Matte painting for the background for IMMORTALS built from photos on the drive from Las Vegas to LA. My wife was driving and I shot up through the windshield. All manipulated to classical layout. Animated using depth map displacement, which were also used for stereo3D images. The original version of this shot was not working. As global stereo pipeline specialist, they asked me to spearhead a full rebuild outside the VFX. Luckily this is what I knew how to do — I started with the background and had to integrate with the other teams and guide the work. I traveled from LA to Tippett Studios, then to a facility in Montreal to supervise this. The original stereo eye distance (inter-occult) was HUGE and nearly impossible to look at comfortably. I used vector displacement between the stereo3D cameras to create two interim eye positions with a LOT of paint fixes (in stereo) and had Tippett team reduce their interocular to match. I did this on my laptop with After Effects, and tools from ReVisionFX. The final scene was composited in Nuke by Sylvain Théroux using the brand new stereo views pipeline (one comp thread with two outputs) that The Foundry had learned from the Avatar team — who originated the method in Shake. Sylvain has a breakdown of his process, and stereo3D anaglyph versions of the final on his site. sylvaintheroux.com/dow.html We called it the Sistine Chapel shot. 14 years ago. The movie was released on Nov 11, 2011. My hotel room in Montreal was number 1111 — I think that was on purpose. The cast of Mirror Mirror was at the hotel at the time, a diverse group of actors with vastly different proportions. Made for an interesting stay.

Most insane editing fix of my life! Was given footage that looked like it was live-streamed on dial up. 🥴 I noticed it was basically missing half the frames, so I set it to 200% speed and then set @REVisionFX to 50% and fill in the frames. It’s literally perfect now. WHAT 😮

#REZUp 2 is out Check out the new machine learning models in the professional video and animation upscaling plugin for #compositing and #videoediting apps cgchannel.com/2025/08/revisi… #AfterEffects #Nuke #DaVinciResolve #postproduction #VFX #motiongraphics #animation @revisionfx

Special @REVisionFX and @beforesmag promo —> Upscale Your Summer on RE:Vision Effects plugins. Use the code for 20% off. Valid until July 31, 2025 revisionfx.com/ #vfxinsight

Discounts! @REVisionFX is holding a Summer Sale of its effects plugins in conjunction with @beforesmag. Use code After2025 for 20% off (valid until July 31, 2025) revisionfx.com/ #vfxinsight

#Twixtor now has a standalone edition The GPU-accelerated video retiming tool, previously a plugin for apps like After Effects, can now be used without a host app, for under half the price of a regular plugin license cgchannel.com/2025/01/revisi… #motiongraphics #VFX @revisionfx

One of the hardest parts about cutting a trailer (in this case a pitch trailer) is cutting stuff you love. So I am going to post every shot in it's entirety with some commentary. So to start, everything here was done with @UnrealEngine @Black_Eye_Tech and @AdobeAE (for color, motion blur and additional camera shake). Every shot has @MaxonRedGiant's Magic Bullet Looks and Universe and @REVisionFX Real Smart Motion Blur. Music is from @Artlist_io

Path Tracing?

So cool!!

Damn

Maybe 10-20 min - but only because it was literally my first time using them (your support on Discord was great). I have 3 camera position keyframes. The rest of the movement is Black Eye Camera some Red Giant Universe camera shake.

Sorta final (I know there's stuff to fix)... made with @UnrealEngine @AdobeVideo @Black_Eye_Tech @polygonflow @Artlist_io @MaxonRedGiant @REVisionFX. It took like 3 hours to set it up all 3D in Unreal, another 35 minutes to render. Then into AE for post. All audio from Artlist.

Cyber Week Sale Now On at @REVisionFX! --> Get your VFX and broadcast software products and plugins at 25% off with a special discount coupon. #vfxinsight Find out more: beforesandafters.com/2024/11…

Entries for our $4,500 prize giveaway end TOMORROW, 12PM ET! Don't miss your chance to win a one year All Access pass to ALL OF OUR COURSES, plus awesome prizes from our amazing sponsors: @MaxonVFX @Artlist_io @jorenkandel @REVisionFX @Poryagin Watch Metal Heart (and how it was made!) and enter to win: som.bz/4cuL05k

I made an animated short in @UnrealEngine and @AdobeVideo and I can’t wait to share it with you! Thanks to @MaxonRedGiant @Artlist_io @REVisionFX @jorenkandel @Poryagin for the awesome giveaway prizes.

⚠️📅Mark your calendars!📆⚠️ A new short film by our own @ABAOProductions is coming August 14! The release will also feature extensive BTS to show you exactly how it was made, and a HUGE giveaway from amazing sponsors. Someone will win over $4500 in prizes! Very special thanks to @MaxonVFX @jorenkandel @Artlist_io @REVisionFX and Vasiliy Poryagin! Find out more: schoolofmotion.com/metalhear…

RevisionFX Flex. Auto-trace the UV topology in AE to make the correct mask splines. Duplicate the spline set. Deform one point set to another using Flex.

#Twixtor 8 is out in beta The new #AI trained algorithm in the high-performance video #retiming tool reduces artifacts in tricky shots, like fast-moving objects with a lot of blur cgchannel.com/2024/03/revisi… #videoediting #compositing #motiongraphics #VFX @REVisionFX

@Adobe @borisfx @REVisionFX Pirating ur software is the highlight of my day.

Get the latest version of @left_angle_EN Autograph --> Packed with game-changing new features, this is Left Angle's biggest release yet. Plus, find out how to get 40% off in this @beforesmag run down. #vfxinsight @REVisionFX #motiongraphics #comp #vfx beforesandafters.com/2023/12…