @madebyoona sold out. A performance-based work exploring surveillance AI visibility and the body under machine vision. Curated by @_second_guess.
✧ Top 5 creators, last 7 days:
@jamesbloom_
Gottfried Jäger
@travess
@kimasendorf
@madebyoona
✧ Top 5 collectors:
@absurdeity
hotart.tez
@joshuasobel
iki-jima
@darbycrash58
✧ Collector of the Week: in the 46th edition, we chatted with @PompousLL about generative art, long-term conviction, and spotting historically significant digital works. Next up: @coneheadsquid
More to come. Stay tuned. 📡
▼ 07_09_25_Pixel_Rug_01 by @travess
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Art on Tezos Friday Recap 🔔
→ "Quayola: En plein air" announced, a new outdoor installation presented by HEK Basel and @TezosFoundation during Art Basel week this June. 🌳🖥️
→ Now Open: To Be Perceived, Against Evil by @LindaDouniaR × @rheaplex at @MovingImageNYC. Part of the MoMI × @TezosFoundation program exploring blockchain as a creative material. 🌳🏛️
→ @artontezos_ announces the 18 artists selected for the Body, Machine, Ghost screen presentation at @NFCsummit on June 4. Each selected artist also invited a second artist to join the program. 👤⚙️👻
→ @artcommissiontz opened submissions for its June Myths & Legends edition. Curators @spike_0124 & @328_lad, joined by @tantan_artwork and @ArchanNair, will select 20 artists and commission 1/1 works. 🏺🔮 Deadline: May 26.
→ 1 day until #ProofofPalm2026 organized by @absurdeity // @artontezos opened applications for a special #TezosTuesday guest collector initiative for the event. Absurdeity will select three participants, each receiving 300 tez to collect. 💙 🛒 Deadline: Today, 8PM CET.
→ @CinziaGabrielPH launched #TeiaWeave, a new community event on @TeiaCommunity inviting artists to explore patterns, textures, and threads through works spanning the geometric, organic, digital, and emotional. June 2–7. 🧵💙
→ New on Objktor: @mich_tom explains why collage feels more relevant than ever in a digital culture built on scrolling, editing, reposting, and reconstructed identities. ✂️📱
→ @TezosCommons announced this week's featured artist for Artz Friday, @FendelMarc, discussing music, art, community, and TezCon. 🎙️🎵
→ Open Worlds: An Afternoon of Digital Art Encounters took place on May 16 at @MovingImageNYC, featuring a Pixel Rugs book signing by @travess, a lecture and performance by @madebyoona, and a performance by Edgar Fabián Frías. 🖼️
→ Tezos Commons published its May Art On Tezos Spotlight, curated around the question: what does “artsy” actually mean? Featuring works by @gulbakanozge, @ahchoen and more. 🎨💭
→ @muriellondon announced the selected artists for ELSEWHERE, opening May 26 🚨✨
→ @ryangtanaka unveiled the TezCon 2026 poster campaign for Seattle, with plans to showcase art, music, and projects including Voices of Iran. 🎨🎶
→ objkt featured @PompousLL as Collector of the Week #46, reflecting on a collecting journey shaped by digital art and long-term curiosity. 🖼️💬
→ @OrbVortexx opened submissions for Chaos & Calm, a new collective curation exploring tension, balance, and the space between opposing forces. Thirty artists will be selected. 🌪️🕊️
Don’t Miss:
→ Code Chronicles V.2 releases on @objktcom, extending the exhibition at @bitforms beyond the gallery through a series of digital works by participating artists. 🖼️⛓️
→ sin fin (Endless) by @juanrg92 on @bootloader_art, the latest entry in the p5.js v2 Artist Series produced with @ProcessingOrg × @TezosFoundation. ♾️💻
→ Travess’ new Pixel Rugs releases featured in his recently released book. 📚
→ Dear Guests, For Human Eyes Only by @madebyoona, curated by @Second_Guess, featuring garments designed to disrupt AI pose-detection systems. 👁️🤖
→ @cubedekant’s War, My Love: i2, a group release examining hatred, violence, and destruction through a psychoanalytical lens. 🩸🧠
→ @Studio_De_Wilde’s second chapter of Error C’est La Vie, The Incredible Sodomy of Marcel DuchAIm. 🎭✨
→ EMERGENT, a Mental Health Awareness collective exhibition exploring healing, hope, and resilience. Organized by @livingarts_eth 🌱💙
→ @benjaminbardou’s A Work In Progress, a continuously evolving artwork generated in real time from Tezos blockchain activity, introducing a new style every day. ⛓️🎨
→ @oblivion_fields’ echolocation, a new curation on objkt, bringing together artists from across the ecosystem. 📡✨
→ @Ferdoropeza’ Liquid Poetry, an interactive exploration of water, light, language, generative sound, and WebGL shaders. 💧🪞
Image: 12_30_25_Pixel_Rug_01 by Travess Smalley
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May 21
We are very proud of Juan Rodríguez García @juanrg92 for his contribution as p5.js v2 Artist Series Drop #3, part of the @ProcessingOrg × @TezosFoundation partnership via @artontezos.
Juan is generously donating all of the proceeds to the Processing Foundation.
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May 21
My next interview on OBJKTOR is coming: @_juanrg92 on his new release in partnership with @ProcessingOrg and @TezosFoundation, live on @bootloader_art!
Have you already checked it out?
May 20
◉ p5.js v2 Artist Series Drop #3 ◉
@_juanrg92
NOW LIVE
𝘀𝗶𝗻 𝗳𝗶𝗻 (𝗘𝗻𝗱𝗹𝗲𝘀𝘀), uses p5.strands and shader-based repetition in p5.js more accessible using JavaScript GPU rendering.
↓ Produced in partnership between @ProcessingOrg × @TezosFoundation
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May 20
a mirror that refuses to hold you still.
your face → point cloud → turbulence.
pinch tears it. fist collapses it. crossed wrists invert the entire field. sound bends the geometry.
each session is its own weather. ↓
@ProcessingOrg @p5xjs
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May 20
𝘀𝗶𝗻 𝗳𝗶𝗻 (𝗘𝗻𝗱𝗹𝗲𝘀𝘀) is a meditation on our constant transformation, inviting us to value intuition and "error" as fundamental parts of the creative journey.
Part of the p5.js 2.0 Artist Series - a partnership between @ProcessingOrg × @TezosFoundation
↓
bootloader.art/generator/p5-…
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